Mostrando resultados por autor "E.M Forster" en Todas las categorías

"A Passage to India" is a novel written by E.M. Forster and published in 1924. It explores the complexities of human relationships and the clash of cultures during the British Raj in India. The novel revolves around the experiences of various characters, both British and Indian, in the fictional city of Chandrapore. The main plot follows Dr. Aziz, a young Indian Muslim physician, and his interactions with a British schoolteacher named Adela Quested.

A Passage to India hauntingly evokes India at the peak of the British colonial era, portraying the racial tension that underscores every aspect of daily life. In this setting, we meet Adela Quested and Mrs. Moor, British visitors to Chandrapore who, despite their strong ties to the colonial community there, are eager for a more "authentic" taste of India. But when their fates tangle with those of Cecil Fielding and his local friend, Dr. Aziz, at the nearby Marabar Caves, the community of Chandrapore is split wide open and everyone’s life—British and Indian alike—is forever altered.

A Room with a View is a novel by English writer E. M. Forster, about a young woman in the restrained culture of Edwardian era England. Set in Italy and England, the story is both a romance and a critique of English society at the beginning of the 20th century. The first part of the novel is set in Florence, Italy, and describes a young English woman's first visit to Florence, at a time when upper middle class English women were starting to lead independent, adventurous lives.

When Adela Quested and her companion Mrs Moore arrive in the Indian town of Chandrapore, they quickly feel trapped by its insular and prejudiced 'Anglo-Indian' community. Determined to escape the parochial English enclave and explore the 'real India', they seek the guidance of the charming and mercurial Dr Aziz, a cultivated Indian Muslim. Through them, Aziz becomes friends with Cyril Fielding.

Written between 1913 and 1914, it was published over 50 years later, the author believing that due to public and legal attitudes to homosexuality, to publish it in his lifetime would signal an end to his career. Maurice is now considered to be one of the most groundbreaking and significant novels of the LGBT+ canon, and in this brand new recording Ben Whishaw (Mary Poppins Returns, Paddington, A Very English Scandal) gives an emotive and mesmerising performance.

English widow Lilia causes a scandal by marrying Gino, a highly unsuitable Italian 12 years her junior. But when her relatives are confronted by the beauty of Italy and the charm of Gino, they are forced to examine their own narrow lives.

This brilliant novel depicts cultural clashes between a middle-class English family and a penniless Italian. His marriage to a young widow from Sawston leads to a tumultuous situation within the family.

A Room with a View portrays the love of a British woman for an expatriate living in Italy, a country which to Forster represents the forces of true passion. Caught up in a world of social snobbery, Forster's heroine, Lucy Honeychurch, finds herself constrained by the claustrophobic influence of her British guardians, who encourage her to take up with a well-connected boor.

E. M. Forster provides a view of the future from 1909. He comes alarmingly close. Humanity has lost the ability to live above ground, but they communicate magnificently through the Machine. As a matter of fact the Machine handles just about everything, taking the freedom of choice, or the need to choose away from humankind. But when the machine breaks, can humanity survive?

Howards End is a novel about social conventions, codes of conduct, and private relationships in turn-of-the-century England. It also showcases differences between the middle class and the poor, while weaving a complex story of relationship amongst three families belonging to three different classes of pre-war England. Howards End is considered by many to be E. M. Forster's masterpiece.

The story from which this collection takes its title describes the adventures of an imaginative boy who discovers an omnibus that enables him to travel to the past in the company of famous historical personages. When at his invitation, an incredulous adult accompanies him on a journey, the astonishing new vistas unfolding alarm the security-conscious older man, who wishes himself back in his comfortable suburban home.

Aspects of the Novel is compiled from a series of lectures delivered in 1927 by E. M. Forster at Trinity College, Cambridge, in which he discussed the English language novel. By using examples from classic texts, he explores the seven universal aspects of the novel: story, characters, plot, fantasy, prophecy, pattern, and rhythm.

An introspective novel of manners at once comic and tragic, The Longest Journey tells of a sensitive and intelligent young man with an intense imagination and a certain amount of literary talent. He sets out full of hope to become a writer, but gives up his aspirations for those of the conventional world, gradually sinking into a life of petty conformity and bitter disappointments.

Howard's End is about three families in England at the beginning of the twentieth century. The three families represent different gradations of the Edwardian middle class: the Wilcoxes, who are rich capitalists with a fortune made in the Colonies; the half-German Schlegel siblings (Margaret, Tibby, and Helen), who represent the intellectual bourgeoisie and have a lot in common with the real-life Bloomsbury Group; and the Basts, a couple who are struggling members of the lower-middle class. The Schlegel sisters try to help the poor Basts and try to make the Wilcoxes less prejudiced.

Lucy has her rigid middle-class life mapped out for her, until she visits Florence with her uptight cousin Charlotte, and finds her neatly ordered existence thrown off balance. Her eyes are opened by the unconventional characters she meets at the Pension Bertolini: flamboyant romantic novelist Eleanor Lavish, the Cockney Signora, curious Mr Emerson and, most of all, his passionate son George. Lucy finds herself torn between the intensity of life in Italy and the repressed morals of Edwardian England, personified in her terminally dull fiancé Cecil Vyse.

The Celestial Omnibus and Other Stories is a collection of short-stories which Forster wrote during the prewar years, most of which were symbolic fantasies or fables.

"A Room with a View" is a novel set in Italy and England, the story is both a romance and a critique of English society. The main themes of this novel include the empowerment of a young Edwardian girl, sensual awakening, the role of institutional religion, growing up and true love. It is written in the third person omniscient, though particular passages are often seen "through the eyes" of a specific character.

The major part of the human population lives under the surface of Earth. Humankind has created a Machine which meets all possible needs. Travelling is permitted but people do not feel the need for it. Everybody lives in a separate room and communication is made via messages and videos only. However, not everyone is content with this life. There are rebels like Kuno who want to explore and get out of the limitations set by the Machine. Kuno will try to escape but without success.

The Machine Stops is a short science fiction story. It describes a world in which almost all humans have lost the ability to live on the surface of the Earth. Each individual lives in isolation in a 'cell', with all bodily and spiritual needs met by the omnipotent, global Machine. Most humans welcome this development, as they are skeptical and fearful of first-hand experience. People forget that humans created the Machine, and treat it as a mystical entity whose needs supersede their own. Those who do not accept the deity of the Machine are viewed as 'unmechanical' and are threatened with "...

E. M. Forster’s tale of the future sounds frightening today due to its elements of prescience. Individuals live isolated lives below ground where they communicate through video conferencing and their physical and spiritual needs are met by a sinister global Machine. Things start to fall apart when it becomes virtually impossible to visit the surface world, and the religion of Technopoly is reestablished.