Mostrando resultados por autor "Bernard Shaw" en Todas las categorías

Never has the Revolutionary War been so entertaining. Shaw stands "do or die" melodrama on its head, with a cast of unforgettable characters, from the deliciously urbane "Gentlemanly Johnny" Burgoyne, to the misguided romanticism of beautiful young Judith Anderson, to the Devil's Disciple himself, a dashing young American hero who disdains heroism, even as he makes the ultimate sacrifice for honor and country.

A Cockney flower girl is transformed into a charming woman of the world by a professor of phonetics. This is the play that was later to be adapted as the musical, My Fair Lady.

You Never Can Tell was originally born out of a bet that Shaw couldn't write a "seaside comedy" (a popular theatrical genre at that time). The result is perhaps the most surprising of Shaw's plays, complete with marital mayhem, tangled romance, and even doubtful dentistry. Despite the play's lighthearted tone, it's really another of Shaw's brilliantly observed social treatises, this time in the guise of a light comedy.

It's amazing how relevant these century-old words of Bernard Shaw's are right now. Just like then nobody understands the concept of socialism, and the fact that any successful democracy is a socialist democracy to some extent.

"The Perfect Wagnerite" is a philosophical commentary on Richard Wagner's "Der Ring des Nibelungen". According to Shaw: "I write this pamphlet for the assistance of those who wish to be introduced to the work on equal terms with that inner circle of adepts... The reason is that its dramatic moments lie quite outside the consciousness of people whose joys and sorrows are all domestic and personal, and whose religions and political ideas are purely conventional and superstitious."

George Bernard Shaw's warm and witty play continues to challenge conventional wisdom about male/female relationships. Candida concerns a beautiful married woman's choice between the two men who love her.

To celebrate Radio 3's 50th anniversary, Man and Superman was directed by Sir Peter Hall, and preserved for all time in this lush audio dramatization. "A comedy and a philosophy", Man and Superman is based on the Don Juan theme, and using all the elements from Mozart's Don Giovanni, Shaw reordered them so that Don Juan becomes the quarry instead of the huntsman. Boasting an outstanding cast including Ralph Fiennes, Juliet Stevenson, Dame Judi Dench, John Wood, Nicholas Le Prevost, and Paul Merton.

Bernard Shaw based his "religious pantomime" Androcles and the Lion on the ancient fable of the runaway slave who pulls a painful thorn from a lion's paw, thereby making a lifelong friend. This tale of a puny Greek tailor triumphing over the Roman emperor is, as always with Shaw, a commentary on the politics of his time, with the emperor standing in for the British government and, indeed, all repressive regimes.

George Bernard Shaw embraced the concept of what he called creative evolution. In 1982, after having witnessed the horrors of the First World War, Shaw started work on Back to Methuselah, a large-scale presentation of the story of human development, starting from the Garden of Eden and extended far into the future. The first performance was held in New York in 1922. The five plays included are "In the Beginning", "The Gospel of the Brothers Barnabus", "The Thing Happens", "Tragedy of an Elderly Gentleman", and "As Far As Thought Can Reach".

According to George Bernard Shaw, Joan of Arc was in fact one of the first Protestant martyrs. She was one of the first apostles of nationalism, and the first French practitioner of Napoleonic realism in warfare. She also refused to accept the specific woman's lot, and dressed and fought and lived as men did. Shaw's exploration of the story of this ingenuous and eponymous heroine is set in six scenes and an epilogue, which takes place in 1456, when the church cleared Joan of the charge of heresy and condemned her accusers of corruption.

The action of this play, which occurs during a conflict on the Balkans, is initiated by the discovery by Raina, the daughter of an military officer, of a man who has taken refuge in her bedroom. Unfortunately, the man belongs to the opposing army. How will she deal with a notional enemy who behaves with such quixotic courtesy?

Irascible phonetics professor Henry Higgins makes a bet with his friend Colonel Pickering that he can train Cockney flower girl Eliza Doolittle to talk ‘like a lady’ and pass as a duchess at the Ambassador’s Ball. As the day of reckoning approaches, can Eliza convince the assembled aristocrats that she’s one of them? And what will become of her afterwards? This effervescent radio version of Shaw’s classic comedy features a stellar cast, including award-winning comedians Alistair McGowan as Henry Higgins, Morgana Robinson as Eliza Doolittle and Al Murray as Alfred Doolittle.

Richard Dudgeon, who has become an outcast from his puritanical family due to his religious apostasy, returns home on the death of his father. Much to everyone’s surprise, it is revealed that the father changed his will shortly before his death and has left the bulk of the estate to Richard. Now that he is lord of the manor, Richard asserts himself and declares his opposition to the colonial British authorities. Later, he is arrested by the British and sentenced to death but is rescued in the nick of time by a local militia commanded by Anthony Anderson, who, ironically, is a pastor.

In this allegorical play, the eccentric Captain Shorover's home hosts a cast, each of whom represents some evil in the modern world.

Children, if they are to grow up as citizens, must learn a good deal that their parents could not teach them even if they had the necessary time. The statesman must make provision for this teaching or he will presently find himself faced with the impossible task of maintaining civilization with savages instead of citizens

Fresh off his victory at The Battle of Lodi, Napoleon is planning to enjoy his lunch when a lieutenant arrives with the bad news that the dispatches he had been carrying were stolen. Infuriated, Napoleon threatens him with being court-martialed unless he can recover them. A woman appears who claims to know about the theft. Unconvinced of her story, Napoleon and the woman enter into a battle of wits in true Shaw style. Will the conqueror of worlds end up conquered by a woman?

Don Juan In Hell is Act 3, Scene 2 from Bernard Shaw's 'Man and Superman' which was written in 1903. This classic staged performance features Cedric Hardwicke, Charles Boyer, Charles Laughton and Agnes Moorehead.

Henry Higgins, un profesor de fonética arrogante, apuesta que puede transformar a Eliza Doolittle, una vendedora de flores de baja clase con un acento grueso, en una dama de la alta sociedad mediante el refinamiento de su habla. A medida que Eliza se somete a esta metamorfosis, la obra despliega un agudo comentario sobre las rígidas estructuras de clase y el poder del lenguaje.

A timeless classic by George Bernard Shaw, Arms and the Man is a comedy about love, ideals, and romance. A young woman from a wealthy Bulgarian family is visited in her room by an enemy captain in his flight to evade capture, and this chance encounter threatens her engagement and her high-minded idealism.

Simon Cadell stars as Henry Higgins with Imelda Staunton as Eliza Doolittle in this BBC Radio 4 production of Shaw’s famous play. When phonetics tutor and linguist Henry Higgins meets Cockney flower girl Eliza Doolittle, he makes a bet with his friend Colonel Pickering that he can teach her to speak so well that she will be able to pass herself off as a Duchess at a society ball.