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Crime Scenes takes you behind the police tape and immerses you in the stories of astonishing crimes from around the world. A town created by Disney, a luxury yacht in the Caribbean, an impenetrable Australian forest, the backstreets of Liverpool and a bungalow in Wales all provide settings for a series of sinister, and at times unbelievable, true crimes.

Lunedì 8 gennaio 2001, verso le sette di sera, nel giardino di Villa Altachiara a Portofino, scompariva la contessa Francesca Vacca Agusta, per anni protagonista del jet set italiano e internazionale. Prendeva il via quella sera un'indagine che avrebbe riempito le cronache di giornali e tv per settimane, mesi e anni, senza soluzione né requie neppure quando, una ventina di giorni più tardi, il cadavere venne ritrovato in mare, a pochi metri da una baia in Costa Azzurra.

The modern American casino resort was born on a lonely stretch of road that, within a decade, would become known as the Las Vegas Strip. This was a place where America could cut loose, enjoying pleasures denied at home. As visitors flocked to Las Vegas, casinos became a business and then an industry. This book shares stories about how Las Vegas became—and stayed—America’s gambling capital, focusing on the casinos that made it famous and the hustlers, gangsters, number-crunchers, and dreamers who made them.

Caroline Fraser grew up in the shadow of Ted Bundy, the most notorious serial murderer of women in American history, surrounded by his hunting grounds and mountain body dumps, in the brooding landscape of the Pacific Northwest. But in the 1970s and ’80s, Bundy was just one perpetrator amid an uncanny explosion of serial rape and murder across the region. Why so many? Why so weirdly and nightmarishly gruesome? Why the senseless rise and then sudden fall of an epidemic of serial killing?

In this chilling true crime series, we tell the stories of pillars of the community who betrayed the trust of those around them and challenged what we all think about the people we’ve come to rely on. Police officers, teachers, doctors and nurses, we believe these people are here to protect us from harm, not cause it. This series looks at some of the most heinous crimes perpetrated by people in positions of trust and examines the ripples their actions left on their community.

Thirty years ago, award-winning journalist Jon Ronson stumbled on the mystery of Carol Howe—a charismatic, wealthy former debutante turned white supremacist spokeswoman turned undercover informant. In 1995, Carol was spying on Oklahoma’s neo-Nazis for the government just when Timothy McVeigh blew up a federal building in Oklahoma City, killing 168 people.

Wright Thompson’s family farm in Mississippi is 23 miles from the site of one of the most notorious and consequential killings in American history, yet he had to leave the state for college before he learned the first thing about it. To this day, fundamental truths about the crime are widely unknown, including where it took place and how many people were involved. This is no accident: the cover-up began at once, and it is ongoing.

That Day in Dallas: Lee Harvey Oswald Did Not Kill JFK is best described as a prosecution by Robert K. Tanenbaum of those corrupt, unscrupulous government and unelected agency officials, who from inception with predetermined outcomes, deceitfully engaged in insecure, phony pretense probes regarding the assassination in Dealey Plaza. Those responsible are prosecuted while those who speak truth to power are exonerated.

In this fascinating account, Ann Rule delivers a tour de force: a whirlwind of misguided love, denial, guilt, and passions out of control; a series of brilliantly manipulated crimes; the bizarre and horrifying tale of two families brought to ruin; and, at the center of it all, the heartless, supremely selfish sociopath whose evil hid behind soft words and gentle manners, but who destroyed—without mercy—those who loved her.

No-nonsense New York journalist, Joe Nocera investigates a strange 100-year-old British murder case featuring poisoned scones and weedkiller. How did the case, and others like it, inspire the bestselling writer of all time: Agatha Christie?

Based on a “that can’t actually be true” story. Dead Outlaw is the darkly hilarious and wildly inventive new musical about Elmer McCurdy, an early 20th-century outlaw who became a traveling corpse and accidental celebrity. After a botched train robbery and an untimely death, Elmer’s body embarks on a decades-long postmortem adventure—through carnivals, roadside attractions, wax museums, and even a Hollywood film set. Dead Outlaw dives into the absurdity of fame, the inevitability of failure, and the meaning—or utter meaninglessness—of legacy.

In 1984, as a New York City subway train made its way downtown, a white man named Bernhard Goetz shot four unarmed Black teenagers he believed were going to rob him.

In 1982, Tony West and Avery Brock made a visit to notorious Corpsewood Manor under the pretense of a celebration. They brutally murdered their hosts. Dr. Charles Scudder and companion Joey Odom built the "castle in the woods" in the Trion forest after Scudder left his position as professor at Loyola. He brought with him twelve thousand doses of LSD. Rumors of drug use and Satanism swirled around the two men. Scudder even claimed to have summoned a demon to protect the estate. The murders set the stage for a trial vibrant with local lore.

Pain, torment, and torture. Cruelty, brutality, and violence. The twisted psyches, murder. and yes, even the ability to charm people. Take a deep dive into the terrifyingly real serial murderers, spree killers, and true faces of evil.

Grace Hale was home from college when she first heard the family legend. In 1947, while her beloved grandfather had been serving as a sheriff in the Piney Woods of south-central Mississippi, he prevented a lynch mob from killing a Black man who was in his jail on suspicion of raping a white woman—only for the suspect to die the next day during an escape attempt. It was a tale straight out of To Kill a Mockingbird, with her grandfather as the tragic hero. This story, however, hid a dark truth.

Ivor and Sally Davis were horrified when their Malibu neighbors, Verna Roehler and her son, Doug died in a terrible boating accident. The nightmare only continued when her husband, their friend, Fred Roehler, was arrested and then convicted for their murder. As investigative writers they set out hoping to find Roehler innocent—instead they found a viper's nest of deceit and murder.

In 1997 a six-year-old boy questioned by authorities relayed disturbing stories of abuse. The more he talked, the more people were implicated in his shocking revelations. And he was only the first child to come forward. Within a year, fifteen more children with similar tales were transferred out of the Bassa region of Italy to protected locations. Their parents were accused of belonging to a satanic sect that performed sex rituals under the aegis of beloved local priest Don Giorgio Govoni. With each child’s confession, the network of monsters grew.

From the creator of the critically acclaimed Irish History Podcast comes a ground-breaking exploration of the past, casting its gaze beyond the chambers of power and carnage of battle, and into the lives of the everyday people that lived through those violent centuries. From the desperate retributions of the Land War of the nineteenth century, through the unprecedented tumult of the revolutionary years, to the causes that helped to shape contemporary Ireland, these previously overlooked cases of human tragedy offer a fresh perspective on a history we think we know.

Widowed Blanche Taylor Moore was about to lose her second spouse to symptoms that mysteriously mirrored those that killed her first husband—as well as her previous boyfriend. When an investigation reveals arsenic poisoning, the hideous truth about the wife and mother comes to light. Did the abuse Blanche suffered as a child at the hands of her alcoholic father turn her into a murderer she became?

On November 22, 1963, the author of Behind the Scenes was a young Dallas Times Herald reporter who sprinted from his newspaper desk to Dealey Plaza minutes after shots were fired at President John F. Kennedy. Eyewitnesses he found at Dealey Plaza included Abraham Zapruder, who insisted from the first moments that the president could not have survived the serious wounds he had seen so clearly through his camera viewfinder.