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Kaiser Wilhelm II was the last of the German emperors who reigned over the German Empire and Prussia. In this audiobook, we will explore his life, both personal and professional, to find out more about how Kaiser Wilhelm II became the last German emperor.

Leni Riefenstahl, "Hitler's filmmaker", remains one of the most controversial figures of the 20th century. Susan Sontag, though one of her severest critics, said that Triumph of the Will and Olympia, Riefenstahl's most noted films, "may be the two greatest documentaries ever made". Others see her story as an object lesson about opportunism.

Martin Luther is famous for the moment he nailed his 95 Theses to the church door in Wittenberg, yet the scope of his influence on the modern world is hardly limited to that one act. He emerged as a leader of the Reformation, coming onto the European scene at a time when modes of thought were changing, adapting from the medieval norm of reliance on authoritative sources such as Aristotle to modern ideas of discovering knowledge through textual interpretation, experience, and experimentation.

Die Diktatur im Pausenmodus: Stadt und Spiele im Sommer 1936. Im Sommer 1936 steht Berlin ganz im Zeichen der Olympischen Spiele. Zehntausende strömen in die deutsche Hauptstadt, die die Nationalsozialisten in diesen sechzehn Tagen als weltoffene Metropole präsentieren wollen. Oliver Hilmes folgt prominenten und völlig unbekannten Personen, Deutschen und ausländischen Gästen durch die fiebrig-flirrende Zeit der Sommerspiele und verknüpft die Ereignisse dieser Tage kunstvoll zum Panorama einer Diktatur im Pausenmodus.

Jens Balzer, einer der profiliertesten deutschen Kulturjournalisten, zeichnet ein farbiges Panorama der Siebziger, von der Mondlandung und Woodstock über die Ölkrise und den Deutschen Herbst bis hin zum Nihilismus des Punk. Ein Jahrzehnt, in dem sich so ziemlich alles ändert: Die Hippies erproben unerhörte Lebensweisen, die antiautoritäre Erziehung und die Emanzipationsbewegung ordnen die Familien- und Geschlechterverhältnisse neu, weltumspannender Idealismus trifft auf apokalyptische Weltuntergangsängste, und spätestens als Hacker den ersten "Personal Computer" bauen, wird deutlich: Genau hier beginnt unsere Gegenwart.

In 2013, the German government confiscated roughly 1,300 works by Henri Matisse, George Grosz, Claude Monet, and other masters from the apartment of Cornelius Gurlitt, the reclusive son of one of Hitler's primary art dealers. For two years, the government kept the discovery a secret. In Hitler's Last Hostages, Mary M. Lane reveals the fate of those works and tells the definitive story of art in the Third Reich and Germany's ongoing struggle to right the wrongs of the past.

In 1919 the Treaty of Versailles stripped Germany of its overseas colonies. This sudden transition to a post-colonial nation left the men and women invested in German imperialism to rebuild their status on the international stage. Remnants of an earlier era, these Kolonialdeutsche (Colonial Germans) exploited any opportunities they could to recover, renovate, and market their understandings of German and European colonial aims in order to reestablish themselves as "experts" and "fellow civilizers" in discourses on nationalism and imperialism.

In February 1945, 350 American POWs captured earlier at the Battle of the Bulge or elsewhere in Europe were singled out by the Nazis because they were Jews or were thought to resemble Jews. They were transported in cattle cars to Berga, a concentration camp in eastern Germany, and put to work as slave laborers, mining tunnels for a planned underground synthetic-fuel factory. This was the only incident of its kind during World War II.

Despite all the accomplishments and widespread victories and conquests throughout the long history of Republican and Imperial Rome, general perception still deems the Romans to have failed in one crucial conquest: the subjugation of Germany. Indeed, historians have singled out this one failure as central to the ultimate downfall of the entire empire, as the constant wars against the Germanic tribes and the need to defend the frontier on the Rhine at great expense against those tribes, helped bring the empire to its knees.

The Third Reich's Luftwaffe began World War II with significant advantages over other European air forces, playing a critical role in the German war machine's swift, powerful advance. By war's end, however, the Luftwaffe had been decimated by combat losses and crippled by poor decisions at the highest levels of military decision-making, and it proved unable to challenge Allied air superiority despite a last-minute upsurge in German aircraft production.

In September 1943, Adolf Hitler, furious at the ouster of Mussolini, sent German troops into Rome and ordered SS General Karl Wolff, who had been Heinrich Himmler's chief aide, to occupy the Vatican and kidnap (and perhaps kill) Pope Pius XII. At the same time, plans were being made to deport Rome's Jews to Auschwitz. Wolff began playing a dangerous game: stalling Hitler's plot against the pope, whom he hoped would save him from the noose in case Germany lost the war.

The codebreakers at Bletchley Park have been immortalised in films such as The Imitation Game and Enigma, but the Germans were also breaking Allied ciphers. The Third Reich Is Listening is the comprehensive account of the successes, failures and science of Germany's codebreaking and signals intelligence operations from 1935 to 1945. This fast-moving blend of modern history and popular science is told through colourful personal accounts of the Germans at the heart of the story.

If you want to discover the captivating history of the Holy Roman Empire, then pay attention... Two captivating manuscripts in one audiobook: The Holy Roman Empire and The Carolingian Empire. Throughout the story of the Holy Roman Empire, a wealth of fascinating tales from interesting people proliferates. Monks and emperors will clash, poets sing the praises of kings, and the pope rides blind and bareback on a frightened donkey through the streets of Rome.

While the Nazi party was being condemned by much of the world for burning books, they were already hard at work perpetrating an even greater literary crime. Through extensive new research that included records saved by the Monuments Men themselves, Anders Rydell tells the untold story of Nazi book theft, as he himself joins the effort to return the stolen books. When the Nazi soldiers ransacked Europe's libraries and bookshops, large and small, the books they stole were not burned. Instead, the Nazis began to compile a library of their own.

On April 30, 1945, Hitler committed suicide in his bunker as the Red Army closed in on Berlin. Within four days the Soviets had recovered his body. But the truth about what the Russian secret services found was hidden from history, when, three months later, Stalin officially declared to Truman and Churchill that Hitler was still alive and had escaped abroad. Reckless rumors about what really happened to Hitler began to spread like wildfire and, even today, they have not been put to rest. Until now.

Es sieht nicht alles schlimm aus in den achtziger Jahren. Aber vieles. Es ist das Jahrzehnt der explodierenden Dauerwellen und Pornoschnauzbärte, der aufgepumpten Schulterpolsterjacketts und schrillen Herumprotzerei; in den Achtzigern werden die Yuppies zu Vorreitern einer neuen Egoistenkultur. Doch gleichzeitig herrscht die Angst vor der Apokalypse, vor dem Atomtod und der Umweltzerstörung; die Menschen sehnen sich nach Utopien und Zukunft, nach neuer Gemeinschaft und Wärme.

Es gibt keine Grenzen mehr: Das glaubt man jedenfalls am Beginn der Neunzigerjahre. Die Berliner Mauer fällt, die Welt rückt zusammen, und sie vernetzt sich. Die ersten Knoten des World Wide Web werden geknüpft, die ersten Suchmaschinen programmiert. In Berlin wird Techno zum Soundtrack der Wiedervereinigung, Neonfarben beherrschen das Bild, Piercings und Tätowierungen erobern den Mainstream, das Arschgeweih gerät zum stilistischen Symbol der Dekade. Aber unter der heiteren Oberfläche brechen alte Konflikte auf, Gespenster aus der Vergangenheit kehren zurück.

During World War II, Géraldine Schwarz’s German grandparents were neither heroes nor villains; they were merely Mitlaüfer - those who followed the current. Decades later, while delving through filing cabinets in the basement of their apartment building in Mannheim, Schwarz discovers that in 1938, her grandfather took advantage of Nazi policies to buy a business from a Jewish family for a low price. Weaving together the threads of three generations of her family story with Europe’s process of post-war reckoning, Schwarz explores how millions were seduced by ideology.

Victor Klemperers Schilderung des Chaos nach dem Ersten Weltkrieg und des Scheiterns der Münchner Räterepublik. Solch genaue, anschauliche Momentaufnahmen aus der belagerten Stadt findet man nirgendwo sonst. Ein bewegendes Gesamtbild von diesem entscheidenden Wendepunkt der deutschen Geschichte - aus der Revolution von 1918/19 ging nicht nur die erste deutsche Demokratie hervor, zugleich kündigte sich in ihr das kommende Unheil an.

A presence in Third Reich cinema, Adolf Hitler also personally financed, ordered, and censored films and newsreels and engaged in complex relationships with their stars and directors. Here, Bill Niven offers a powerful argument for reconsidering Hitler's fascination with film as a means to further the Nazi agenda. In this first English-language work to fully explore Hitler's influence on and relationship with film in Nazi Germany, the author calls on a broad array of archival sources. Niven also explores Hitler's representation in Third Reich cinema, personally and through films focusing on historical figures with whom he was associated