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Art and life. Each the mirror of the other. This then is the classic definition of what ‘Realism’ as a writing form really is. Some might call it a fancy term for the mundane day to day pursuits but in the hands of an author it comes alive. We are drawn into characters and landscapes that we can empathize with, we can, metaphorically speaking, help shoulder their burden, be on the long trail with them whatever the landscapes, the hurdles, incidents and other people may place in their literary way.

Montague Rhodes James is cited as perhaps the greatest English writer of ghost stories, an opinion few would disagree with. His classic story ‘Whistle and I’ll Come to You My Lad’ exquisitely reveals how a young professor on holiday chances on a buried whistle and folklore becomes terrifying fact.

Algernon Blackwood was born on 14th March 1869 in Shooter’s Hill, South East London, to a religious middle-class family. His mother was a widowed Duchess and his father was a Post Office administrator. Blackwood was interested in the paranormal and the supernatural at an early age, and had a thirst for anything on Buddhism, other Oriental philosophies, mysticism and occultism. In his writings the weaving of the supernatural into his various works, from ghost stories and children’s stories to plays and long novels is clearly seen.

Aleksander Głowacki, who wrote under the nom de plume Boleslaw Prus, was born on 20th August 1847 at Hrubieszów in the Kingdom of Poland, at that time, controlled by the Russian Empire. It seems he had doubts as to the scale of his talents and early on adopted the name ‘Boleslaw Prus’, for both his journalistic and literary offerings. His work as a short-story writer met with much acclaim. He wrote several dozen of them, originally published in newspapers and ranging in length from micro-story to novella. His keen observation of everyday life and sense of humor are evident in them.

Richard Harris Barham was born in Canterbury, England, on 6th December 1788. His father died when he was seven, leaving him a small estate, including the manor of Tappington of Denton in Kent. In 1826 Barham first contributed to Blackwood's Magazine; and in 1837 he began to write, for the recently founded magazine, Bentley's Miscellany, a series of tales and poems known as ‘The Ingoldsby Legends’. These became very popular and were later published in book form.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

Nathaniel Hawthorne was born on 4th July 1804 in Salem, Massachusetts, a town synonymous with the earlier Salem Witch Trials. It was instrumental in Hawthorne’s later use of American Gothic and dark romanticism in his writing. He was a mere four years old when his father died and his mother took him and his two sisters to live with her family and then on to their own home in Raymond, Maine. The young Hawthorne had a passion for fiction and poetry and voraciously read the works of Ann Radcliffe, Henry Fielding and Lord Byron.

Keats. A short life but a legacy of works that few, if any, can rival. And of course his end was to be tragically Romantic. Keats was returning one night to his home in Hampstead when he coughed. He coughed a single drop of blue blood upon his hand and said, ‘I know the colour of that blood, it is arterial blood, it is my death warrant, I must die’. And so it was that tuberculosis took its slow, devastating hold.

In this Venetian set story Edwards follows the trail of a man who, after the briefest of meetings, falls in love with a young Jewish girl, who has but one request of him.

The German peoples spent centuries as tribes and regions without being a whole. Otto von Bismarck was instrumental in unifying these central European states into one country albeit based on the militaristic doctrine of Prussia. In the 20th Century its history was blighted by its capacity to resort to war to fulfill its ambitions, or right its perceived historical wrongs. In this volume the short stories by its greatest authors readily attest that their talents are equal to the greatest in World literature.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. Some you may disagree with but they will get you thinking; about our choices and about those you would have made. If this volume takes you on a path to discover more of these miniature masterpieces then we have all gained something.

Stephen Crane was born 1st November 1871 in Newark, New Jersey, and was the eighth surviving child out of 14. Incredibly, he began writing at the age of four and was published several times by the age of 16. Crane only began a full-time education when he was nine but quickly mastered the grades needed to catch up and move forward. Although educated at Lafayette and Syracuse, he had little interest in completing university and was keener to move on to a career, declaring college to be ‘a waste of time’.

Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson, and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

When there really did seem to be more stars in Hollywood than in heaven, Hollywood Stage had them performing films as radio plays - on the sponsor's dime, of course. Classic films now become audiobooks, with many featuring the original stars from way back when. Here's Mildred Pierce starring Rosalind Russell and Zachary Scott.

Edward Alexander Crowley was born on 12th October 1875 to wealthy parents in Royal Leamington Spa in Warwickshire. He was educated at Malvern College, Tonbridge School, Eastbourne College and finally Trinity College, Cambridge where he focused on his passions of mountaineering and poetry and published several volumes. His literary works were both prolific and covered many topics. In the early part of his career he published many poetry books, even plays, before his darker and more forceful works came to dominate his output.

Hosted by Ralph Richardson, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Robert Morley and Orson Welles to Trevor Howard, Michael Redgrave and Laurence Olivier. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

When there really did seem to be more stars in Hollywood than in heaven, Hollywood Stage had them performing films as radio plays - on the sponsor's dime, of course. Classic films now become audiobooks, with many featuring the original stars from way back when. Here's Shadow of a Doubt starring William Powell and Theresa Wright.

The mythic West. Sprawling, violent, beautiful. The expansion of Americans into this vast landscape was America’s very own Iliad, its own Odyssey. These legendary times were immortalised in screen and print down the decades, but perhaps its greatest canvas was the radio waves. And Gunsmoke was perhaps the best of its breed. Now good versus bad, the epic legend of the American West is back on the airwaves.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true-life crime is retold. Mr Welles, we’re ready.