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A meditation in a rush, kiss & release is driven by the intense voice of an observant, insistent & emotional “I.” He’s an urban gay man who admits he’s here with a date, but you never know how the night will end. He has several loves and many questions.

The Language of Love and Other Stories is a diverse collection that delves into the many facets of love. From the tender bonds between parent and child ("Claire Juliana," "The Ferris Wheel") to the deep connections between adult children and their elderly relatives ("Mama," "Listen to Me," "Remember Mama"), the stories explore love in its many forms. Romantic love takes center stage in tales like "Charley and the Cupid Caper," "With Any Luck," "Bingo," "Henry, Hortense and the Halloween Party," "For the First Time-Again," and "Love Dancing."

Bees, ants, spiders, flies—all of the bugs—monitor two things: the health of planet Earth, and the planet's most influential inhabitants, the humans. Should humanity show signs of irreversibly killing Earth, the bugs will exterminate everyone. They'll then start the human experiment over with a fresh batch of people, thanks to the DNA collected by mosquitoes.

In A Long Way from Anywhere: Living Off-Grid in the American West, Norah Esty shares her unexpected journey from a math prodigy and tenured professor to a homesteader in the remote wilds of Eastern Oregon. After earning her Ph.D. at U.C. Berkeley and securing a comfortable academic career in Boston, Norah and her husband Jim stunned everyone—including themselves—by abandoning urban life for an off-grid existence.

Salad Days vacillates between youth-driven cultures of mid-nineties era Jersey and early aughts Portland. As the dual story unfolds, we witness the twenty-something protagonist, Ana, as she takes a crack at being an adult, navigating friendships and searching for intimate relationships, maintaining jobs and managing money. All the while, she does her best to repair a broken moral compass without an owner’s manual.

These are stories longing for peace. All are told from a female point of view. The stories are divided into three sections: hostility out in the world, domestic difficulties, and a few new takes on fairy tales. Stories out in the world include reflections of a goddess observing a young man dying, Mary Magdalen mourning Jesus, an older German woman wanting to hide away from the world after World War II, and a young girl liking an outsider peace demonstator while she is part of a right to life demonstration, among others.

In a remote village in Post-World War II Italy, Liliana is the best baker in town and life is looking up until the love her life, Raffaele, leaves seeking economic opportunity elsewhere. She promises to wait for him so she can finally leave the stone walls and stifling town of Gildone. After years of waiting and not hearing from him, Liliana marries Domenico, a strong and accomplished soldier.

When a drag queen named Peaches meets Buster, a Mississippi ghost with partial amnesia, questions of past, present, and future surface. Buster attempts to reckon with who he was and is in the presence of Peaches, whose gender-fluid identity perplexes him. Although he doesn't want to associate with Peaches, Buster realizes that he must push aside his biases to avoid eternal loneliness. Who Killed Buster Sparkle? threads together dialogue on race, gender, orientation, and economics, showing oppression exists in many forms.

Life is short. We blink, and it is gone. In a world filled with joy and pain, beauty and magic, how does one even attempt to experience it all? How can a person possibly find that moment of nirvana and hold on to it forever? For most of us, we call the day a success if we simply get out of the door on time. Wells Lowell Monasmith, however, has a secret, one that has been passed down for generations allowing certain individuals the chance to have their cake and eat it too. A chance to hold on to those special moments a little longer.

Biography of a Body is a lyrical meander through the development of a messy, flawed, imperfect human and what it means to live in a society that both pulls a person into itself and fiercely pushes back. In personal essays and snippets of verse that shift back and forth through time and place, Lizz Schumer fidgets with the puzzle pieces of a life that are at once starkly unique and glaringly obvious. This is less a narrative than a trail of breadcrumbs through an experience, where strange things whisper from the shadows and draw the listener into the dappled darkness.

Lexie Brooker—a down-to-earth grandmother, retired landscape architect and dog lover—begins to question her reality. Is she imagining the strange new room in her apartment, the unfamiliar books on her nightstand, and the dead people casually chatting on her couch? Or has she somehow stumbled into a parallel version of her life? As Lexie navigates this bizarre new world, she must decide: does she want to return to her old life, and if so, how in any world can she find her way back?

Thirty-four-year-old Angie Dugan struggles with many things - anxiety, her career as a social worker in a retirement home, and her difficult family. Her biggest struggle, though, is finding love. When she meets Matt, she's swept away by his attention. As issues from his past come up, she wonders if she can trust him. Should she break it off, or give him another chance? In the end, all she can do is listen to her heart, and evaluate what she wants most.

The Souls of Others is a powerful essay collection by American Book Award winner Shann Ray. Ray depicts the American west as both magnificent and destitute. The mountains are alive. The people are gritty and resilient. Nature offers its bounty but never gives it with ease. Ray, having spent part of his childhood on the Northern Cheyenne reservation, expertly paints a place of family, sorrow, and a connection to Mother Nature that so many Americans have lost.

In What Have I Done? Carrie Close writes, “all these little birds keep picking at me/hard, determined beaks peck through skin, scrape/against bone—they dance and chirp ominous tones…” The connection Close builds between themes of love, motherhood, and relationships hits you in the fame like a taut rubber band forcing you to home in on every last detail. Close pens a charged, feminist collection that avoids polishing for the sake of looking good.

The poems in this two-part collection look at the loneliness of a newborn for her sick mother, the first stirrings of sexual desire for a best friend, the treacherous leap from a sheltered world of faith into lesbian life, the frustrations of falling for straight women, the alchemy of falling in love, and the aftermath of losing it. In the first section, the poet sings back to the many women she has loved. In the second, she sings back to the one who sang the sweetest and the saddest songs.

Divided into four sections and mixing poetry with lyric essay, Animal Histories explores the origin, acquisition, and development of poetic language. Contrasting poetic language from language used for communication, the book posits that poetry is maternal, learned in utero by listening to the cadences and rhythms of the mother’s speech (the “mother tongue”) while communicative language is paternal, shaped by power structures that are often patriarchal (the “father tongue”).

Let Evening Come is the love story between an Indigenous son displaced from his ancestral home on the Tar Sands of Canada and a motherless farm girl from Michigan who struggles to overcome loss while navigating the pitfalls of young adulthood.

Gathering the Pieces of Days is a collection of 52 poems, one for each week of the year. By capturing pieces from each day–whether mundane, frustrating, raw, or joyful–this collection reveals the extraordinary within the ordinary. It is a reminder to pay attention to each cup of coffee, each encounter, each song, each bite of food, each moment of the day.

Dream Pop Origami is a beautiful, ambitious, interactive, and engrossing lyrical memoir about mixed-race identity, love, travel, AAPI masculinities, and personal metamorphosis. This experimental work of creative nonfiction examines, celebrates, and complicates what it means to be Asian & white, Nisei & hapa, Midwestern & Californian, Buddhist & American at the same time.

Listeners looking for an engaging and spiritual journey will find comfort in Cairn: Poems and Essays. After decades of reading and ogling poetry, Miller made room among the novels, newspaper columns, and preaching to hone poems amidst the wild beauty of northernmost Vermont, and the pastoral beauty of the Finger Lakes. Many will find the poems worthy of weddings, funerals, and letters to dear friends.