Mostrando resultados por autor "Bernard Shaw" en Todas las categorías

This collection contains the following works: Medea by Sophocles Antigone by Sophocles Agamemnon by Aeschylus Eumenides by Aeschylus The Choephori by Aeschylus The Tragedy of Othello, the Moor of Venice by William Shakespeare The Tragedy of Romeo And Juliet by William Shakespeare The Tragedy of Hamlet, Prince of Denmark by William Shakespeare The Tragedy of Macbeth by William Shakespeare A Midsummer Night's Dream by William Shakespeare The Tragedy of King Lear by William Shakespeare The Tragedy of Antony and Cleopatra by William Shakespeare.

Don Juan In Hell is Act 3, Scene 2 from Bernard Shaw's 'Man and Superman' which was written in 1903. This classic staged performance features Cedric Hardwicke, Charles Boyer, Charles Laughton and Agnes Moorehead.

This collection contains the following works: Euripides: Medea Sophocles: Antigone Aeschylus: Agamemnon Aeschylus: Eumenides Aeschylus: The Choephori William Shakespeare: The Tragedy of Othello, the Moor of Venice William Shakespeare: The Tragedy of Romeo And Juliet William Shakespeare: The Tragedy of Hamlet, Prince of Denmark, William Shakespeare: The Tragedy of Macbeth, William Shakespeare: A Midsummer Night's Dream, William Shakespeare: The Tragedy of King Lear, William Shakespeare: Antony and Cleopatra.

Barbara is a major in the Salvation Army - but she's also the daughter of Andrew Undershaft, a man who's made millions from the sale of weapons of war. The real battle, however, rages between between the devilish father and his idealistic daughter as they answer the question: does salvation come through faith or finance? This sparkling comedy traverses family relations, religion, ethics and politics - as only Shaw, the master dramatist, can!

Immerse yourself in the brilliant wit and thought-provoking wisdom of playwright and critic George Bernard Shaw with this wondrous collection featuring 100 quotes that encapsulate Shaw's genius and his timeless relevance. From sharp social commentary to inspiring words on art, politics, and life, this collection is sure to captivate, challenge and inspire you.

A Manifesto by the Fabian Society.

George Bernard Shaw's warm and witty play continues to challenge conventional wisdom about male/female relationships. Candida concerns a beautiful married woman's choice between the two men who love her.

According to George Bernard Shaw, Joan of Arc was in fact one of the first Protestant martyrs. She was one of the first apostles of nationalism, and the first French practitioner of Napoleonic realism in warfare. She also refused to accept the specific woman's lot, and dressed and fought and lived as men did. Shaw's exploration of the story of this ingenuous and eponymous heroine is set in six scenes and an epilogue, which takes place in 1456, when the church cleared Joan of the charge of heresy and condemned her accusers of corruption.

When phonetics tutor and linguist Henry Higgins meets Cockney flower girl Eliza Doolittle, he makes a bet with his friend Colonel Pickering that he can teach her to speak so well that she will be able to pass herself off as a Duchess at a society ball. Eliza agrees, seduced by promises of...

Taking place on a single day in May 1909, a self-made millionaire and his family invite their future nobleman-in-law for a visit to their estate in Surrey, England. In this delightfully clever play, issues of gender, class, politics, and family are all targets for Shaw's keen wit.

Never has the Revolutionary War been so entertaining. Shaw stands "do or die" melodrama on its head, with a cast of unforgettable characters, from the deliciously urbane "Gentlemanly Johnny" Burgoyne, to the misguided romanticism of beautiful young Judith Anderson, to the Devil's Disciple himself, a dashing young American hero who disdains heroism, even as he makes the ultimate sacrifice for honor and country.

The blowhards, the know-it-alls, the scrupulous and the impecunious are all targets for Shaw's incisive wit in his classic satire of the medical profession. A well-respected physician is forced to choose whom he shall save: a bumbling friend or the ne'er-do-well husband of the woman he loves.

Fresh off his victory at The Battle of Lodi, Napoleon is planning to enjoy his lunch when a lieutenant arrives with the bad news that the dispatches he had been carrying were stolen. Infuriated, Napoleon threatens him with being court-martialed unless he can recover them. A woman appears who claims to know about the theft. Unconvinced of her story, Napoleon and the woman enter into a battle of wits in true Shaw style. Will the conqueror of worlds end up conquered by a woman?

It's amazing how relevant these century-old words of Bernard Shaw's are right now. Just like then nobody understands the concept of socialism, and the fact that any successful democracy is a socialist democracy to some extent.

The action of this play, which occurs during a conflict on the Balkans, is initiated by the discovery by Raina, the daughter of an military officer, of a man who has taken refuge in her bedroom. Unfortunately, the man belongs to the opposing army. How will she deal with a notional enemy who behaves with such quixotic courtesy?

You Never Can Tell was originally born out of a bet that Shaw couldn't write a "seaside comedy" (a popular theatrical genre at that time). The result is perhaps the most surprising of Shaw's plays, complete with marital mayhem, tangled romance, and even doubtful dentistry. Despite the play's lighthearted tone, it's really another of Shaw's brilliantly observed social treatises, this time in the guise of a light comedy.

The Emporor of Rome and the Queen of the Nile as only Shaw could have imagined them! He is a self-doubting cynic who is experiencing a mid-life crisis and she is an imperious and impertinent child on the threshold of womanhood. This recording also includes Shaw's alternate Prologue and his post-text notes.

In this allegorical play, the eccentric Captain Shorover's home hosts a cast, each of whom represents some evil in the modern world.

Richard Dudgeon, who has become an outcast from his puritanical family due to his religious apostasy, returns home on the death of his father. Much to everyone’s surprise, it is revealed that the father changed his will shortly before his death and has left the bulk of the estate to Richard. Now that he is lord of the manor, Richard asserts himself and declares his opposition to the colonial British authorities. Later, he is arrested by the British and sentenced to death but is rescued in the nick of time by a local militia commanded by Anthony Anderson, who, ironically, is a pastor.

Barbara, the granddaughter of an earl, is busy saving souls in the Salvation Army while her father, maintaining that poverty is the worst of crimes, runs a munitions factory.