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Since her husband’s unsolved murder three years ago, Iris Blodgett’s life has unraveled. Awash in grief and buried in debt, she can’t pay her mortgage—and now that she’s lost her job, she has no idea how she’ll provide for her unruly teenage daughter, Ellory. Facing eviction, Iris turns to her new beau, prominent architect Hugh Smoll, for a shoulder to cry on. But the seemingly perfect Hugh offers her something more: an invitation to move in to his mother’s centuries-old mansion while he renovates the property.

He is a sinner and never a saint. His words drip with lust. His touch... sinful. That is what girls whisper after one night with him. He even has scratches to prove it. He is powerful, dangerous, and never backs down from a challenge. The pawn? The new girl. He can smell her innocent nature like a piranha smelling blood and won't be satisfied until he has a taste. The problem? He isn't the only one who wants it.

Ruth and Nat are orphans packed into a house full of abandoned children run by a religious fanatic. To entertain their siblings, they channel the dead. Decades later Ruth's niece, Cora, finds herself accidentally pregnant. After years of absence, Aunt Ruth appears, mute and full of intention. She is on a mysterious mission, leading Cora on an odyssey across the entire state of New York on foot. Where is Ruth taking them? Where has she been?

Canterbury Gardens is a centuries-old plantation outside Charleston, South Carolina. Its aristocratic founders once hosted lavish banquets and balls among fanciful pleasure gardens, canals, and large-scale follies resembling ancient and medieval ruins. Over generations of neglect, the winding paths of the gardens have become overgrown, its marble statues and columned buildings abandoned to the wild. Now a family recovering from tragedy have devoted themselves to restoring the estate, but the ghosts of the past remain strong.

John Sackville will soon be dead. Shadows writhe in the corners of his cell as he mourns the death of his secret lover and as the gnawing hunger inside him grows impossible to ignore. He must write his last testament before it is too late. The story he tells will take us to the darkest part of the human soul. It is a tale of otherworldly creatures, ancient cults, and a terrifying journey from the stone circles of Scotland to the icy peaks of Tibet. It is a tale that will take us to the end of the world.

They call them the Serpents. Knox, Mason, Silas. These sick, twisted psychos are the untouchable elites at Cinderhart Academy. I'd never get involved with such dangerous guys despite how gorgeous, rich, and influential they are. But after I witness them committing a sadistic crime, I'm dragged kicking and screaming into their dark, depraved world. If they plan to break me, they're late to the party.

November 1816: Restless but naive Emeline Fitzpatrick is desperate to escape her stifling life in foggy Halifax. Her guardian is lining up repugnant suitors, but Emeline has her eyes set on a lieutenant in the British Navy. She just needs to persuade him to propose, or her one chance at happiness will be gone forever. But when Emeline’s hopes end in scandal, she finds herself with only one suitor left: the wealthy and enigmatic Captain Graves. Having already lost two wives to tragic circumstances, the widower is seeking a new companion in his cloistered seaside manor, Faraday House.

A chambermaid in the house of Tremeshton, Faris Shayhan well knew torment, despair and trepidation. To Faris it seemed the future stretched long and desolate before her—bleak and as dark as a lonesome midnight path. Still, the moon oft casts hopeful luminosity to light one’s way. So it was that Lady Maranda Rockrimmon cast hope upon Faris—set Faris upon a different path—a path of happiness, serenity and love. Thus, Faris abandoned the tainted air of Tremeshton in favor of the amethyst sunsets of Loch Loland Castle and her new mistress Lady Rockrimmon. Further, it was on the very ...

The broken condom. The two pink lines. The baby growing in my belly. And the daddy? None other than Victor Morozov. Mafia boss. Ruthless kingpin. My baby daddy.

Mount Mellyn stood as proud and magnificent as she had envisioned. But what about its master—Connan TreMellyn? Was Martha Leigh's new employer as romantic as his name sounded? As she approached the mansion towering above the cliffs of Cornwall, an odd chill of apprehension overcame her. TreMellyn's young daugher proved as spoiled and difficult as the three governesses before Martha had discovered. But it was the girl's father whose arrogant demeanor unleashed unfamiliar sensations and turmoil—even as whispers of past tragedy and present danger begin to insinuate themselves into her life.

When Henry Irving decides to open the Lyceum, his own London theater, with the goal of making it the greatest playhouse on earth, he hires a young Dublin clerk harboring literary ambitions by the name of Abraham Stoker as his assistant. Together, Irving and Stoker fall under the spell of Ellen Terry, a dazzlingly talented Shakespearean actress, known to all as a proto-feminist, and the lives of all three become intertwined with the Lyceum and each other.

Since the dawn of human civilization, two warring factions of near-immortals - the descendants of the gods of old - have been secretly shaping its destiny. Amanda's small clan champions progress and peace, while their powerful enemy, the Doomers, propagates ignorance and war. Descending from a single goddess - the only one to survive the ancient cataclysm that wiped out her kind - Amanda's clan members are forbidden to each other.

As Logan's bride, she would savor now the love she had sought for so long. And free from her father's clutches, she would live again in her backwoods town as a respected teacher and cherished wife. But after a wedding trip to Boston's Farthinggale Manor and a lavish, elegant party, Heaven and Logan are persuaded to stay...lured by Tony Tatterton's guile to live amid the Tatterton wealth and privilege. Then the ghosts of Heaven's past rise up again, writhing around her fragile happiness...threatening her precious love with scandal and jealousy, sinister passions and dangerous dreams!

I ignored Aida's warnings, and now I’m ensnared in a ruthless man’s trap. When I confronted Fabio Alteri, I never anticipated the forbidden twist our encounter would take. Aida advised against it, but fueled by anger and alcohol, I dared to confront the dangerous don. He ripped my friend away from me, his own daughter, and I couldn't bear it. But then, our eyes locked, igniting a fire within my soul. I shouldn't desire this ruthless Sicilian mafia don.

Idyllic Avril Island, owned by the Bennett family, is where their hundred-year-old cottage sat nestled in acres of forest. Forty-year-old June Bennett believed that the island had been sold after the summer of her father's disappearance when she was only 12 years old. It's months after the shocking death of her older sister, May, in a fatal car accident that June finds out that the cottage was never sold. Avril Island is still owned by the Bennett family, and now it's hers. Still reeling from the grief of losing her sister, June travels back to Avril Island in search of answers.

When Maxim de Winter brings his shy new bride to his beautiful stately home on the Cornwall coast, it seems like all her dreams have come true. The terrace slopes to the lawns, the lawns stretch to the sea and the gardens are full of scented flowers. But she soon finds that Manderley is haunted by the shadow of Maxim's first wife, Rebecca, who died the year before. It was Rebecca who made the house and gardens the showpiece of the county and her memory is revered by all, especially the housekeeper Mrs Danvers.

Satan’s final judgement on Victoria sums up a shocking novel, set in Venice at the end of the 15th century, that tracks the path of its heroine from abused victim to fully fledged criminal. Her conscious embodiment of vice seems to know no limits. Depicting unfettered desire and gratuitous cruelty, and challenging taboos of race and class, this tale of lust, betrayal, and multiple murder has Dacre moving beyond the limits of contemporaneous gothic heroes into a truly hellish zone of her own.

Una Hartstone, Princess of Issos, learns the price the Wraith King demands to end the war once and for all—Her. In exchange for the safety of her people, she agrees to give her life—and her body—to her greatest enemy. Gollaya Verbane is determined to fulfill his destiny and his god's prophecy. When his seer points to the Princess of Issos as the key to the rise of the dark fae, he demands her submission. But when she finally yields, he realizes Una is much more to him than a priceless weapon.

Once upon a time Orla was: a woman, a painter, a lover. Now she is a mother and a wife, and when her husband Nick suggests that their city apartment has grown too small for their lives, she agrees, in part because she does agree, and in part because she is too tired to think about what she really does want. She agrees again when Nick announces with pride that he has found an antiquated Georgian house on the Dorset cliffs—a good house for children, he says, tons of space and gorgeous grounds. But as the family settles into the mansion—Orla finds herself unsettled.

The Beetle is a horror novel that was published in 1897 and significantly outsold Dracula, which appeared in the same year. A polymorphous Egyptian creature – the Beetle – seeks revenge on the eminent British politician Paul Lessingham for crimes committed against the disciples of an ancient cult. Although it is less well-known than Dracula to modern audiences, The Beetle remains a leading example of the Gothic novel.