Mostrando títulos en Muerte, Duelo y Pérdida

My Mentor, Death is a collection of over 40 of Leslie D. Soule's best poems, meditating on modernity, loss, and more. With deft language and cutting wit, Soule's poetry illuminates the twisted landscape of the 21st century, creating a tableau of lost loves, depersonalization, and that specter that comes for all of us: death.

Selected and written by one of the world’s leading, modern funeral poets - whose poems have already touched tens of millions of lives in over 172 countries through his website and facebook pages.

For the many admirers of Mary Oliver's breathtaking poetry of touch and transcendence, as well as for those coming to her words for the first time, Little Alleluias is a revelation. These works observe, search, pause, astonish, and give thanks to both love and the natural world. In constant conversation with the sublime, (i.e. "Are you afraid? / Somewhere a thousand swans are flying / through winter's worst storm."), Oliver has the rare skill of rendering life: her poems bring movement to stillness, and people to the Earth, themselves, and each other.

In these poems, Kleber-Diggs names delight in the same breath as loss. Moments suffused with love—teaching his daughter how to drive; watching his grandmother bake a cake; waking beside his beloved to ponder trumpet mechanics—couple with moments of wrenching grief—a father’s life ended by a gun; mourning children draped around their mother’s waist; Freddie Gray’s death in police custody. Even in the refuge-space of dreams, a man calls the police on his Black neighbor.

In the searing poems of his new collection, Twice Alive, the Pulitzer Prize-winner Forrest Gander addresses the exigencies of our historical moment and the intimacies, personal and environmental, that bind us to others and to the world. Drawing from his training in geology and his immersion in Sangam literary traditions, Gander invests these poems with an emotional intensity that illuminates our deep-tangled interrelations.

Ann Wroe, obituaries editor for The Economist, reflects on the art and impossibility of capturing life on the page. Through her experiences and through people she has known, studied, or merely glimpsed in windows, she movingly explores what makes a life and how that life lingers after in this breathtaking combination of poetry, memoir, and observation.

Set in three sections, Robert Wood Lynn explores interior uncertainty, interpersonal uncertainty and uncertainty at a larger scale. These narrative poems, influenced by storytelling traditions, find themselves at the nexus of the intimate and the humorous, as well as the absurd and the tragic. These poems examine isolation and grief in their many forms—through heartbreak or the death of loved ones, or show us the world looking back at itself after it ends.

This poem consists of 11 stanzas of varying length, the first four of which were composed in 1802. These deal with the subject of death, a concept with which Wordsworth confesses to having struggled within childhood.

Smoke is a collection of poems written over the course of two years. It is portrait of grief and the courage it takes to sit with it. It is an account of what it feels like to be intimate with sadness and loneliness. It is a portrait of healing. Smoke is documentation of growth and its grueling processes. It begins in grief and ends in joy. It is a book where the black girl rescues herself.

A journey through the ups and downs of love, heartache, heartbreak, loss, grief, and healing, this book reflects my inner most thoughts from my most recent years of life

In haunted poems glinting with laughter, Saeed Jones explores the public and private betrayals of life as we know it. With verve, wit, and elegant craft, Jones strips away American artifice in order to reveal the intimate grief of a mourning son and the collective grief bearing down on all of us.

Magical Negro is an archive of black everydayness, a catalog of contemporary folk heroes, an ethnography of ancestral grief, and an inventory of figureheads, idioms, and customs. These American poems are both elegy and jive, joke and declaration, songs of congregation and self-conception. Focused primarily on depictions of black womanhood alongside personal narratives, the collection tackles interior and exterior politics - of both the body and society, of both the individual and the collective experience.

Temp jobs, conspiracy theories, squatters, talk therapy, urban gardening, the robot revolution: this collection fixes its eye on the strangeness of labor, through poems that are searching, keen, and wry. The virtuosic central sequence explores the untimely death of the poet’s estranged father, a handyman and addict, and the brothers left to sort through the detritus of a life long lost to them. Through lyrical, darkly humorous vignettes, Kunz asks what it costs to build a home and a love that not only lasts but sustains.

Things We Can't Escape: Poetry for the Brokenhearted is a collection of raw and powerful poetry that delves into the depths of heartbreak and pain. Diana Townsend takes the reader on a journey through the complexities of grief and loss, exploring the emotions that come with being brokenhearted. The verses in this book are evocative and moving, leaving the reader with a deeper understanding of the human experience and the things we cannot escape. This book is a must-read for anyone who has ever had their heart broken.

From the author's leather-bound book kept locked at the base of his bed, we journey through New York City, chilled farmlands and isolated cabins in the woods. Calloway's solid masculine approach is refreshingly original. We have all felt the warmth of the world around us and we have all felt the cold. This author holds our hand as he leads us down rich passageways of the psyche.

The definitive collection from a writer whose transgressive legacy and raw, funny, acutely observant writing has left an enduring mark. Here is Bukowski eating walnuts and scratching his back, rolling a cigarette while listening to Brahms, showering with Linda in the midafternoon. Here is Bukowski knowing that the secret is beyond him, that people who never go crazy live truly horrible lives, that there's a bluebird in his heart that wants to get out.

Dead Dad Jokes is an unflinching take on family, loss and trauma. There is nothing quiet about Schminkey’s debut. Every moment is raw, honest and unforgettable. Dead Dad Jokes brings the impact of addiction into crisp focus while also shattering our simplistic TV preconceptions about it. Ollie never lets the listener slip into the easy sadness of cliche–instead they guide us through the realities and contradictions of losing someone you love and of death–reminding us that they need not be one and the same.

Countee Cullen was already a prominent literary figure when he published Color, his auspicious debut collection of poetry. In deceptively simple verse, and in harmony with lyric tradition rather than rebellion against it, Cullen covered such complex terrain as race, faith, mortality, sexuality, and identity. Cullen may be less well known today than his contemporaries, but his emotional candor, creative ambition, and impudent humor retain an unforgettable spark.

Drawing from his experience as a translator, Forrest Gander includes, in the first powerfully elegiac section, a version of a poem by the Spanish mystical poet St. John of the Cross. He continues with a long multilingual poem examining the syncretic geological and cultural history of the US border with Mexico. The poems of the third section - a moving transcription of Gander’s efforts to address his mother dying of Alzheimer’s - rise like hymns, transforming slowly from reverence to revelation.

The Only Worlds We Know is a nuanced and tactile look at both sobriety and what comes after. Patient meditations on loss and the land where the people we love live and are also buried.