Mostrando resultados por autor "Simon Brett" en Todas las categorías

Thespian sleuth Charles Paris is his own worst enemy, a louche lush who can resist anything except temptation - especially in the form of women and alcohol. Estranged from his long-suffering wife, Frances, his personal life is shambolic, and as an actor, he's C-list at best. But he does have a talent for solving murders - which is just as well, because wherever he goes, someone seems to drop dead.

After years of looking after her elderly parents, Anna finds herself able, for the first time, to live her own life. She's enjoying simply being herself, with no responsibilities and no obligations. But her two younger sisters, Victoria and Charlotte, are concerned about her. Surely poor, unfulfilled Anna can't be happy without a partner or a family around? Determined to make an effort, they decide to draw her into their lives - and Anna's peaceful, commitment-free lifestyle soon disappears.

Charles Paris is thrilled – he’s landed a nice juicy part playing Sergeant Collins in the TV detective series, ‘The Stanislaus Braid Mysteries’, and his estranged wife Frances seems to be on the brink of taking him back. But filming turns out to be a tortuous process, with pompous star...

It isn't the rain that upsets Carole Seddon during her walk on the West Sussex Downs. It isn't the dilapidated barn in which she is forced to seek shelter. No, what upsets her is the human skeleton she discovers there, neatly packed into two blue fertilizer bags.

Charles is out of work again, and to make matters worse his mother has come to stay and he's no way of escaping her. So when he's offered some voiceover work by old friend, Hugo, he's delighted to get out of the house. But Hugo's marriage is in trouble: his much younger wife, Ellie, spends all...

Mrs. Pargeter’s friends know two important details about her marriage to her late husband. First, that it was blissfully happy. And second, that Mr. Pargeter was not a man to bring his work home with him. So, while the chance of her ever being asked by the police what he did for a living is, naturally, remote, Mrs. Pargeter would be able to reply, in all honesty, that she doesn’t know. What she does know is that Mr. Pargeter’s former associates are all respectable members of society, and if they were ever criminals, they are now 100% reformed.

When Alexandra Richards approaches professional declutterer Ellen Curtis to ask her to help sort out her mother’s chaotic flat, Ellen gets the impression Alexandra doesn’t like her mother very much. So when Ingrid Richards’ body is discovered in her burned-out home, Alexandra’s exasperated words don’t seem like such a joke. Due to the hazardous state of the victim’s over-cluttered residence, the police are inclined to dismiss her death as an unfortunate accident. Ellen’s not so sure. Could Alexandra’s resentment toward her mother have escalated into outright violence?

Chaired by Simon Brett (author of the hugely popular Charles Paris series), this intriguing, interactive panel show challenges professional crime novelists to put their experience and expertise to the test as they try to unravel various mind-bending mysteries. Each episode features a death and a denouement - with various red herrings and misdirections along the way. As the murder scenario is described and the clues laid out, our writer-detectives take turns cross-examining the suspects.

Ellen Curtis runs her own business helping people who are running out of space. As a declutterer, she is used to encountering all sorts of weird and wonderful objects in the course of her work. What she has never before encountered is a dead body.

When Jude agrees to lend her vintage chaise longue for the local Amateur Dramatic Society’s production of George Bernard Shaw’s The Devil’s Disciple, little does she realise she’ll end up in a starring role. It’s an ambitious play, culminating in a dramatic execution scene: a scene that’s played for real when one of the leading actors is found hanging from the specially constructed stage gallows during rehearsals. A tragic accident - or something more sinister?

Charles Paris is his own worst enemy, a louche lush who can resist anything except temptation – especially in the form of women and alcohol. He’s been out of work so long now he feels he may never get a job and he’s driving Frances, his semi-ex-wife, mad. So when he’s offered a small...

A dinner party at an English mansion with some stuffy, not-very-close friends is not exactly Jude's cup of tea. But the practically mummified torso of a woman found in the cellar is much more up Jude's alley. Once again, the two middle-aged women from Fethering, Jude and her reluctant neighbor, Carole, find themselves embroiled in another puzzling whodunit.

August in Edinburgh, and thousands of performers of all stripes have flocked to the Fringe Festival. Among them is Charles Paris filling in at the last minute after a student actress breaks a leg and has to drop out. Showcasing an earnest one-man show in a sea of stand-up comics is a bit of a gamble, but at least he's acting, and with a Charles Paris production, what could possibly go wrong?

Carole Seddon, a very respectable retired woman living in the English seaside village of Fethering, doesn’t care for the theatre. But her neighbor Jude counts the job of actress among her many and varied past careers. So when Jude attends the closing night of a new play based on a classic TV sitcom, Carole is interested—but only because she suspects the leading man, Drake Purslow, is one of her scandalous friend’s ex-lovers. The night turns out to be more dramatic than either Carole or Jude could have ever predicted.

Locked down with his semi-detached wife, Frances, Charles has thrown himself into a new career as a handyman, becoming quite the DIY expert. He's developed muscles, stopped smoking and even cut back on the booze. Then his agent, Maurice, offers him the chance to get back on stage - and in a West End play, no less. The star, Justin Grover, asked for him specifically, but Charles has reservations. Grover was cocky enough when they were both young hopefuls; now, he's the star of a massive TV fantasy series, and the play - a verbatim piece set in a monastery - is dire.

Bill Nighy returns as Charles Paris: unsuccessful actor, bad husband and dipsomaniac. Desperately in need of work, having been kicked out of the marital home, Charles jumps at playing a missing property developer in a crime reconstruction programme. But the missing person case soon turns to...

Inspector Rudge does not encounter many cases of murder in the sleepy seaside town of Whynmouth. But when an old sailor lands a rowing boat containing a fresh corpse with a stab wound to the chest, the Inspector's investigation immediately comes up against several obstacles. The vicar, whose boat the body was found in, is clearly withholding information, and the victim's niece has disappeared. There is clearly more to this case than meets the eye - even the identity of the victim is called into doubt.

A three-month run of a new farce is not to be sniffed at by a jobbing actor. Especially when there's the distinct possibility of a West End run. Which is why Charles Paris is standing on stage. However, by the time the troupe reaches Bath a darker mood has set in and Charles' old friend Mark has a drink problem that amounts to a death wish. But it's not the drink that kills Mark - it's somebody in the cast who has a secret that Mark must not be allowed to reveal....

Meet Major Bricket, an infrequent resident of Highfield House in Stunston Peveril, Suffolk. In the past the Major's work assignments, frequently in foreign countries, have prevented him from spending much time there and as a result, there is an air of mystery around him while everyone in the village speculates on the nature of his occupation. But now the Major has retired and has come home for good in his open-topped little red sports car... and what a homecoming it is, for lying spreadeagled on his lawn in the summer sunshine is the corpse of a clown.

Life is good for Charles Paris. He's moved back in with his estranged wife, and has landed a plum stage role as Sir Toby Belch in Twelfth Night. But it can't last. First his attempts to woo Frances fall flat, then the play's director is taken ill with gastric trouble. His replacement, Romanian wunderkind Alex Radelescu, is determined to take the play in a radical new direction—with or without Charles.