Showing results by author "Simon Brett" in All Categories

Jude's life has been turned upside-down thanks her new man, Piers Targett, who's keen to get her involved in his hobby – or obsession – of Real Tennis. But when one of Piers' friends dies on the court in suspicious circumstances, Jude finds herself caught up in the police investigation. Meanwhile, Jude's neighbour Carole is trying to identify the human remains known locally as the “Lady in the Lake”.

When the owner of Polly's Cake Shop announces her retirement, the Fethering residents start to worry about the loss of this popular amenity. Alarmed by rumours that the café might become a Starbucks, a group clubs together to form an action committee. The plan is that Polly's should become a community venture managed and run by volunteers from the village. Roped in to help, Jude finds the committee meetings fraught with petty power struggles, clashing personalities and monstrous egos.

When Jude agrees to lend her vintage chaise longue for the local Amateur Dramatic Society’s production of George Bernard Shaw’s The Devil’s Disciple, little does she realise she’ll end up in a starring role. It’s an ambitious play, culminating in a dramatic execution scene: a scene that’s played for real when one of the leading actors is found hanging from the specially constructed stage gallows during rehearsals. A tragic accident - or something more sinister?

After years of looking after her elderly parents, Anna finds herself able, for the first time, to live her own life. She's enjoying simply being herself, with no responsibilities and no obligations. But her two younger sisters, Victoria and Charlotte, are concerned about her. Surely poor, unfulfilled Anna can't be happy without a partner or a family around? Determined to make an effort, they decide to draw her into their lives - and Anna's peaceful, commitment-free lifestyle soon disappears.

A BBC Radio 4 full-cast dramatisation of Simon Brett's entertaining crime novel, starring Bill Nighy. Charles Paris has been resting for quite a while, so he's relieved when he is cast as Ghost of Hamlet's Father and First Gravedigger in a touring production of Hamlet. But rehearsals are a little tense - the lead roles of Hamlet and Ophelia are played by a reality TV contestant and TV talent show winner respectively, and their opinions on celebrity and the theatre differ somewhat from those of the more experienced members of the cast.

Having been booked to give a talk at Fethering Library, successful author Burton St Clair invites his old friend Jude to come along. Although they haven't met for 20 years, Jude is not surprised to find that St Clair hasn't changed, with his towering ego and somewhat shaky relationship with the truth. What Jude hadn't been suspecting, however, was that the evening would end in sudden, violent death. More worrying, from Jude's point of view, is the fact that the investigating police officers seem to be convinced that she herself was responsible for the crime. With the evidence stacking up against her, Jude enlists the help of her neighbour Carole.

When Charles Paris’ agent rings with the news that he has a part for him in a new musical, Charles is delighted - and somewhat amazed, as he can neither sing nor dance. But Maurice has an ulterior motive: as one of the show’s backers, he wants Charles to play detective and investigate a series of accidents that have dogged the production. The pianist has been shot in the hand, and another cast member fell downstairs - or was he pushed? Anxious about their investment and their star, Chris Watt, the ‘angels’ are keen to ensure that nothing else goes wrong.

A BBC Radio 4 full-cast adaptation of Simon Brett's comic murder mystery, starring Bill Nighy as the irrepressible Charles Paris. Charles Paris (unsuccessful actor, bad husband, dipsomaniac) is currently appearing as a fork lift operator in a corporate video. It's not prime-time television or a major film, but it seems like easy money - until the fork lift is used to commit a murder. When Charles himself comes under suspicion, he decides to find out for himself who the murderer is.

It isn't the rain that upsets Carole Seddon during her walk on the West Sussex Downs. It isn't the dilapidated barn in which she is forced to seek shelter. No, what upsets her is the human skeleton she discovers there, neatly packed into two blue fertilizer bags.

Events manager Rosie Burns is used to coping with the unexpected, at work and at home. When her daughter, Kate, accidentally became a teenage mum, Rosie stepped in, raising her granddaughter, Jo, so that Kate could pursue her career in international banking. Now Jo works in the family firm alongside accountant Bob (who's nursing an unrequited love for Rosie) and Tess (whose love life never ceases to amaze). Things are ticking along nicely, until Rosie gets a phone call out of the blue - after 15 years working abroad, Kate's lost her job and is coming home....

Although she hadn’t known Leonard Mallett very well, nor liked him particularly, Carole Seddon feels duty bound to attend her fellow committee member’s funeral. As she suspected, the hymns, readings, and sermon are all very predictable - not unlike Leonard himself. What she couldn’t have predicted was that the deceased’s daughter would use the occasion to publicly accuse her stepmother of murder.

The Hopwicke Country House Hotel once hosted a rich clientele. But hard times have forced Suzy Longthorne to open her doors to the Pillars of Sussex, a group of elitist businessmen. Suzy recruits Jude to help out, but the next morning, Jude discovers the body of a supposed initiate of the Pillars hanging from the beam of a bed. The police rule the death a suicide. The Pillars deny that the victim was an initiate. Jude knows both parties have something to hide, and she's determined to uncover the truth.

A job in pantomime seems the perfect way to spend the Christmas season for Charles, but the cast of Cinderella are a motley crew from reality TV and Charles finds himself having to explain the traditions of panto to their baffled American star whose career is on a downward trajectory. When the star is shot dead, and Charles finds the body, he finds himself under suspicion.

A dinner party at an English mansion with some stuffy, not-very-close friends is not exactly Jude's cup of tea. But the practically mummified torso of a woman found in the cellar is much more up Jude's alley. Once again, the two middle-aged women from Fethering, Jude and her reluctant neighbor, Carole, find themselves embroiled in another puzzling whodunit.

When widow Mrs Pargeter decides to have her morning coffee on the patio of her mansion in Chigwell, her intention is to admire her beautiful garden in peace and quiet. Little does she expect one of the patio's paving slabs to crack in two, depositing her on the ground—and revealing a human skull with a neat hole in the middle of its forehead! Not wanting to bother the police just yet, Mrs Pargeter decides to save them some trouble and starts investigating the curious find herself.

For Mrs Pargeter, it is a matter of principle that she should complete any of her late husband's unfinished business. Amongst his many bequests, perhaps the most valuable is his little black book, in which he listed all the people who ever worked for him, with details of their particular skill sets. This means that whenever Mrs P has a crime to solve, she can readily contact someone with the relevant expertise.

As ever, Charles Paris is his own worst enemy, a louche lush who can resist anything except temptation, especially in the form of women and alcohol. His intentions may be good, but somehow the results always go wrong. What makes Charles different from other seedy, middle-aged, down-at-heel actors is that he can't avoid finding himself near trouble, that trouble being murder. He may be an amateur sleuth, but he's patently no Poirot.

Bill Nighy stars as Charles Paris in a BBC Radio 4 full-cast dramatisation of Simon Brett's novel. Charles Paris is understudying in a West End production, whose star Michael Banks seems unable to master the script. Has Charles time to solve a murder, win Frances' heart and make it on stage by the time the curtain goes up?

Locked down with his semi-detached wife, Frances, Charles has thrown himself into a new career as a handyman, becoming quite the DIY expert. He's developed muscles, stopped smoking and even cut back on the booze. Then his agent, Maurice, offers him the chance to get back on stage - and in a West End play, no less. The star, Justin Grover, asked for him specifically, but Charles has reservations. Grover was cocky enough when they were both young hopefuls; now, he's the star of a massive TV fantasy series, and the play - a verbatim piece set in a monastery - is dire.

Life is good for Charles Paris. He's moved back in with his estranged wife, and has landed a plum stage role as Sir Toby Belch in Twelfth Night. But it can't last. First his attempts to woo Frances fall flat, then the play's director is taken ill with gastric trouble. His replacement, Romanian wunderkind Alex Radelescu, is determined to take the play in a radical new direction—with or without Charles.