Showing results by narrator "Esther Wane" in All Categories

When Juliet Carlisle returns home to her family's gorgeous, crumbling manor house in the English countryside, she doesn't expect to stay long. But she's intrigued by the new cookery school being launched on the grounds… that is until she meets the guy who's been hired to run it. Though undeniably handsome, disgraced celebrity chef Léo Brodeur immediately strikes Juliet as bossy and rude. Juliet has enough troubles in her life without adding a snooty French chef to the mix.

Despite the many films and television programmes over the decades since the end of the Second World War that portrays our allied heroes as grown-up men and women, the Battle of Britain was in the main actually fought and won by teenagers. The average age of an RAF fighter pilot was just 20 years old. Many of the men and women who designed and built their planes were even younger.

In this gothic, virtuoso debut collection, Mike McCormack dispenses nightmares both stylish and macabre. "A Is for Ax" offers alphabetized look at the killing of a parent, while the title story tracks a chilling sibling rivalry. Other works here offer multiple-quiz on the road to Calvary, a door-to-door saleswoman trafficking in strange and menacing feats, and a self-mutilating artist pushing himself to the limit. These sly and dangerous stories show us a young writer who was already a master of wicked formal play, and whose sly takes on life and death remain profoundly unsettling.

At the height of the Second World War in England, twenty-two-year-old Nina Woodrow joins the British Royal Air Force and rebels against her careful upbringing by embarking on an illicit affair with an officer. She risks losing everything for Guy Nicholson: her comfortable home, her childhood friends, and, especially, the love of her father, an enigmatic widower.

Princess Oria has one chance to keep her word and stop her brother’s reign of terror: She must become queen. All she has to do is marry first. And marry Lonen, the barbarian king who defeated her city bare weeks ago, who can never join her in a marriage of minds, who can never even touch her—no matter how badly she wants him to.

Veronica Pullman's comfortable life comes to a halt when her young daughter Grace tragically dies in a car accident. Months later, unable to come to terms with her daughter's death, detached from her husband and alienated from her friends and family, a chance encounter on a rainy street pushes her into an unlikely new friendship. Scarlet is everything Veronica could've been: feisty, adventurous, unpredictable. But as she approaches what would have been Grace's 10th birthday, it becomes clear to Veronica that the friendship she thought was saving her life could be costing her everything.

The investigation into a warehouse fire turns into a murder inquiry when a woman’s body is found in the debris. Forensics quickly establish foul play is involved. Now fully in charge of her team, DI Tanya Miller investigates, but her efforts are thwarted by a family problem that demands immediate attention. Her niece has gone missing, and her distraught sister is adamant Tanya help find her. Juggling the two is difficult. Left to their own devices, her team are making little progress on understanding the cause of the warehouse fire.

In an arctic world that's getting colder every day, Lyriana's only hope of survival is to get her little brother Zave and herself to the fabled Orphan's Garden. It’s rumored to be the one place in the world not controlled by deadly Winter Spirits or ruled by the tyrant Giant king. In Orphan’s Garden, healing trees will melt away Winter’s pains, and Lyriana and Zave can live safely in the warmth of Spring. If the garden exists, they must find it. They won’t live much longer without it.

Alone in her tower, Princess Oria has spent too long studying her people’s barbarian enemies, the Destrye—and neglected the search for calm that will control her magic and release her to society. Her restlessness makes meditation hopeless and her fragility renders human companionship unbearable. Oria is near giving up. Then the Destrye attack, and her people’s lives depend on her handling of their prince…

Once Princess Oria spun wicked daydreams from the legends of sorceresses kidnapped by the barbarian Destrye. Now, though she’s come willingly, she finds herself in a mirror of the old tales: the king’s foreign trophy of war, starved of magic, surrounded by snowy forest and hostile strangers. But this place has secrets, too—and Oria must learn them quickly if she is to survive.

No longer a princess and not yet a queen, the sorceress Oria welcomes the rush of power the ancient mask brings her—though the obsessive connection to it frightens her and alarms her barbarian husband, Lonen. But retreat is not an option. She must wrestle the magic to prevent an annihilating war, even if she must make the ultimate sacrifice.

Outside the walls of Phoenix City, where the plague has overrun Ireland, one bite from the savage skrake means death or infection. Inside, Orpen and the other survivors of the plague gather in meager numbers. They are protected from disease and death, but the city is by no means a refuge. Phoenix City is ruled with an oppressive hand, with even the best of the leadership power hungry and ruthless. Orpen and the banshees—a fierce all-women force of fighters—keep the peace, or shatter it, depending on their orders. But when two women are publicly executed, Orpen knows she must make a choice.

Sue Hearn is planting a herb garden on the site of her grandfather's old greenhouse. She's spent the morning digging up all sorts of odds and ends already. But she doesn't expect this grisly find. A skull. Could it be the remains of her mother, Monica, who went missing thirty years ago? Sue's father, in hospital with dementia, insinuates that a police officer was involved in her mother's disappearance. But can he be trusted?

Vogue magazine started, like so many great things do, in the spare room of someone's house. But unlike other such makeshift projects that flare up then fizzle away, Vogue burnt itself onto our cultural consciousness. Today, 128 years later, Vogue spans twenty-two countries, has an international print readership upwards of twelve million, and nets over sixty-seven million monthly online users. Uncontested market leader for a century, it is one of the most recognizable brands in the world and a multi-million dollar money-making machine.

With her secrets uncovered and her power-mad brother bent on her execution, Princess Oria has no sanctuary left. Her bid to make herself and her new barbarian husband rulers of walled Bára has failed. She and Lonen have no choice but to flee through the leagues of brutal desert between her home and his—certain death for a sorceress, and only a bit slower than the blade.

Silicon Valley is imperializing the planet. With nearly bottomless supplies of cash and ambition, a small group of companies have been gradually seizing symbolic and practical civic leadership in America and worldwide. But Silicon Valley does not answer to the electorate; nor have they been voted into office. And the perils of their influence are only now making themselves known.

At the beginning of Virginia Woolf's fantastical and satirical 1928 novel, Orlando is a young nobleman in Elizabethan, England. At the age of 30, Orlando awakens to have found he's now a woman. Moving through the following centuries, the novel stretches over 300 years, during which time Orlando meets several key figures of English literary history.

1586: Female espionage agent, Kit Scarlett is stationed at Chartley Castle, where Mary Stuart, Queen of Scots, is under house arrest for plotting against the English Queen Elizabeth. Kit helps Sir Francis Walsingham's top code-breaker, Thomas Phelippes, as they intercept Mary Stuart's communications with her conspiring supporters. And when they have the proof that Mary Stuart has sanctioned Queen Elizabeth's assassination, Kit races to deliver the message to Walsingham. But before they can persuade Queen Elizabeth to sign Mary Stuart's death warrant, the Scottish queen escapes.

Ten years ago, Grace made her dying sister a promise - that she would look after Hope’s baby son as her own. Now, the man whose son she is raising has turned up on Grace’s operating table, fighting for his life. When an accusation of negligence follows, Grace is forced to confront not just the man who abandoned her sister, but also his mother, Norma - who blames Grace for taking everything she loves. Based on what her sister told her, Grace is sure she did the right thing to keep that promise. But what if Hope didn’t tell her everything?

“Daring . . . Vincent’s psychological approach is intriguing.” — USA Today “Vincent is a sensitive recorder of a mind’s movements as it shifts in and out of inspiration, and as it fights before submitting to despair.” — New York Times Book Review With poetic precision and...