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Pat Novak, for Hire began in 1946 as a regional radio show produced at KGO in San Francisco and starred Jack Webb in the title role, with scripts by Webb's friend Richard L. Breen. When Webb moved to Los Angeles in 1947, Ben Morris replaced Webb as Novak. In a later network version, Jack Webb resumed the role along with Breen as scriptwriter. Pat Novak, for Hire lasted until 1949, when Jack Webb turned his attention to the series that would make him a star, Dragnet.

Taking its name from a popular series of mystery novels, Inner Sanctum Mysteries debuted over NBC's Blue Network in January 1941. It featured one of the most memorable and atmospheric openings in radio history: an organist hit a dissonant chord, a doorknob turned, and the famous "creaking door" slowly began to open. Every week, Inner Sanctum Mysteries told stories of ghosts, murderers, and lunatics.

Every week, Inner Sanctum Mysteries told a story of ghosts, murderers, and lunatics. Taking its name from a popular series of mystery novels, Inner Sanctum Mysteries debuted over NBC radio's Blue Network in January 1941 and featured one of the most memorable and atmospheric openings in radio history, as an organist hit a dissonant chord, a doorknob turned, and a creaking door slowly began to open.

Ozzie Nelson was Red Skelton's bandleader on the popular radio series The Red Skelton Show. Ozzie's wife, Harriet Hilliard, was Skelton's singer. When Skelton was drafted in March 1944, Ozzie was prompted to create his own family sitcom radio series. The Adventures of Ozzie & Harriet launched on CBS radio on October 8, 1944 and made a midseason switch to NBC in 1949. It starred Ozzie as the head of the Nelson household, which included his wife, Harriet, and their two boys, David and Ricky.

Broadway Is My Beat was a dark, gritty radio crime drama that ran on CBS from 1949 until 1954. The series was originally broadcast from New York, with Anthony Ross portraying Times Square Police Detective Danny Clover. Produced by Lester Gottlieb, it was directed by John Dietz. But by the 13th episode, the series moved to Hollywood (still set in NYC) with producer Elliott Lewis directing a new cast, with scripts by Morton Fine and David Friedkin (the duo that would later write and develop TV's popular secret-agent series I Spy).

This collection contains 12 of the greatest Christmas radio shows ever broadcast during the golden age of radio!

Like its predecessor, Dragnet, Tales of the Texas Rangers adapted actual police cases for its broadcasts. Leading each week's investigation was Texas Ranger Jayce Pearson, portrayed by movie star Joel McCrea. Because the stories were set in the present, Pearson used the latest scientific techniques to identify criminals. Unlike Joe Friday, Pearson didn't have a regular partner, typically working with the local sheriff instead.

This collection contains 12 amazing Sherlock Holmes adventures, starring Tom Conway and Nigel Bruce.

"Countdown for blastoff...X minus five, four, three, two, X minus one.... Fire! From the far horizons of the unknown come transcribed tales of new dimensions in time and space. These are stories of the future - adventures in which you'll live in a million could-be years on a thousand may-be worlds." Thus began each episode of X Minus One, a half-hour science fiction radio series that was broadcast from 1955 until 1958.

Damon Runyon was a newspaperman and writer. He was best known for his short stories celebrating the world of New York City's Broadway that grew out of the Prohibition era. He created a little world of characters that live on even today in such classic movies as Little Miss Marker and Guys and Dolls, both based on Runyon's stories. Actor Alan Ladd's Mayfair Productions brought Runyon's short stories to radio in the early 1950s.

Radio Westerns were strictly for kids until 1952, when Gunsmoke hit the radio airwaves. The stories were grim, the deaths brutal, and life on the plains was harsh. Radio audiences had never heard anything like Gunsmoke, and they made it the number one Western on the radio. It soon made a successful transition to television, becoming the longest-running dramatic series in television history.

Here are 12 episodes from the greatest detective shows ever broadcast during the golden age of radio, with the legendary stars that made them great. You'll hear Basil Rathbone as Sherlock Holmes and Nigel Bruce as Doctor Watson, Sydney Greenstreet as Nero Wolfe, Howard Duff as Sam Spade, Chester Morris as Boston Blackie, Dick Powell as Richard Diamond, and Jack Webb as Dragnet's Sergeant Joe Friday, plus more gumshoes like Philip Marlowe, Bulldog Drummond, Michael Shayne, and Johnny Dollar.

The detective series Let George Do It came to radio in 1946. It starred Bob Bailey as George Valentine, ex-GI and detective for hire. Clients came to Valentine's office after reading a newspaper carrying his classified ad: "Personal notice: Danger's my stock-in-trade. If the job's too tough for you to handle, you've got a job for me, George Valentine. Write full details."

This collection showcases Lucille Ball's amazing spectrum of radio work, from comedy to mystery and everything in between. As Lucy Ricardo, Lucille Ball brought a tomboy's enthusiasm and a scatterbrained quality to the long-running television program I Love Lucy. She was the wacky wife making life difficult for her loving but exasperated husband, Ricky Ricardo, played by Ball's real-life husband, Desi Arnaz.

Benny’s radio and television shows entertained audiences for more than three decades and is generally regarded as the high-water mark in twentieth century American comedy.

Dimension X was one of radio's first adult science fiction series, and made its mark by adapting short stories by acknowledged masters in the field, including Isaac Asimov, Clifford D. Simak, and William Tenn. Scriptwriters Ernest Kinoy and George Lefferts, who also contributed their own original scripts, adapted the original stories. At the start of every broadcast, host Norman Rose promised us "adventures in time and space, told in future tense" and you knew you were about to be transported from your everyday existence.

The Whistler was one of radio's top mystery programs, airing from May 16, 1942 until September 22, 1955. The Whistler was an ominous narrator who opened each episode with, "I am the Whistler, and I know many things, for I walk by night. I know many strange tales, many secrets hidden in the hearts of men and women who have stepped into the shadows. I know the nameless terrors of which they dare not speak."

Fibber McGee & Molly had a long and successful run on radio from 1935 to 1959, featuring its creators and stars, married couple Jim and Marian Jordan. Living in the fictional Midwestern city of Wistful Vista, Fibber was an American teller of tall tales and a braggart, usually to the exasperation of his long-suffering wife, Molly, who tried to keep him out of trouble.

Candy Matson was a response to all the hard-boiled detectives on the radio, like Philip Marlowe, Sam Spade, and Pat Novak, and all those other detectives who were beaten up on a regular basis. Candy, played by Natalie Park, was hard-boiled in her own way. She never compromised her femininity, but she did know how to use a gun and didn't hesitate to use it when it was necessary. She didn't take any guff from the guys - the good guys or the bad guys. With a snappy comeback, she could take anybody's head off.

Throckmorton P. Gildersleeve was a popular character,appearing each week on the Fibber McGee & Molly radio show. On August 31, 1941, Gildersleeve landed his own situation comedy show, The Great Gildersleeve, which was radio’s first spin-off. Gildersleeve moved from the town of Wistful Vista to Summerfield, where he oversaw his late brother-in-law’s estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley).