Mostrando resultados por autor "Julian Barnes" en Todas las categorías

Julian Barnes wird im Januar 2026 achtzig Jahre alt. Er weiß, dass die längste Zeit seines Lebens hinter ihm liegt, und er möchte die Kontrolle darüber behalten, wie man auf dieses Leben blicken wird. Als Julian Barnes erfährt, dass er eine Krankheit hat, die für ihn tödlich sein kann, aber nicht sein muss, heißt das für ihn, die Dinge zu ordnen. Was zählt im Leben, welche Lebensphase war wichtig, oder trügt die Erinnerung?

In these 14 brilliant stories, the Man Booker Prize-winning author of The Sense of an Ending examines longing and loss, friendship and love, the historical past and contemporary life - all with his trademark wit and sharply observant eye.

We'd like to introduce you to Elizabeth Finch. We invite you to take her course in Culture and Civilisation. Her ideas are not to everyone's taste. But she will change the way you see the world. Elizabeth Finch was a teacher, a thinker, an inspiration—always rigorous, always thoughtful. With careful empathy, she guided her students to develop meaningful ideas and to discover their centers of seriousness. As a former student unpacks her notebooks and remembers her uniquely inquisitive mind, her passion for reason resonates through the years.

'You put together two things that have not been put together before. And the world is changed...' Julian Barnes's new book is about ballooning, photography, love and grief; about putting two things, and two people, together, and about tearing them apart. One of the judges who awarded him the 2011 Man Booker Prize described him as 'an unparalleled magus of the heart'. This book confirms that opinion.

This novel is based on Arthur Conan Doyle's extraordinary real-life fight for justice. Arthur and George grow up worlds and miles apart in late 19th-century Britain: Arthur in shabby-genteel Edinburgh, George in the vicarage of a small Staffordshire village. Arthur becomes a doctor, and then a writer, George a solicitor in Birmingham. Arthur is to become one of the most famous men of his age; George remains in hardworking obscurity. But as the new century begins, they are brought together by a sequence of events which made sensational headlines at the time as The Great Wyrley Outrages.

Tony Webster and his clique first met Adrian Finn at school. Sex-hungry and book-hungry, they would navigate the girl-less sixth form together, trading in affectations, in-jokes, rumour, and wit. Maybe Adrian was a little more serious than the others, certainly more intelligent, but they all swore to stay friends for life. Now Tony is retired. He’s had a career and a single marriage, a calm divorce. He’s certainly never tried to hurt anybody. Memory, though, is imperfect. It can always throw up surprises, as a lawyer’s letter is about to prove.

Julian Barnes pens a kind of detective story, relating a cranky amateur scholar’s search for the truth about Gustave Flaubert and the obsession of this detective, whose life seems to oddly mirror those of Flaubert’s characters.

One summer in the 60s, in a staid suburb south of London, Paul comes home from university, aged 19, and is urged by his mother to join the tennis club. In the mixed-doubles tournament he's partnered with Susan Macleod, a fine player who's 48, confident, ironic, and married, with two nearly adult daughters. She is also a warm companion, their bond immediate. And they soon, inevitably, are lovers. Clinging to each other as though their lives depend on it, they then set up house in London to escape his parents and the abusive Mr. Mcleod.

This is one of the defining novels of English writer Julian Barnes. An entertaining melange of stories starting with a contemporary account of the launch of Noah's Ark takes us into unexpected areas of human foibles, activities, and tendencies.

In May 1937, a man in his early 30s waits by the lift of a Leningrad apartment block. He waits all through the night, expecting to be taken away to the Big House. Any celebrity he has known in the previous decade is no use to him now, and few who are taken to the Big House ever return.

A memoir on mortality as only Julian Barnes can write it, one that touches on faith and science and family as well as a rich array of exemplary figures who over the centuries have confronted the same questions he now poses about the most basic fact of life: its inevitable extinction.

In the summer of 1885, three Frenchmen arrived in London for a few days' intellectual shopping: a prince, a count, and a commoner with an Italian name. In time, each of these men would achieve a certain level of renown, but who were they then and what was the significance of their sojourn to England? Answering these questions, Julian Barnes unfurls the stories of their lives which play out against the backdrop of the Belle Epoque in Paris. Our guide through this world is Samuel Pozzi, the society doctor, free-thinker, and man of science with a famously complicated private life....

On the occasion of his eightieth birthday, one of our great novelists delivers a playful and profound work about memory, love, and the writer's endgame. Shortly after our narrator, a writer named Julian, begins this compact book by discussing the workings of involuntary memory, he interrupts...

In this engaging and erudite essay, critically acclaimed writer Julian Barnes explores what is involved when we change our minds: about words, about politics, about books; about memories, age and time.

In a collection that is wise, funny, clever and moving, Julian Barnes has created characters whose passions and longings are made all the stronger by the knowledge that, for them, time is almost at an end.

Imagine an England where all the pubs are quaint, where the Windsors behave themselves (mostly), where the cliffs of Dover are actually white, and where Robin Hood and his merry men really are merry. This is precisely what visionary tycoon, Sir Jack Pitman, seeks to accomplish on the Isle of Wight, a "destination" where tourists can find replicas of Big Ben (half size), Princess Di’s grave, and even Harrod’s (conveniently located inside the tower of London).

Jean Serjeant, the heroine of Julian Barnes’ wonderfully provocative novel, seems ordinary but has an extraordinary disdain for wisdom. And as Barnes - winner of the Man Booker Prize for The Sense of an Ending - follows her from her childhood in the 1920s to her flight into the sun in the year 2021, he confronts his audience with the fruits of her relentless curiosity: pilgrimages to China and the Grand Canyon; a catalogue of 1940s sexual euphemisms; and a glimpse of technology in the 21st century (when the absolute truth can be universally accessed).

At the start of this fiendishly comic and suspenseful novel, a mild-mannered English academic chuckles as he watches his wife commit adultery. The action takes place before she met him. But lines between film and reality, past and present become terrifyingly blurred in this sad and funny tour de force from the author of Flaubert’s Parrot.

The adolescent Christopher and his soul mate, Toni, had sneered at the stifling ennui of Metroland, their cosy patch of suburbia on the Metropolitan line. They had longed for Life to begin - meaning Sex and Freedom - to travel and choose their own clothes. Then Chris, at 30, starts to settle comfortably into bourgeois contentment himself. Luckily, Toni is still around to challenge such backsliding.

Barnes’ appreciation extends from France’s vanishing peasantry to its hyperliterate pop singers, from the gleeful iconoclasm of nouvelle vague cinema to the orgy of drugs and suffering that is the Tour de France. Above all, Barnes is an unparalleled connoisseur of French writing and writers. Lively yet discriminating in its enthusiasm, seemingly infinite in its range of reference, and written in prose as stylish as haute couture, Something to Declare is an unadulterated joy.