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In this volume our authors explore the terrors of the mind rather than the horrors of reality, although with their pens the difference makes little difference. We twist this way and that as their talents shape our path towards endings of the nerve-shredding kind.

Wilkie Collins was born on 8th January 1824 in Marylebone, London. He pursued his education at Mr Cole’s private boarding school in Highbury, Islington. Here, he began his literary career under unusual circumstances: the school bully would give him no peace until he had been told a bedtime story. This ‘little brute’ helped create one of England’s greatest writers.

Abraham Stoker was born in Dublin, Ireland on the 8th of November 1847, the third of seven children. He began to also write short stories and in 1872 ‘The Crystal Cup’ was published.

As private as she was eccentric, Emily Dickinson published only a handful of poems in her lifetime. Most of her work, much of which dealt with themes of death and immortality, was published posthumously, to mixed reviews. But it would be her unconventional poetic style, which was most criticized early on, that would ultimately gain her recognition as one of the greatest American poets of all time. Here, a lovely sampling of the poems of Emily Dickinson is presented for your listening pleasure.

It’s September 1939 and Britain has just entered the Second World War. But in the small town of Golfodd there are no bombs, no soldiers and no machine guns. For Tom, Mary, Gary and Dil the whole thing is a disappointment. They want excitement. But they aren’t looking for trouble, so when they start shadowing the mysterious new woman in town, they don’t expect it to lead them down to the bottom of the old, rotten mines of Golfodd. Then things get dark and dangerous...

Kidnapped by the King of the Castle to make pixie soup, Titch and Mitch are in trouble again. Yet they still find time to free cuckoos from cuckoo clocks, save the crab queen’s crown and solve the mystery of Echo Quarry - all with a little help from their friends! The third fantastic 'Titch and Mitch' story from bestselling author Garth Edwards.

This collection of short stories contains several gothic tales featuring the macabre and chilling voices of writers as diverse as Edgar Allan Poe, Rudyard Kipling, Edith Nesbit, and MR James. These tales are designed to unsettle you, just a little, as you sit back and take in their words as they lead you on a walk to places you’d perhaps rather not visit on your own.

December - the 12th and closing month in the Gregorian calendar. Winter is upon the land, and the poets, including such as Keats, Shelley, Tennyson, Shakespeare, and Stevenson, share their views and thoughts.

Shipwrecked and washed up on an island, Titch and Mitch discover a whole new world of adventure, danger, and wonderful new friends - from yellow seagulls to flying bicycles, talking turkeys to dragonmice with toothaches.... Enjoy making friends? Going on visits? Helping others? Adventure? Then welcome to the world of Titch and Mitch. This is a charming and humorous story about the exploits of two lively pixies, from début author Garth Edwards.

Joseph Conrad was born on 3rd December 1857 in Berdychiv in the Ukraine, then part of the Russian Empire. His birthplace had been part of Poland which its neighbours dismembered into their own Empires. Conrad brought to English Literature both narrative mastery, compelling prose and fully formed characters as well as a deeper examination of the human psyche in a wealth of work. He wrote many novels, short stories, nonfiction, and memoirs which are rightly regarded today as some of the finest in English literature.

The most enduring and popular theme of poems and poets is that of love. Love changes; its rhythms pause and pulse on the tiniest of things and the biggest of thrills. Within its shades all other feelings, all other emotions, gently reside, waiting for their moment. In these 50 poems, the many, many shades of love reveal themselves.

In this selection of some of Saki's best short stories, we enter a fictional world in which the Edwardian gently are pitched against the rude forces of nature and maiden aunts struggle unsuccessfully to contain the merciless antics of children in their charge. Saki is perhaps the ultimate master of writing complete stories in just a few pages and his sublime craftsmanship is accompanied by a wicked black humour.

April - the fourth month of the year in the Gregorian calendar heralds spring in earnest and, of course, April showers and perhaps other unsettled weather. For our poets, including Owen, Stevenson, Van Dyke, Hardy, and Shelley, the month provides a rich source for them to muse upon.

Dictionaries summon up many words, but none fulfill. Love itself is often ethereal, felt but only seen in a glance, a look, a fleeting touch. Part of love’s beauty is perhaps in the fact that the question never can be adequately answered; it's ephemeral, a chimera of the heart and only felt. Our own experiences are unique and personal to ourselves and of little help defining it for another.

The question is asked by each of us, but the answer remains elusive. Dictionaries summon up many words, but none fulfill. Love itself is often ethereal, felt but only seen in a glance, a look, a fleeting touch. Part of love’s beauty is perhaps in the fact that the question never can be adequately answered; it's ephemeral, a chimera of the heart and only felt. Our own experiences are unique and personal to ourselves and of little help defining it for another.

London’s East End has over the centuries been a magnet for immigration, innovation, culture, crime and a vast spectrum of other things. It is often seen as both part of and yet very distinct from the vast metropolis of London. Today it has been transformed from the often grimy, derelict and overcrowded area, that many of these stories describe, into a landscape of gentrification, sleek and shiny buildings and a booming economy. But here such noted talents as Arthur Morrison, Henry W. Nevinson, William Pett Ridge and Thomas Burke show the East End as it really was.

For much of history women have been seen rather than heard. Their thoughts, their views have lain too long in the shadows of our culture. Whilst this traditional view has some merit, it is not entirely accurate. Here, gathered together in these volumes, we can, through their words, experience their lives; we can hear their voices, their thoughts, joys, loves and losses. For the female poet there was always the confining hand of men to instruct that their time was perhaps spent more productively elsewhere. These lines, these gilded verses, often protest otherwise.

The office of Poet Laureate is a high honour amongst poets. The ancient Greeks had the first idea, and their heroes and poets wore wreaths of laurel in honour of the god Apollo. Many countries now have a laureate, as do many societies and organisations. But perhaps ranked first among them all is that of our own Poet Laureate. Unfortunately no single authentic definitive record exists of the office of Poet Laureate of England. In some form it can be traced back to 1189 and Richard Canonicus, who was employed by Richard I with the title 'versificator Regis'.

Poetry is often cited as our greatest use of words. The English language has well over a million of them and poets down the ages seem, at times, to make use of every single one. But often they use them in simple ways to describe anything and everything from landscapes to all aspects of the human condition. Poems can evoke within us an individual response that takes us by surprise, that opens our ears and eyes to very personal feelings.

Thought of as the first modern writer for children, Edith Nesbit also wrote for adults, producing more than 50 books in total. Like many consummate writers who yearn to be recognised as poets, her other works are given greater recognition. Now, in this volume, you be the judge. These poems are brought to your ears by Ghizela Rowe and Richard Mitchley.