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David Bordwell argues that the principles of visual storytelling created in the studio era are alive and well, even in today's bloated blockbusters. American filmmakers have created a durable tradition - one that we should not be ashamed to call artistic, and one that survives in both mainstream entertainment and niche-marketed indie cinema. Bordwell traces the continuity of this tradition in a wide array of films made since 1960.

Noir emerged as a prominent American film genre in the early 1940s, distinguishable by its use of unusual lighting, sinister plots, mysterious characters, and dark themes. From The Maltese Falcon (1941) to Touch of Evil (1958), films from this classic period reflect an atmosphere of corruption and social decay that attracted such accomplished directors as John Huston, Alfred Hitchcock, Billy Wilder, and Orson Welles.

Many Americans have condemned the "enhanced interrogation" techniques used in the War on Terror as a transgression of human rights. But the United States has done almost nothing to prosecute past abuses or prevent future violations. Tracing this knotty contradiction from the 1950s to the present, historian Alfred W. McCoy probes the political and cultural dynamics that have made impunity for torture a bipartisan policy of the U.S. government.

For over 200 years, the Catskill Mountains have been repeatedly and dramatically transformed by New York City. In Making Mountains, David Stradling shows the transformation of the Catskills landscape as a collaborative process, one in which local and urban hands, capital, and ideas have come together to reshape the mountains and the communities therein. This collaboration has had environmental, economic, and cultural consequences.

On November 22, 1963, the author of Behind the Scenes was a young Dallas Times Herald reporter who sprinted from his newspaper desk to Dealey Plaza minutes after shots were fired at President John F. Kennedy. Eyewitnesses he found at Dealey Plaza included Abraham Zapruder, who insisted from the first moments that the president could not have survived the serious wounds he had seen so clearly through his camera viewfinder.

Louis "Pete" Rogers Browning was one of the greatest baseball players of the nineteenth century. His skills with the bat made the difficult art of hitting a baseball appear easy. Over his thirteen-year career, he won three batting titles, finished in the top three nine times, and was one of the premodern era's greatest hitters. Browning is recognized as not only the namesake but also the genesis for the famed Louisville Slugger, as the Hillerich & Bradsby Company shaped the first ever custom-made bat based on his instructions.

In these memoirs, Father Theodore Hesburgh chronicles the transformation of Notre Dame from a somewhat mediocre midwestern university into a major teaching and research institution.

This textbook introduces students to the critical role of the US intelligence community within the wider national security decision-making and political process. Intelligence in the National Security Enterprise defines what intelligence is and what intelligence agencies do, but the emphasis is on showing how intelligence serves the policymaker. Roger Z. George draws on his thirty-year CIA career and more than a decade of teaching at both the undergraduate and graduate level to reveal the real world of intelligence.

Serial Innovators: How Individuals Create and Deliver Breakthrough Innovations in Mature Firms zeros in on the cutting-edge thinkers who repeatedly create and deliver breakthrough innovations and new products in large, mature organizations. These employees are organizational powerhouses who solve consumer problems and substantially contribute to the financial value to their firms.

For many enlightened, liberal-minded thinkers today, and for most on the political left, evil is an outmoded concept. It smacks too much of absolute judgements and metaphysical certainties to suit the modern age. In this witty, accessible study, the prominent Marxist thinker Terry Eagleton launches a surprising defence of the reality of evil, drawing on literary, theological, and psychoanalytic sources to suggest that evil, no mere medieval artefact, is a real phenomenon with palpable force in our contemporary world.

The Oatman massacre is among the most famous and dramatic captivity stories in the history of the Southwest. In this riveting account, Brian McGinty explores the background, development, and aftermath of the tragedy.

From 1897 to 1917 the red-light district of Storyville commercialized and even thrived on New Orleans' longstanding reputation for sin and sexual excess. This notorious neighborhood, located just outside of the French Quarter, hosted a diverse cast of characters who reflected the cultural milieu and complex social structure of turn-of-the-century New Orleans, a city infamous for both prostitution and interracial intimacy.

After death, Townes Van Zandt found the success that he sabotaged during life. Diagnosed as bipolar, an alcoholic, and perennially unreliable, Van Zandt died of heart failure at the age of 52 on New Year’s Day in 1997. He released 16 albums during life. Since his death, several more albums have been released, both by and in honor of him.

This engaging narrative history deftly illustrates the War of 1812 as it played out in the Old Northwest - Ohio, Indiana, Illinois, Michigan, and bordering parts of Canada. From the stirrings of conflict in the area beginning as early as the 1760s, through the Battle of Tippecanoe, and to Michigan Territory's role as a focal point in prewar preparation, the book examines the lead-up to the war before delving into key battles in the region.

In The Fall of Empires: A Brief History of Imperial Collapse, historian Chad Denton describes the end of 17 empires throughout world history, from Athens to Qin China, from the Byzantium to the Mughals. He reveals — through stories of conquest, corruption, incompetence, assassination, bigotry, and environmental crisis — how even the most seemingly eternal of empires declined.

More and more organizations worldwide are using teams of employees to respond to adversity. Employees can no longer rely on their own knowledge, skills, and abilities to get their work done. Rather, employees have to work collaboratively with one another and combine their expertise to achieve the synergy and breakthrough thinking that is necessary to be successful at completing complex tasks in today's dynamic environments.

The Conquest of Texas is the story of the struggle between Anglos and Indians for land. Anderson tells how Scotch-Irish settlers clashed with farming tribes and then challenged the Comanches and Kiowas for their hunting grounds. Next, the decade-long conflict with Mexico merged with war against Indians. For fifty years Texas remained in a virtual state of war. Piercing the very heart of Lone Star mythology, Anderson tells how the Texas government encouraged the Texas Rangers to annihilate Indian villages, including women and children. This policy of terror succeeded.

In Covert Regime Change, Lindsey A. O’Rourke shows us how states really act when trying to overthrow another state. She argues that conventional focus on covert cases misses the basic causes of regime change. O’Rourke provides substantive evidence of types of security interests that drive states to intervene. Covert Regime Change assembles an original dataset of all American regime change operations during the Cold War. This fund of information shows the United States was 10 times more likely to try covert rather than overt regime change during the Cold War.

Italy was the scene of the longest, bloodiest, most frustrating, and least understood series of battles fought by the Western Allies during World War II. Now, John S. D. Eisenhower offers a new look at the Italian campaign, emphasizing the Anzio offensive—an operation pushed by Winston Churchill that fell largely to American troops to carry out. It was visualized as an amphibious landing of two Allied divisions behind German lines that would force the Wehrmacht to evacuate all of Italy.

As World War II wound down in 1945 and the cold war heated up, the skilled trades that made up the Conference of Studio Unions (CSU) began a tumultuous strike at the major Hollywood studios. This turmoil escalated further when the studios retaliated by locking out CSU in 1946. This labor unrest unleashed a fury of Red-baiting that allowed studio moguls to crush the union and seize control of the production process, with far-reaching consequences.