Mostrando resultados por autor "Jack Kerouac" en Todas las categorías

While his masterpiece On the Road languished on the desks of unresponsive editors, Kerouac turned to Buddhism, and in 1953 began writing reading notes on the subject intended for his friend Allen Ginsberg. As his Buddhist study and meditation practice intensified, what had begun as notes evolved into a vast, all-encompassing work of nonfiction into which he poured his life, incorporating poems, haiku, prayers, journal entries, fragments of letters, ideas about writing, sketches, and more.

Maggie Cassidy is one of Kerouac's most nostalgic recollections of his past, focusing on his first true love when he was a high school senior and a local star athlete. Filled with the sweet innocence of youth and the daily heartbreak of quarrels and unfulfilled sexual yearnings, Kerouac employs his stylishly Beat observations toward the bygone era of pre-World War II Lowell, Massachusetts, when he was torn between the companionship of his gang of buddies and the sirens' call of the opposite sex.

Written seven years before The Town and the City officially launched his writing career, The Sea Is My Brother marks the pivotal point at which Kerouac began laying the foundations for his pioneering method and signature style. The novel chronicles the misadventures of two seamen who at first seem different but are really two sides of the same coin: 27-year-old Wesley Martin, who “loved the sea with a strange, lonely love,” and William Everhart, an assistant professor of English at Columbia College.

""Avec l'arrivée de Neal a commencé cette partie de ma vie qu'on pourrait appeler ma vie sur la route. [...] Neal, c'est le type idéal, pour la route, parce que lui, il y est né, sur la route..." Neal Cassady, chauffard génial, prophète gigolo à la bisexualité triomphale, pique-assiette inspiré et vagabond mystique, est assurément la plus grande rencontre de Jack Kerouac, avec Allen Ginsberg et William Burroughs, autres compagnons d'équipées qui apparaissent ici sous leurs vrais noms."

Jack Kerouac’s archive is vast. Throughout his life he was constantly writing, and he meticulously saved and catalogued his material. The result is that beyond the work published in his lifetime there has been a rich stream of posthumous writing that is far from tapped. This collection of previously unpublished writing culled from the Kerouac archive, and as a companion to Paul Maher Jr.'s Becoming Kerouac, spans Kerouac’s adult life, from a journal written at age seventeen to autobiographical reflections a few years before his death.

Arguably his finest post- On the Road novel, Big Sur captures Kerouac (here named Jack Duluoz) trying to escape the clamor of beatnik adulation by retreating to Lawrence Ferlinghetti's peaceful cabin in Big Sur. What begins as a pastoral regeneration descends into a personal hell when Kerouac suffers an alcoholic breakdown.

The first book in Kerouac’s Duluoz Legend, a novella detailing the writer’s early life as refracted through the prism of the untimely loss of his brother.

Just as he upended the conventions of the novel with On the Road, Jack Kerouac revolutionized American poetry in this ingenious collection. Bringing together selections from literary journals and his private notebooks, Jack Kerouac’s Scattered Poems exemplifies the Beat Generation icon’s innovative approach to language. Kerouac’s poems, populated by hitchhikers, Chinese grocers, Buddhist saints, and cultural figures from Rimbaud to Harpo Marx, evoke the primal and the sublime, the everyday and the metaphysical.

This novella tells the story of a ten-year-old Black boy named Pictorial Review “Pic” Jackson, who lives with his grandfather in North Carolina in the 1940s. After his grandfather dies and Pic is living with another relative, his older brother, Slim, shows up to take him out of that dysfunctional home, and they journey from the rural South to New York City. They head for Harlem, where Slim lives with his girlfriend and where Pic sees firsthand the economic hard times his brother is experiencing. After losing job after job, Slim sends his pregnant girlfriend off to San Francisco.

Jack Kerouac wrote The Haunted Life in 1944 when he was 22 years old and attending Columbia University. Originally intended as a three-part novel, only this first 20,000-word section was ever finished. Upon its completion, Kerouac promptly lost his only hand-written final draft in a New York taxi cab, remaining unknown to the public until its appearance at Christies about ten years ago. Kerouac’s family has now decided to share this manuscript with the world.

Una de las obras capitales de Jack Kerouac, el escritor paradigmático de la Generación Beat. Ambientada en California, expone su descubrimiento del budismo y su primera ley, "la vida es sufrimiento", durante la época en que se sentía un fracasado al no encontrar editor para sus libros. Pero además de un modo filosófico de encarar el fracaso y de la búsqueda del auténtico significado –el Dharma– por parte de unos jóvenes desharrapados y febriles, Los Vagabundos del Dharma expresa la comunión con la naturaleza en la cima de altas montañas, la fraternidad y la poesía.

Before Jack Kerouac expressed the spirit of a generation in his 1957 classic On the Road, he spent years figuring out how he wanted to live and, above all, learning how to write. Atop an Underwood brings together more than sixty previously unpublished works that Kerouac wrote before he was twenty-two, ranging from stories and poems to plays and parts of novels, including an excerpt from his 1943 merchant marine novel, The Sea Is My Brother. These writings reveal what Kerouac was thinking, doing, and dreaming during his formative years and reflect his primary literary influences.

Jack Duluoz (Kerouac) ha publicado una novela ( En el camino ) que ha alcanzado un gran éxito, pero la fama es como una fiera que lo devora. Huyendo de la imagen que los críticos y los lectores se han forjado de él, en junio de 1960 se refugia en una cabaña que su amigo Lorenzo Monsanto (Lawrence Ferlinghetti en la vida real) tiene en la costa californiana de Big Sur, entre San Francisco y Los Ángeles, donde medita, sufre alucinaciones, escribe poemas místicos, bebe como un cosaco, recibe visitas, se droga y evoca el pasado.

Sal Paradise, un giovane newyorkese con ambizioni letterarie, incontra Dean Moriarty, un ragazzo dell'Ovest. Uscito dal riformatorio, Dean comincia a girovagare sfidando le regole della vita borghese, sempre alla ricerca di esperienze intense. Dean decide di ripartire per l'Ovest e Sal lo raggiunge; è il primo di una serie di viaggi che imprimono una dimensione nuova alla vita di Sal.

Maggie Cassidy (escrita en 1953 y publicada en 1959) es el tercer volumen del magno ciclo La leyenda de Duluoz. En ella, el joven Jack Duluoz, de dieciséis años, conoce a una chica en el baile de Nochevieja de 1939, coquetean, vuelven a verse, se dan celos, son víctimas de murmuraciones, se pelean, se reconcilian y se enfrentan a las primeras decisiones de la vida adulta. Es la historia del primer amor del protagonista, un amor adolescente que engloba otros despertares: al mundo exterior, la sexualidad, la espiritualidad, los estudios, el trabajo, la vocación.

Alla radice di questo romanzo, pubblicato nel 1958 e subito processato per oscenità, c'è una vicenda reale, la storia d'amore vissuta da Kerouac con una ragazza di colore, che in queste pagine rivive come in una confessione tanto difficile quanto liberatoria. Al centro, la figura di Mardou, sensuale, fascinosa, attorno alla quale gira, ossessivamente, la vita dell'amante, e la città stessa (New York nella realtà, San Francisco nella finzione letteraria): una città onirica, cupa, frenetica, piena di alcol, di droghe, di sesso, di arte e di vita.

Los subterráneos es una de las mejores novelas de Jack Kerouac; en ella se precisa su voluntad de llevar a cabo una suerte de autobiografía literaria que será, al mismo tiempo, una crónica legendaria de la Generación Beat. En efecto, casi todo es aquí relato autobiográfico, "fraseado" con ese inimitable estilo sincopado que Kerouac aprendió escuchando en el Minton's de Nueva York a los grandes del bop. Al igual que Charlie Parker, Kerouac improvisa en torno a un tema, y escribe de la manera más flexible, adaptándose en cada episodio a las resonancias que le sugiere el momento.

"I vagabondi del Dharma" rappresenta il seguito ideale del romanzo più celebre di Kerouac, quel "Sulla strada" considerato fin dal suo primo apparire una sorta di "Bibbia della Beat Generation". Anche nei "Vagabondi", sempre di forte matrice autobiografica, lo scrittore racconta le avventure dei suoi discepoli e confratelli beatnik impegnati nella ricerca, disordinata ma sincera, di una nuova verità. Verità che, soprattutto grazie all'influsso della scuola Zen di San Francisco, Kerouac e i suoi identificano con gli insegnamenti buddhisti.

Primero estuvo en 1952, para visitar a su amigo William Burroughs. Allí conoció a Bill Garver (rebautizado «Bull Gaines» por Kerouac) y a la joven Esperanza Villanueva (rebautizada «Tristeza»), morfinómana desde los dieciséis, prostituta ocasional y casada con un traficante llamado David Tercerero («Dave», en la novela). Es la historia de una redención frustrada (una redención doble, porque Kerouac, al tratar de salvar a la muchacha de la drogadicción, trata de salvarse a sí mismo), y también un recorrido iniciático por el infierno de la capital mexicana.

Dive into Big Sur, a timeless classic from the iconic bohemian traveler, Jack Kerouac. The narrative, told through the eyes of Jack Dulouz - a character largely inspired by Kerouac himself, orbits around his struggle to balance the unexpected fame from his successful writing career and his personal battle with alcoholism. The backdrop for this introspective journey is the serene and isolated cabin in the heart of Big Sur, California. (Narration by Ben Tucker)