Mostrando resultados por autor "Edward Smith" en Todas las categorías

As a working critic, I find the most difficult exhibitions to write about are those that combine an evidently important subject with a faintly dispiriting result. The new Edvard Munch show at Tate Modern is a case in point. Munch is undoubtedly a major Modernist artist, a Norwegian cultural icon who was the precursor and to some extent the inventor of what came to be known as Expressionism. One version of his composition, The Scream, very recently made a record price.

Written by Doc EE Smith, considered by modern luminaries such as Clark and Aasimov as one of the three great writers of early 20th-century science fiction alongside Heinlein and Weinbaum, comes Triplanetary. Chronicling the adventures of Conway Costigan and the Triplanetary Service of Earth in their battles against mysterious pirates and implacable alien foes from distant suns, this space adventure never lets up and is sure to entertain fans of early comics and pulp science fiction.

As a child, did you hide under your blankets when you were scared of the dark? After listening to some of the scariest stories from new and up-and-coming authors, we won’t blame you if you start hiding again. Take a journey with us into the twisted mind of horror. “The Fallout” travels through the unknown, while “Feast” will make you never want to love again. Listen to these and many more stories to know what it truly means to be afraid of the dark.

The book that inspired the Star Trek franchise! With the exception of the works of H. G. Wells and Jules Verne, it has inspired more imitators and done more to change the nature of all the science fiction written after it than almost any other single work. The seminal space opera.

"The Vortex Blaster" is a collection of three science fiction short stories by author E. E. Smith, published in 1960. The stories included are "The Vortex Blaster", "Storm Cloud on Deka" und "The Vortex Blaster Makes War", and they all bear the stamp of unmistakable quality to be expected from the old sci-fi specialist Smith! The hero of the collection is Neal "Storm" Cloud, a nuclear engineer with an amazingly mathematical mind.

Georgia O’Keeffe is a slightly odd case in the story of American art. She became famous very early, thanks to the efforts of her patron, lover, and eventual husband Alfred Stieglitz. Having been a leading figure in the New York art world, she eventually withdrew from that to become the central presence in a new kind of regionalism, focused not on the Midwest but New Mexico and, in particular, on the art scene in and around Santa Fe.

In this volume of the series of short science fiction stories we discover new sapient races, a race to Mars, planets disintegrating, psionic interlopers, hidden ancient worlds, explosive exploits and time travel. The stories are: 'Atom Drive' by Charles Louis Fontenay, 'Hot Planet' by Hal Clement, 'Nobel Redman' by Jesse Franklin Bone, 'Seed of the Arctic Ice' by H. G. Winter, 'Silver Dome' by Harl Vincent, 'The Vortex Blaster' by Edward Elmer Smith and 'Time and Time Again' by H. Beam Piper.

Many people - among them, most art-world insiders - think that Joseph Beuys was the most important artist of the second half of the 20th century. Beuys was many things - a shaman, a trickster, a charismatic social and political activist. He spearheaded the return to prominence of the German avant-garde post-World War II, and his impact on both the European and American art worlds continues to be felt today, nearly 20 years after his death in January 1986.

Going to the Frida Kahlo exhibition current at Tate Modern in London is like entering the shrine of a secular saint. The rooms are thronged. People peer closely at the paintings, many of them very small. They seem afraid to talk much above a whisper. There are a number of reasons for this reaction. One is Hayden Herrera’s highly readable biography of the artist, first published in 1983, and now established as a classic feminist text. Another is the feminist movement’s general need for heroines, which has had a similar effect on the posthumous reputation of Georgia O’Keeffe. A third, probably the most powerful, reason is Kahlo’s own personality, which combined self-assertion, defiance and masochism in almost equal proportions. In this respect Kahlo can be compared with a slightly later generation of English-language poets, male and female. Prominent among them are Robert Lowell, John Berryman, Sylvia Plath and Anne Sexton.

An introductory essay by Edward Lucie-Smith, "The Enigma of Jasper Johns", explores the art, analysing its development from the 1950s to the exhibition at the Royal Academy of Arts, London.

Andrea Palladio is the most influential architect who ever lived - much more so than those heroes of the Modern Movement - Frank Lloyd Wright, Le Corbusier and Mies van der Rohe. It is significant that buildings we call "Palladian" are still being built today - for example, by the British architect Quinlan Terry. Palladio’s ideas were disseminated not only by his buildings, but also, even more effectively, by his writings, most notably by his didactic masterpiece, I Quattro Libri dell’Architettura (The Four Books of Architecture), published in 1570.

FNH Audio presents the third in a series of short story collections. In this collection: A Earth passes through a poisonous space-cloud. Beneath the civilised crust of Venus a dark horror awaits. The slaves of Titan are about to wake. The first four spaceships disappeared, the fifth went to hell. During the war, one man demands government money to reach the moon. Storm Cloud suspect that everything going wrong is very suspicious. The beautiful girl is dying, and only space can offer hope. A survey team are hunted on a barren world. And many more stories...

Nobody knew how it began. Nobody knew how it would end. All they knew was that they had to survive another day. ... and another night.

'Black British Style', the current costume show at the Victoria and Albert Museum in London, raises a lot of complex issues for someone like myself. I am not black, but I am undoubtedly West Indian. My family have lived in different parts of the West Indies for more than 300 years and in Jamaica for more than a century.

The tendency for art to detach itself from any duty to reflect observed reality manifested itself in avant-garde art production almost from the beginnings of the Modern Movement in art. It is already present in pure form in Malevich’s drastically reductive Black Square, which consists of exactly that, a black square on a white ground. It is interesting to note the way in which this work was exhibited when it was first put before the public.

This exhibition, based on a single, very personal and - dare one say it? - extremely distinguished private collection, tackles a large subject within a relatively small compass. It aims to examine a now universally recognized crisis, which is what is happening to painting as an art form. Quite a large number of critics and curators have, in recent years, proclaimed that painting is dead: that attention must now be paid to other kinds of art.

Edward Lucie-Smith examines Hans Holbein's famous series of prints, The Dance of Death, together with associated works, such as various artistic variations on the theme of Death and the Maiden. In addition, Lucie-Smith looks at some famous images made on the theme of war, notably the prints of Jacques Callot and the bitter social studies of Goya y Lucientes.

Wifredo Lam is by far the most celebrated, and most people would say the greatest, artist produced by the Caribbean region in modern times. His relationship with where he came from is, however, extraordinarily complex - much more complex than most of his admirers suppose, largely because they usually have no direct experience of the region and little knowledge of its social history.

The Masters had ruled all space with an unconquerable iron fist. But the Masters were gone. And this new, young race from Terra who came now to take their place - could they hope to defeat the powerful ancient Enemy of All? FNH Audio presents an unabridged reading of this classic science fiction story of a war that spans a galaxy.

When I visited the huge Damien Hirst exhibition staged by the Gagosian Gallery in New York in 1996, one of the most striking pieces was a large glass tank full of live fish. Dumped among the fish were an obstetrical couch, in a rather decayed condition, and various obstetrical implements. For some time after I had seen the show, this image tugged at my mind. It reminded me of something - but of what? Finally, memory dragged up the reference I needed: Hirst's piece was a direct descendant of Salvador Dali's installation, "Rainy Taxi".