Mostrando títulos en Europeo

Alfred Lord Tennyson is one of Britain’s greatest and most popular poets. Even during his lifetime, he was considered a national institution: Queen Victoria appointed him Poet Laureate in 1850, a position he held for 42 years, and in 1884 he became the first writer to be granted a baronetcy. In a long and fruitful career, he penned numerous classic works, and this BBC Radio collection showcases some of the very best. We begin with two of his masterpieces, dramatised by award-winning poet Michael Symmons Roberts.

At the opening of The Claverings (1866) the beautiful Julia Brabazon jilts her lover Harry Clavering in order to make a marriage of convenience with a wealthy but dissolute earl. Harry licks his wounds, leaves London to train as a civil engineer, and falls in love with his employer's daughter, to whom he soon becomes engaged. But when Julia returns unexpectedly as a wealthy widow, the flame of Harry's old love is rekindled.

Their captors demanded an heir. Their hearts demanded something more. PRESTON: He's escaped kidnappers before, but this time is different. Trapped in a cottage with a flame-haired beauty, Preston finds himself playing protector rather than planning his own escape. When their captors make an unthinkable demand, he's forced into an impossible situation with a woman who stirs something dangerous within him. Accustomed to keeping secrets, Preston knows sharing too much could jeopardize both their safety and any chance of a future. The greatest threat isn't their captors—it's the truth he's ...

Un libro valiente, sutil y agudo sobre los milagros, la relación entre la ciencia y la fe, la redención o el destino final del hombre. Dios en el banquillo es una de las más conocidas colecciones de ensayos de Lewis, entre los que destacan El mito se hizo realidad, El gran milagro, ¿Sacerdotisas en la Iglesia? y, por supuesto Dios en el banquillo.

Beowulf is considered the finest heroic poem in Old English. It celebrates the character and exploits of Beowulf, a young nobleman and warrior, as he proves his superhuman strength and endurance. He also represents the ideal lord and vassal, rewarding his men generously and accomplishing glorious deeds to honor his king.

When tulip-grower Cornelius van Baerle is framed for treason and sentenced to death, he is powerless against the brutal factional politics that put him in prison. But Rosa, the jailer’s daughter, is beautiful and strong-willed, and when they fall in love she determines not only to save him but also to grow the near mythical flower: the black tulip.S et in the savage turmoil of Holland’s late 17th century, this intimate novel celebrates the power of integrity over obsession, and tolerance over violence; and it creates in the black tulip a symbol of humanity’s potential.

This "lost race" novel begins as an exciting African adventure. Leonard Outram is a British adventurer who is in Africa seeking his fortune. He becomes part of the rescue of a Portuguese woman from a large slave camp. Leonard, his companion Otter, and the girl set off and find the people of the mist. They then impersonate gods and priests with the hope of getting the people's hoard of jewels.

È il 1946 quando Amerigo lascia il suo rione di Napoli e sale su un treno. Assieme a migliaia di altri bambini meridionali attraverserà l'intera penisola e trascorrerà alcuni mesi in una famiglia del Nord; un'iniziativa del Partito comunista per strappare i piccoli alla miseria dopo l'ultimo conflitto. Con lo stupore dei suoi sette anni e il piglio furbo di un bambino dei vicoli, Amerigo ci mostra un'Italia che si rialza dalla guerra come se la vedessimo per la prima volta. E ci affida la storia commovente di una separazione.

Sir Terence Rattigan was one of Britain's greatest playwrights, renowned for his well-crafted dramas of upper-class manners and repressed sexuality. He was hugely popular throughout the 1940s and early '50s, and had the rare distinction of having plays running in three West End theatres simultaneously. Having fallen out of fashion in the '60s, his work is now enjoying a huge revival. Included here are some of his most esteemed plays, adapted for radio and brought together in chronological order in one statement collection.

Elegant, profound, and riveting, Mad, Bad, Dangerous to Know illuminates not only the complex relationships between three of the greatest writers in the English language and their fathers, but also illustrates the surprising ways these men surface in their work. Through these stories of fathers and sons, Tóibín recounts the resistance to English cultural domination, the birth of modern Irish cultural identity, and the extraordinary contributions of these complex and masterful authors.

In this fascinating, revelatory work, Helena Kelly - dazzling Jane Austen authority - looks past the grand houses, the pretty young women, past the demure drawing room dramas and witty commentary on the narrow social worlds of her time that became the hallmark of Austen's work to bring to light the serious, ambitious, deeply subversive nature of this beloved writer. Kelly illuminates the radical subjects - slavery, poverty, feminism, the church, evolution among them - considered treasonous at the time, that Austen deftly explored.

How was it that the novelist who created some of the most memorable and modern female characters in literature had such troubled relationships with real women? In this highly innovative book, acclaimed biographer Paula Byrne re-examines novelist Thomas Hardy’s life through the eyes of the women who made him—mother, sisters, girlfriends, wives, muses. The story veers from shocking scenes such as his obsession with the sight of a woman hanged, to poignant vignettes of unfulfilled passion, to fascinating details of working women’s lives in the nineteenth century.

Que celui qui pourrait écrire un tel livre serait heureux, pensais-je, quel labeur devant lui ! Pour en donner une idée, c'est aux arts les plus élevés et les plus différents qu'il faudrait emprunter les comparaisons ; car cet écrivain, qui d'ailleurs pour chaque caractère en ferait apparaître les faces opposées, pour montrer son volume, devrait préparer son livre, minutieusement, avec de perpétuels regroupements de force, comme une offensive, le supporter comme une fatigue.

Joseph Conrad’s multilayered masterpiece tells of one nation's violent revolution and one hero's moral degeneration. Conrad convincingly invents an entire country, Costaguana, and sets it afire as warlords compete for power and a fortune in silver.

Señor Gould, adamant that his silver should not become spoil for his enemies, entrusts it to his faithful longshoreman, Nostromo, a local hero of sorts whom Señor Gould believes to be incorruptible.

Barchester Towers, the sequel to The Warden, is the second novel in Trollope's major series, the Chronicles of Barsetshire. It focuses on the power struggle between Archdeacon Grantly, Mr. Slope and the Proudies as they fight for control of the diocese of Barchester. Meanwhile, another struggle is taking place for the heart of Eleanor Bold. Who will win her? The vile Mr. Slope, the idling Bertie Stanhope or someone else entirely?

Raunchy, risqué and rebellious, early Restoration comedies were a breath of fresh air for 17th century theatregoers. With Charles II restored to the throne in 1660, Oliver Cromwell's ban on stage performances was rescinded, and for the first time, women were invited to tread the boards as actresses. Playwrights developed a new style of social comedy, packed with amorous escapades, bawdy humour, wicked wit and sexual innuendo. This scintillating anthology showcases six leading lights of early Restoration drama.

Alessandro D’Angelo. He was my forbidden temptation. My obsession. My ruin. In his arms, I was fire. In his world, I was ash. Then he vanished—without a word, without a trace—leaving my heart and my life in ruins. Now, six years later, he’s back—lethal, relentless, and looking at me like I still belong to him. The masquerade ball was supposed to be just another job—one night, one illusion. I never expected to come face-to-face with the man who shattered me. But I’m not the same woman he left behind. I have secrets of my own—like the son he knows nothing about. His enemies ...

Composed during the 14th century in the English Midlands, Sir Gawain and the Green Knight describes the events that follow when a mysterious green-coloured knight rides into King Arthur's Camelot in deep mid-winter. The mighty knight presents a challenge to the court: he will allow himself to be struck by one blow, on the condition that he will be allowed to return the strike on the following New Year's Eve.

A stunningly beautiful youth and the city of Venice set the stage for Thomas Mann’s introspective examination of erotic love and philosophical wisdom.

Just as Mr. Darcy finally decides to propose to the enticing Miss Elizabeth Bennet, she is summoned to Falmouth, to meet a relation she never knew she had. Thus, the ill-starred Hunsford proposal is avoided - but before he could even begin to understand his luck, adverse circumstances hasten to conspire against him, and Fitzwilliam Darcy is compelled to follow the woman he loves to the far reaches of Cornwall, into a world of deceit and peril, where few - if any - are what they seem to be...