Showing results by author "Simon Brett" in All Categories

Bill Nighy returns as Charles Paris: unsuccessful actor, bad husband, and dipsomaniac. Desperately in need of work, having been kicked out of his marital home, Charles jumps at playing a missing property developer in a crime-reconstruction program. But the missing person case soon turns to murder when severed body parts begin to appear.

A dinner party at an English mansion with some stuffy, not-very-close friends is not exactly Jude's cup of tea. But the practically mummified torso of a woman found in the cellar is much more up Jude's alley. Once again, the two middle-aged women from Fethering, Jude and her reluctant neighbor, Carole, find themselves embroiled in another puzzling whodunit.

When Charles Paris’ agent rings with the news that he has a part for him in a new musical, Charles is delighted - and somewhat amazed, as he can neither sing nor dance. But Maurice has an ulterior motive: as one of the show’s backers, he wants Charles to play detective and investigate a series of accidents that have dogged the production. The pianist has been shot in the hand, and another cast member fell downstairs - or was he pushed? Anxious about their investment and their star, Chris Watt, the ‘angels’ are keen to ensure that nothing else goes wrong.

When the owner of Polly's Cake Shop announces her retirement, the Fethering residents start to worry about the loss of this popular amenity. Alarmed by rumours that the café might become a Starbucks, a group clubs together to form an action committee. The plan is that Polly's should become a community venture managed and run by volunteers from the village. Roped in to help, Jude finds the committee meetings fraught with petty power struggles, clashing personalities and monstrous egos.

The life of noted man of letters Esmond Chadleigh is celebrated in the halls of Bracketts House, though most of his work remains out of print, leaving Bracketts out of funds. Carole Seddon can keep Bracketts running, in exchange for assistance on her Chadleigh biography. But the trustees are afraid the biographer is only interested in rooting out the skeletons in Chadleigh's closet, especially after uncovering one in his garden.

Although she hadn’t known Leonard Mallett very well, nor liked him particularly, Carole Seddon feels duty bound to attend her fellow committee member’s funeral. As she suspected, the hymns, readings, and sermon are all very predictable - not unlike Leonard himself. What she couldn’t have predicted was that the deceased’s daughter would use the occasion to publicly accuse her stepmother of murder.

Events manager Rosie Burns is used to coping with the unexpected, at work and at home. When her daughter, Kate, accidentally became a teenage mum, Rosie stepped in, raising her granddaughter, Jo, so that Kate could pursue her career in international banking. Now Jo works in the family firm alongside accountant Bob (who's nursing an unrequited love for Rosie) and Tess (whose love life never ceases to amaze). Things are ticking along nicely, until Rosie gets a phone call out of the blue - after 15 years working abroad, Kate's lost her job and is coming home....

Actor, alcoholic and amateur sleuth Charles Paris returns in another quintet of humorous theatrical thrillers. All Charles asks for is a nice juicy part in a successful play - but wherever he appears on the bill, murder and mystery always play a starring role.

Carole Seddon's trusty Renault is one of her most treasured possessions. So when it’s vandalized, there's only one person she will entrust with its repair: Bill Shefford, who’s been servicing the vehicles of the good citizens of Fethering for many years. But how could something like this happen in Fethering of all places? Then a note is shoved under Carole's kitchen door: Watch out. The car window was just the start. It appears that she’s been deliberately targeted. But by whom, and why?

The Hopwicke Country House Hotel once hosted a rich clientele. But hard times have forced Suzy Longthorne to open her doors to the Pillars of Sussex, a group of elitist businessmen. Suzy recruits Jude to help out, but the next morning, Jude discovers the body of a supposed initiate of the Pillars hanging from the beam of a bed. The police rule the death a suicide. The Pillars deny that the victim was an initiate. Jude knows both parties have something to hide, and she's determined to uncover the truth.

Charles Paris is his own worst enemy, a louche lush who can resist anything except temptation - especially in the form of women and alcohol. He’s been out of work so long now he feels he may never get a job and he’s driving Frances, his semi-ex-wife, mad. So when he’s offered a small role in a play, she nearly pushes him out of the door. But it seems that ‘The Message is Murder’ is such a terrible production that someone wants to kill off the cast.

A must-listen collection of four bibliomysteries by bestselling and award-winning authors

Blotto and Twinks are off on another adventure - and this time they're bound for the Alpine village of Luzvimmen in Switzerland, where Blotto participates in racing the prestigious and very fast Croissant Run, though someone seems determined to sabotage his chances. Twinks, on the other hand, is on a mission to rescue her friend's sister from the sinister finishing school she is trapped in - the Convent of the Sacred Icicle.

Charles Paris, middle-aged actor turned amateur sleuth, is vacationing at a small English seaside town. Irresistibly drawn to anything theatrical, Charles seeks entertainment at the local music hall and endures a series of not-so-wonderful vaudeville acts in the hope that the man given star billing will be worth watching. This performer, Bill Peaky, comes on stage with his electric guitar, grasps the microphone, and drops dead, due to faulty wiring of the stage equipment.

Professional declutterer Ellen Curtis doesn't need to like her clients to help them sort their homes out. Aging TV personality and curmudgeon Humphrey Carter might have a chip on his shoulder the size of England, but a job's a job. But when Ellen arrives the morning after Humph's eightieth birthday party, primed and ready to tackle his study - she gets the shock of her life. Humph's dead. . . and all signs point to him having taken his own life.

After a long period of "resting", life is looking up for Charles Paris, who has been cast in a new production of Hamlet. But rehearsals are fraught. Ophelia is played by Katrina Selsey, who won the role through a television talent show. Hamlet himself is also played by a reality TV contestant, Jared Root. But when the company reaches the first staging post of their tour, matters get more serious, with one member of the company seriously injured in what appears to be an accident, and another dead. Once again, Charles Paris is forced to don the mantle of amateur detective to get to the bottom of the mystery.

When widow Mrs Pargeter has her morning coffee, her intention is to admire her beautiful garden in peace and quiet. Little does she expect one of the patio's paving slabs to crack in two, revealing a human skull with a neat hole in the middle of its forehead! Mrs Pargeter decides to investigate. And who better to assist than her late husband's 'business associates', private investigator Truffler Mason and chauffeur Gary?

Having landed a small part in a new West End play, The Habit of Faith, Charles Paris is dismayed to discover that his good fortune has been orchestrated by his bête noire, the now-famous screen actor Justin Grover. But why has Grover become involved in this relatively obscure production - and why has he roped in Charles to star? From the outset the production is fraught with difficulties - and matters become even more complicated when a body is discovered at the foot of the dressing room stairs.

Charles Paris' old friend Mark, who runs a recording studio in Bath where Charles is making a talking book, has a drinking problem that amounts to a death wish. But it's not the drink that kills Mark, it's somebody in the cast of Charles' play who has a dirty little secret that Mark must not be allowed to reveal...

Charles Paris has landed a dual role in a lavish West End musical: onstage as a bit player, offstage as an undercover sleuth. The production's nervous backers fear that someone is trying to kill the play. The ultimate showstopper would be to eliminate the star.