Mostrando títulos en Teatro

Esta versão em áudio da obra O Mercador de Veneza, escrita para teatro por William Shakespeare e adaptada para o público jovem por Leonardo Chianca foi valorizada pela trilha sonora desenvolvida por Sandra Branca com arranjos inovadores feitos a partir de obras do compositor Claudio Monteverdi, que é citado no texto, e de diversos compositores renascentistas. Também destaca-se a interpretação da atriz Isadora Ferrite no papel de Pórcia.Vozes.

There are 83 copies of the First Folio in a vault beneath Capitol Hill - the world's largest collection. Well over 150 Indian movies are based on Shakespeare's plays - more than in any other nation. If current trends continue, there will soon be more high school students reading The Merchant of Venice in Mandarin Chinese than in early modern English. Why did this happen, and how? Ranging ambitiously across four continents and 400 years, Worlds Elsewhere is an eye-opening account of how Shakespeare went global.

Orson Welles is a one-person play in two acts about the life and times of Orson Welles. Some say that Orson Welles was a genius, but he always denied that. He did give us Citizen Kane, considered by most critics to be the best film ever made, but after that, his career took one long downward plunge. The play finds Welles trying to find the financing for one of his film projects. It's a difficult task, since most of the Hollywood community considers him to be a "screwball".

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson, and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

How much do you know about the key role women played in shaping the theatre we all know and love today? Perhaps you know little about the women who made theatre what it is today, and you are searching for a book that will help you improve your knowledge of musicals and their history. Or maybe you already have a strong understanding of the history of Broadway musicals, and you are searching for a book that covers the biographies of women in theatre in great detail. The truth is women’s role in the rise of theatre is greatly underappreciated. That is, until now. Introducing The Wonderful ...

Disney Theatrical Productions: Producing Broadway Musicals the Disney Way is the first work of scholarship to comprehensively examine the history and production practices of Disney Theatrical Productions (DTP), the theatrical producing arm of the studio branch of the Walt Disney Corporation. This book uncovers how DTP has forged a new model for producing large-scale musicals on Broadway by functioning as an independent theatrical producer under the umbrella of a large entertainment corporation.

No one does glamour, severity, girlish charm or tight-lipped witticism better than Dame Maggie Smith, one of Britain's best-loved actors. This new biography shines the stage lights on the life and career of a truly remarkable performer, one whose stage and screen career spans six decades. From her days as a West End star of comedy and revue, Dame Maggie's path would cross with those of the greatest actors, playwrights and directors of the era.

In this world premiere play, written by and featuring Shakina Nayfack, a vibrant, international group of transgender women band together at a hotel in Thailand to confront the challenges and joys of gender confirmation surgery. Despite the group’s warm welcome, Kina (Nayfack) prepares for her life-altering operation all alone. But a caring nurse (Ivory Aquino), a wise couple (Kate Bornstein and Annie Golden), and a karaoke-loving bellhop (Telly Leung) may be exactly who she needs to ignite her truest sense of self.

Featuring some of the entertainment industry's most prolific writers and talents, this hilarious production is sure to soothe anyone with wit who has suffered the trauma and humiliation of being fired. Is getting fired the best or worst thing that has happened to you? In this new collection, some of the more talented individuals in the entertainment industry take a stab at that question by sharing their hilarious stories.

In this fascinating and deeply researched book, Sharon Marcus challenges everything you thought you knew about our obsession with fame. Icons are not merely famous for being famous; the media alone cannot make or break stars; fans are not simply passive dupes. Instead, journalists, the public, and celebrities themselves all compete, passionately and expertly, to shape the stories we tell about celebrities and fans. The result: a high-stakes drama as endless as it is unpredictable.

In this Pulitzer Prize finalist by award winning playwright Gina Gionfriddo, Suzanna sets up Max, her best friend, on a blind date with her husband's co-worker, the mysterious Becky Shaw. What follows is a series of cataclysmic events that forever changes all their lives. Mixing sharp wit and humor with the taut suspense of a psychological thriller, the critically acclaimed Becky Shaw is a comedy of romantic errors that will keep audiences guessing. Directed by Bart DeLorenzo. Recorded before a live audience at the Skirball Cultural Center, Los Angeles, in February, 2011.

In a white fur coat, "The Queen of the Blues" sits on her luggage outside a Las Vegas hotel. It is 1959; the legendary star cannot enter the hotel without a white escort. So Dinah Washington, in her inimitable style, takes a long pull from her flask and starts kicking up a fuss. Yvette Freeman reprises her Obie award-winning performance in this passionate play that reminds us "What a Difference a Day Makes". Features songs made famous by Dinah Washington and performed in the play by Yvette Freeman.

"There is something at work in my soul which I do not understand." Pushing the limits of science and morality in his search for acceptance and purpose, Victor Frankenstein unleashes on the world a creation that he cannot control. To celebrate the 200th anniversary of Mary Shelley's Gothic novel, A. S. Peterson (The Battle of Franklin) adapts the tale for the stage and creates an experience that will leave you pondering your own sense of belonging long after the curtain has fallen. Produced with a multi-voice cast in a radio theater style.

Audrey Hepburn was not your usual movie star. She was the highest paid actress of her day, yet she never took a formal acting lesson. A child of war, and the daughter of a Fascist sympathizer, she spent her last years helping children of other wars. An Academy Award-winner for her first major film role (Roman Holiday), Hepburn continued her storybook career with such classic movies as Sabrina, Funny Face, The Nun's Story, Breakfast at Tiffany's, Charade, My Fair Lady and Wait until Dark. Her two marriages ended in divorce.

Throughout history, there has been a consistent crossover between show business and espionage, often producing some of the most extraordinary undercover agents, and occasionally leading to disastrous and dangerous failures. The fact that one relies on publicity and the other on secrecy might seem to rule out a successful symbiosis, but as both require high levels of creative thinking, improvisation, disguise and role-play, they inevitably attract some remarkably similar personalities. Stars and Spies is the first history of the interplay between the two worlds.

The Risk Theatre Model of Tragedy presents a profoundly original theory of drama that speaks to modern audiences living in an increasingly volatile world driven by artificial intelligence, gene editing, globalization, and mutual-assured destruction ideologies. Tragedy, according to risk theatre, puts us face to face with the unexpected implications of our actions by simulating the profound impact of highly improbable events.

A behind-the-scenes story of a high-stakes political drama that dared the country and its citizens to look into the mirror - and change. Robert Kennedy had an early mistrust of Dr. Martin Luther King and his tactics, but became one of the civil rights movement’s greatest champions.

Did you know that only one in five musicals recoup the initial costs of production? In Marketing Broadway: The Business Behind the Art, you'll learn precisely what makes a successful Broadway show. Marketing Broadway is for anyone who wants to know why good shows don’t always succeed. It’s for the theater aficionado, the business person, but most importantly, it’s for the artist in you!

When there really did seem to be more stars in Hollywood than in heaven, Hollywood Stage had them performing films as radio plays - on the sponsor's dime, of course. Classic films now become audiobooks, with many featuring the original stars from way back when. Here's The Scarlet Pimpernel starring Leslie Howard and Olivia de Havilland.

Broadway’s most esteemed visionaries tell all - how they got started in the business, how they chose projects, how they raise money, why some of their shows were huge hits and others flopped, and much more. From Flo Ziegfeld and David Merrick, from Joseph Papp, from Cameron Mackintosh, from today’s up-and-coming new generation of producers - here are priceless words of wisdom.