Mostrando resultados por Editor "Manilla Press" en Todas las categorías

Bristol, 1896. Used to scraping a living as the young assistant to an ageing con artist, Cecily Marsden's life is turned upside down when her master suddenly dies. Believing herself to blame, could young Cec somehow have powers she little understands? Meanwhile Eadie Carleton, a pioneering early film-maker, struggles for her talent to be taken seriously in a male-dominated world, and a brilliant young magician, George Perris, begins to see the potential in moving pictures.

When Yui loses her mother and daughter in the tsunami, she wonders how she will ever carry on. Yet, in the face of this unthinkable loss, life must somehow continue. Then one day she hears about a man who has an old disused telephone box in his garden. There, those who have lost loved ones find the strength to speak to them and begin to come to terms with their grief. As news of the phone box spreads, people will travel to it from miles around. Soon, Yui will make her own pilgrimage to the phone box, too. But once there she cannot bring herself to speak into the receiver.

In a quiet house in the countryside outside London, the finishing touches are being made to welcome a group of young women. The house and its location are top secret, its residents unknown to one another, but the girls have one thing in common: they are fallen. Offering refuge for prostitutes, petty thieves and the destitute, Urania Cottage is a second chance at life - but how badly do they want it?

Alice, fifteen years old and evacuated to a cruel home in the north of England, dreams of a better future and a loving family. While the Second World War rages, a brutal assault decides Alice's fate and she finds herself banished to America. 1993, Marnie, a struggling drug addict, riding the highways of America dealing and stealing, dreams of her past, when she was happy and secure in the love of her grandmother, Alice. Junction of Earth and Sky is the story of two women, grandmother and granddaughter, plagued by the whims of fate and at times, a darkness that seems impossible to shake.

In the notorious Conciergerie Prison, Marie Antoinette is having her cards read. What solace can the tarot give her now, in the midst of the Reign of Terror, when outside her cell the mob is baying for her blood? Kate, a young Irishwoman whose fortunes have seen her travel from maid to closest confidant of Mademoiselle Lenormand, the infamous Tarot Reader of Versailles, sees the Queen of France's cards and knows what's in store for her. As the French Revolution is consumed by frenzied violence, Kate must use all her wiles to ensure that Marie Antoinette's fate doesn't become her own.

Eighteen-year-old Debbie White lives on a dairy farm with her mother, Maeve, and her uncle, Billy. Billy sleeps out in a caravan in the garden with a bottle of whiskey and the stars overhead for company. Maeve spends her days recording her dreams, which she believes to be prophecies. This world is Debbie's normal, but she is about to step into life as a student at Trinity College in Dublin. As she navigates between sophisticated new friends and the family bubble, things begin to unravel. Maeve's eccentricity tilts into something darker, while Billy's drinking gets worse.

The Future We Choose is a passionate call to arms from former UN Executive Secretary for Climate Change, Christiana Figueres, and Tom Rivett-Carnac, senior political strategist for the Paris Agreement. We are still able to stave off the worst and manage the long-term effects of climate change, but we have to act now. We know what we need to do, and we have everything we need to do it.

It is the 1970s. A young woman, Rosie, moves to a small remote seaside village, readying to welcome her first child. Before long, Rosie notices strange noises and unexplained shadows in the corners of the cottage. As her birth date moves closer and the blackouts intensify, her isolation begins to consume her until she feels that she is losing her grip on reality.

Throughout her adolescence, Ashley Ford doesn't know how to deal with the worries that keep her up at night. If only she could turn to her father for his advice and support. But he's in prison, and she doesn't know what he did to end up there. After being raped by her ex-boyfriend, Ashley desperately searches for her sense of self. Then, her grandmother reveals the truth about her father's incarceration...and Ashley's world is turned upside down.

A family from two nations, England and Greece, live a simple life on a tiny Greek island: Irini, Tasso and their daughter, sweet Chara, whose name means joy. Their life goes up in flames in a single day when one man starts a fire out of greed and indifference. Many are killed, homes are destroyed, and the island's natural beauty wiped out. In the wake of the fire, Chara bears deep scars across her back and arms. Tasso is frozen in trauma, devastated that he wasn't there when his family most needed him. And Irini is crippled by guilt at her part in the fate of the man who started the fire.

Odette and Cecilia are young women, living between their grand homes in Hampstead and the imposing, ancient Herne House in Suffolk. But when Lydia inexplicably sickens and dies, a dark veil falls. As the funeral rites are performed, Odette's aunt, the cold and implacable Claudine, increasingly takes charge of the household, while her father retreats to his study. But as Claudine is announced as Odette's new stepmother, a sinister presence in the house makes itself known. To her horror, Odette realises that despite her death, Lydia never really left.

A.N. Wilson, one of England's most beloved writers, imagines the Queen reflecting on her early life. We watch as she discovers, at the tender age of ten, that she is heir to the throne. We witness her meet the dashing Prince Phillip of Greece, who she loved steadfastly from the age of fifteen, and see their friendship blossom into passionate love. Above all, we learn of her astonishing sense of vocation and public duty, which grew during the dark years of WWII and her father's subsequent years of ill health.

I love stories. I have mostly told other people's, but now, in telling my own, I realise how all our stories are connected by that great leveller of acclaim, loss, fortitude and fortune: being human. When I look at my life from the alleged halfway point, some patterns are revealed: one, that the story does not necessarily begin or end where it should; two, happy endings are overrated. And three, happy endings are almost never the end. This book is memoir-ish. A tell-most. Largely because there's a lot I don't remember, and a lot that's not worth talking about.

Norway, 1662. A dangerous time to be a woman, when even dancing can lead to accusations of witchcraft. When Zigri, desperate and grieving after the loss of her husband and son, embarks on an affair with the local merchant, it's not long before she is sent to the fortress at Vardø, to be tried and condemned as a witch. Zigri's daughter Ingeborg sets off into the wilderness to try to bring her mother back home.

On the peaceful Japanese island of Teshima there is Shinzo¯-on no A¯kaibu, a library of heartbeats, a place where the heartbeats of visitors from all around the world are collected. In this small, isolated building, the heartbeats of people who are still alive or have already passed away continue to echo. Several miles away, in the ancient city of Kamakura, two lonely souls meet: Shuichi, a forty-year-old illustrator, who returns to his home-town to fix up the house of his recently deceased mother, and eight-year-old Kenta, a child who wanders like a shadow around Shuichi's house.

1914. A boy enrols in the army, hoping to find peace in the great adventure of war. Handed a rifle, he discovers the grim reality: grey days distinguished only by the ever-present spectre of death. In the midst of horror, he finds close friendships, love and companionship. In an unexpected act of courage, he changes the course of history, bringing German and Brits to put down their weapons for a celebration of peace.

Born in country NSW in the 1940s, baby Dianne is immediately taken from her Indigenous parents and adopted by an Irish couple. Raised in the era of the 'White Australia' policy and widespread racism, Dianne grows up believing her adoptive mother, Val, is her birth mother. Val promises Dianne that when she turns 15, she will 'tell her a story'. But just months before Dianne's 15th birthday, Val dies.

For Niamh Ryan, the Foleys are family. Her childhood flew by on their farm, playing with her best friend Peter and his sister Kate - all the while being doted on by their mother Helen and coached by their father Liam, a legendary former hurling player. Now, following a distressing series of events, the family ties are strained. Niamh receives drunken phone calls and messages from Peter who can't understand what derailed their burgeoning relationship three years ago.

Told with razor-sharp wit and an unfiltered, hypnotic voice, Clean Houses follows Sol. She is a progressive young woman obsessed with cleanliness who, upon becoming pregnant, hires two housekeepers to help her at home. Although having cleaners should, in theory, make her life easier, it instead becomes a source of inner turmoil: she needs them, yet she wishes they didn't exist. Morally compelled to justify her privilege, she searches for a more "respectable" and creative job—one just as precarious as those of her girls.

In 1945, twenty-five children, between the ages of four and fifteen, were welcomed to Sir Benjamin Drage's large country villa, Lingfield House. There they would receive the care of psychoanalyst, Anna Freud, daughter of the great Sigmund, and Alice Goldberger, her trusted colleague. Having endured childhood in the confines of the concentration camps, orphanages and the hideouts where their parents left them during the war, each of the children has a different, terrible and special story, each carries their own personal hell. Alice and her team fight to give them back a childhood.