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Edward Everett Hale was born on April 3rd, 1822, in Boston, Massachusetts. He was a prodigy, gifted with extraordinary literary skills. At only 13 he graduated from Boston Latin School and enrolled at Harvard College. There, he settled in with the literary set, won two Bowdoin prizes and was elected Class Poet. He graduated in 1839. His literary career started quite late. It wasn’t until 1859 that he was first published in the Atlantic with his short story "My Double and How He Undid Me." In 1863 the Atlantic published perhaps his best-known work "The Man Without a Country."

Willa Sibert Cather was born on 7th December, 1873 on her grandmother's farm in the Back Creek Valley near Winchester, Virginia. After several years and moves the family eventually settled in Red Cloud, Nebraska and for the first time Cather could now attend school. In Red Cloud, Cather had her earliest writings published in the local Red Cloud Chief newspaper. Her time in the mid-West created a vivid tranche of experiences for the young woman.

This volume pays tribute to 50 different women poets, some well-known whilst others undeservedly forgotten but all contributing a single poem which we hope might nudge listeners to discover more of their verse.

Violet Mary Firth wrote under her pen name Dion Fortune. Born in 1890 her talents included being a occultist, ceremonial magician, novelist and author. She wrote prolifically, much of it on occult themes.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. Human beings are, in the main, social animals, they like to gather, to herd together, to share experiences. But some do not. Either through choice or exclusion their way forward is difficult. In this volume our authors and their characters share their stories.

In this series we explore the many facets of love through literary talents that span both time and country. Love comes in many forms, many shades and many hues. There is one though that society wants more than any other and it is now part of our culture. Yes, the Happy Ending.

Robert Laurence Binyon, CH, was born on 10th August 1869 in Lancaster in Lancashire, England, to Quaker parents, Frederick Binyon and Mary Dockray. He studied at St Paul's School, London, before enrolling at Trinity College, Oxford, to read classics. Binyon’s first published work was Persephone in 1890. As a poet, his output was not prodigious, and, in the main, the volumes he did publish were slim, but his reputation was of the highest order. When the Poet Laureate, Alfred Austin, died in 1913, Binyon was considered alongside Thomas Hardy and Rudyard Kipling....

Wilfred Owen was born on 18th March 1893 at Plas Wilmot, near Oswestry in Shropshire, the eldest of four children. His mother's strong Anglican views passed through to Wilfred, and the Bible, along with books on the Romantic poets, particularly John Keats, were particular favourites and contributed to his initial devotion to the church. In 1913 Wilfred began work as a private tutor teaching English and French at the Berlitz School of Languages in Bordeaux, France, and later with a family.

Hugh John Lofting was born in Maidenhead, Berkshire, on January 14th, 1886 to English and Irish parents. Lofting was initially educated at Mount St Mary’s College in Spinkhill, Derbyshire, a Jesuit boarding school, from the age of eight. By 1905, at age 18, he was to study abroad, taking classes in civil engineering at the esteemed Massachusetts Institute of Technology (MIT) in the USA. Thereafter he embarked on a quest to travel widely before settling down to write of his adventures.

Hard-boiled detectives. Tough. Cynical. But they always get the job done no matter who - or what - gets in their way. Richard Rogue was one of those hard-boiled detectives. He had a way with one liners, a way with the ladies and a way of solving crimes that is probably unique on the airwaves. Every time he got took a fist to the jaw and got knocked out his subconscious took the clues and gave him the answer. These classic programmes are wonderful reminders of times gone by. On rare instances the sound may fall short of modern audio standards.

NBC University Theater initially started in Chicago with a remit to bring adaptations of classic novels, usually Anglo-American, to a radio audience. In its later years, it also included short stories and plays and went on to win the distinguished Peabody award. University Theater relied on excellent distillations of the novels and first-class acting alongside high production values.

NBC University Theater initially started in Chicago with a remit to bring adaptations of classic novels, usually Anglo-American, to a radio audience. In its later years, it also included short stories and plays and went on to win the distinguished Peabody award. University Theater relied on excellent distillations of the novels and first-class acting alongside high production values.

The mythic West. Sprawling, violent, beautiful. The expansion of Americans into this vast landscape was America’s very own Iliad, its own Odyssey. These legendary times were immortalised in screen and print down the decades, but perhaps its greatest canvas was the radio waves. And Gunsmoke was perhaps the best of its breed. Now good versus bad, the epic legend of the American West is back on the airwaves.

The mythic West. Sprawling, violent, beautiful. The expansion of Americans into this vast landscape was America’s very own Iliad, its own Odyssey. These legendary times were immortalised in screen and print down the decades, but perhaps its greatest canvas was the radio waves. And Gunsmoke was perhaps the best of its breed. Now good versus bad, the epic legend of the American West is back on the airwaves.

Frank Sinatra plays private eye Rocky Fortune, a 'footloose and fancy-free young man', frequently unemployed, who would then take on a range of odd jobs that would lead into adventurous escapades. Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior.

'Touching for a Pal' & 'Princess O'Hara' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

When there really did seem to be more stars in Hollywood than in heaven, Hollywood Stage had them performing films as radio plays - on the sponsor's dime, of course. Classic films now become audiobooks, with many featuring the original stars from way back when. Here's Mary of Scotland starring Joan Crawford and Franchot Tone.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

When there really did seem to be more stars in Hollywood than in heaven, Hollywood Stage had them performing films as radio plays - on the sponsor's dime, of course. Classic films now become audiobooks, with many featuring the original stars from way back when. Here's Little Women starring June Allyson and Peter Lawford.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....