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The golden age of radio had incredible comedy shows that kept Americans in stitches for decades. Families gathered around their living room radios to be entertained by the greatest names in Hollywood each and every day. This collection includes Bud Abbott and Lou Costello, Eve Arden as Connie Brooks on Our Miss Brooks, Jim and Marian Jordan as Fibber McGee & Molly, William Bendix as Chester A. Riley on The Life of Riley, Jack Benny welcoming guest, Fred Allen, Freeman Gosden and Charles Correll as Amos ‘n’ Andy and many more!

Let’s all visit 79 Wistful Vista, the home of Fibber McGee and Molly, who each week invited millions of listeners to tune in to their comedic, family-friendly radio adventures. Few radio programs were more beloved than Fibber McGee and Molly, and even fewer play as well more than a half century later.

Created by Irving Brecher, The Life of Riley starred William Bendix as Brooklyn-born Chester A. Riley, a family man who worked as an airplane riveter at the fictional Cunningham Aircraft plant in California. The stories were usually set at home, with Riley cheerfully disrupting life with his malapropisms and ill-timed intervention into minor problems. His stock answer to every turn of fate “what a revoltin' development this is!” became a popular catchphrase.

Created by author Jack Boyle, Boston Blackie was a reformed jewel thief and safecracker, constantly suspected of crimes he did not commit and forced to play the role of detective to clear his name. His girlfriend, Mary Wesley, assisted Blackie from time to time, as did his pal Shorty. Forced to defend himself against the accusations of New York Police Inspector Faraday, Blackie always managed to stay one step ahead of the cops in solving a crime.

Broadway Is My Beat was a dark, gritty radio crime drama that ran on CBS from 1949 until 1954. The series was originally broadcast from New York with Anthony Ross portraying Times Square Police Detective Danny Clover. Produced by Lester Gottlieb, it was directed by John Dietz. By the thirteenth episode, the series moved to Hollywood (still set in NYC) with producer Elliott Lewis directing a new cast with scripts by Morton Fine and David Friedkin (the duo that would later write and develop TV’s popular secret-agent series I Spy).

Throckmorton P. Gildersleeve was a popular character appearing regularly on The Fibber McGee & Molly Show. On August 31, 1941, the character landed his own situation comedy show, The Great Gildersleeve, becoming radio’s first spin-off. Gildy moved from the town of Wistful Vista to Summerfield, where he raised his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy (Walter Tetley). The household also included a cook named Birdie (Lillian Randolph).

Debonair British actor Herbert Marshall starred as FBl secret agent Ken Thurston, "the man who crosses the ocean as readily as you and I cross town; he is the man who fights today's war in his unique fashion, so that tomorrow's peace will make the world a neighborhood for all of us." Leon Belasco played Mr. X's comedic sidekick, Pagan Zeldchmidt, who always turned up in remote parts of the world to assist Thurston.

Created by John Guedel, You Bet Your Life was one of the best-loved quiz shows to air on both radio and television. It was hosted by Groucho Marx of the Marx Brothers, with announcer and assistant George Fenneman. It debuted on radio in 1947 and lasted until 1960. For much of this time, it was also seen on television.

Freeman Gosden and Charles Correll made their radio debut January 12, 1926, as the comedic, blackface characters Sam 'n' Henry. On March 19, 1928 they introduced Amos 'n' Andy, which went on to become one of the most popular and longest running programs in radio history. During the height of its popularity, almost the entire country listened to the 15-minute, Monday through Friday adventures of Amos 'n' Andy.

Horatio Black was known to friend and foe as Boston Blackie - an ex-jewel thief and safecracker constantly suspected of crimes he did not commit and forced to play the role of detective to clear his name. His girlfriend, Mary Wesley, assisted Blackie from time to time, as did his pal Shorty. Forced to defend himself against the accusations of New York Police Inspector Faraday, Blackie always managed to stay one step ahead of the cops in solving a crime. The wisecracks exchanged between Blackie and Faraday made the program an enjoyable mix of comedy and mystery.

Have Gun-Will Travel followed the adventures of Paladin, a soldier of fortune-turned-hired gunfighter, played by John Dehner. Paladin preferred to settle problems without violence, yet, when forced to fight, excelled. He lived at the swanky Carlton Hotel in San Francisco, where he dressed in formal wear, ate gourmet food, attended the opera and enjoyed the company of beautiful women. When working as a gun-for-hire, he dressed in all black, used calling cards and wore a holster, decorated by a characteristic chess knight emblem.

Fibber McGee & Molly had a long and successful run on radio (1935-1959). The program showcased terrific comic and musical talent, headlined by its creators and stars, married couple Jim and Marian Jordan. Living in the fictional Midwestern town of Wistful Vista, Fibber was an American teller of tall tales and a braggart, usually to the exasperation of his long-suffering wife Molly. Life in Wistful Vista followed a well-developed formula, but was always fresh.

The character of Jack "Flashgun" Casey was first penned by former newspaper and advertising executive George Harmon Coxe, Jr. in the March 1934 issue of Black Mask, the legendary Pulp Magazine. Casey was a cameraman who took photographs that accompanied reporter's newspaper stories. His keen eye for detailed served him well at solving the crimes he was assigned to photograph. "Flashgun" Casey was an instant success with the Black Mask readers and soon made the leap to the silver screen and to radio.

Throckmorton P. Gildersleeve was a popular character appearing regularly on The Fibber McGee & Molly Show. On August 31, 1941, the character landed his own situation comedy show, The Great Gildersleeve, becoming radio’s first spin-off. Harold Peary stars as Throckmorton P. Gildersleeve, Summerfield’s loveable water commissioner and most eligible bachelor, in these 16 fun-filled comedy episodes.

Like its predecessor Dragnet, Tales of the Texas Rangers adapted actual police case files for its broadcasts. Leading each week’s investigation of an actual Texas Ranger case was the same Texas Ranger, Jayce Pearson, portrayed by movie star Joel McCrea. Because the stories were set in the present day, Pearson used the latest scientific techniques to identify criminals. Unlike Joe Friday, Pearson didn’t have a regular partner, typically working with the local sheriff instead (who was usually portrayed by Parley Baer).

On March 19, 1928, Freeman Gosden and Charles Correll introduced Amos ‘n’ Andy, which went on to become one of the most popular and longest-running programs in radio history. During the height of its popularity, almost the entire country listened to the 15-minute, Monday-through-Friday adventures of Amos ‘n’ Andy. Department stores piped in the broadcasts so shoppers wouldn’t miss an episode, and movie theaters scheduled their features to end just prior to the start of Amos ‘n’ Andy so they too could pipe it in.

America’s Favorite Cowboy, Roy Rogers, stars in 16 rip-roaring Western radio adventures from the early 1950s.

This collection contains 12 of the greatest shows ever broadcast during the Golden Age of Radio - including episodes of The Jack Benny Program, Burns & Allen, Gunsmoke, The Amos ‘N’ Andy Show, Philip Marlowe, The Green Hornet, X Minus One, Sherlock Holmes and many others. Radio’s finest actors perform before the microphones, including: Jack Benny, Frank Sinatra, Danny Kaye, Groucho Marx, Ozzie Nelson, Harriet Hilliard, Basil Rathbone, Nigel Bruce, Jim and Marian Jordan, Hal Peary, Eve Arden, George Burns, Gracie Allen and many more.

The golden age of radio had incredible drama shows that kept Americans glued to their radio sets. Families gathered around their living room radios to be entertained by the greatest names in Hollywood each and every day. The biggest stars from tinsel-town lent their voices to radio dramas and most of the time the producers and sponsors allowed them to take a curtain call to plug their latest film release.

This collection contains 16 of the greatest science-fiction broadcasts from the Golden Age of radio, including episodes of X Minus One, Suspense, The CBS Radio Workshop, Escape, The Weird Circle, and others. Radio’s finest actors perform before the microphones in adaptations from the past masters of science fiction. Relive the best radio sci-fi shows from yesterday and the legendary stars that made them amazing in this incredible collection.