Mostrando títulos en Historia y Crítica

In a career that spans over seven decades, Roger Moore has been at the very heart of Hollywood. Of course, he's an actor who has starred in films that have made him famous the world over; but he is also a tremendous prankster, joker, and raconteur. Despite the fact that he is widely known as one of the nicest guys in the business, on and off the screen he has always been up for some fun.

In a captivating realm where cinematic narratives enchant countless viewers, how can one harmonize their faith with the craft of filmmaking? The Wages of Cinema encourages a deep dive into this relationship, drawing upon the significant reflections of Dorothy L. Sayers defending the authenticity of art and truth's manifestation.

This unprecedented history of Black cinema examines 100 years of Black movies - from Gone with the Wind to Blaxploitation films to Black Panther - using the struggles and triumphs of the artists, and the films themselves, as a prism to explore Black culture, civil rights, and racism in America. From the acclaimed author of The Butler and Showdown.

Sex scandals have rocked Hollywood since the industry began, but Once More With Feeling: You'll Never Make Love in This Town Again, Again is a brand new collection of stories that this town will never recover from - again.

It is often claimed that the French invented cinema. Dominating the production and distribution of cinema until WWI, when they were supplanted by Hollywood, the French cinema industry encompassed all genres, from popular entertainment to avant-garde practice. This Very Short Introduction opens up French cinema through focusing on some of its most notable works, using the lens of the New Wave decade (1958-1968) that changed cinema worldwide.

1974 was a busy year for Mel Brooks. Although still recovering after a series of failed projects threatened his career, he pulled off a one-two punch that saw the release of two of the most beloved American comedies ever made: Blazing Saddles and Young Frankenstein. Although both films are well-known, the stories beyond the making of each movie are less so. How did they come to be, and how did the era's culture and politics not only permit them to be made, but help them to become enduring comedy classics?

"What Do You Mean, Murder?" dives deep into the making of Clue and walks fans through the movie they know and love. From producer Debra Hill's original idea of Detective Parker bumbling around a mansion to Carrie Fisher's casting as Miss Scarlet, from Madeline Kahn's iconic "flames" ad-lib to the legendary deleted fourth ending, it's all here.

¿Sabía que Akira Kurosawa, el director japonés más célebre y admirado, intentó quitarse la vida tras el fracaso comercial de Dodeskaden? ¿Que Martin Sheen sufrió un infarto durante el rodaje de Apocalypse Now, uno de los más infernales que se recuerdan? ¿Sabía que el principal creador del lenguaje cinematográfico era un fervoroso partidario del Ku Klux Klan? ¿Que en 1921 Fatty Arbuckle, uno de los cómicos más célebres de su tiempo, fue acusado de asesinar a la joven actriz Virginia Rappe?

In 1970, on a soundstage on Manhattan’s Upper West Side, a group of men, women, and Muppets of various ages and colors worked doggedly to finish the first season of a children’s TV program that was not yet assured a second season: Sesame Street. They were conducting an experiment to see if television could be used to better prepare disadvantaged preschoolers for kindergarten. What they didn’t know then was that they were starting a cultural revolution that would affect all American kids.

This collection of irreverent and surprising essays about the popular television series Buffy the Vampire Slayer includes pieces by leading science fiction and fantasy authors. Contributors include best-selling legend David Brin, critically acclaimed novelist Scott Westerfeld, cult-favorite vampire author Chelsea Quinn Yarbro, and award-winner Sarah Zettel.

The inspiring true story of Loïe Fuller, a radical 19th-century art nouveau icon who turned artificial light into performance art and became the incandescent inventor of modern dance, is revealed in this transportive and hypnotic historical narrative.

Step into the dark and intricate world of Dexter Morgan like never before. Dexter's Dark Passenger: A Killer's Path on TV is a comprehensive exploration of the antihero who captivated audiences and redefined the boundaries between good and evil. This book delves into the origins of Dexter—from the moment Jeff Lindsay conceived a character who was as methodically dangerous as he was disturbingly relatable, to the evolution of his dual existence on television.

Fascinante ensayo que recorre, no solo la representación del vudú en el cine, desde cintas emblemáticas como El corazón del ángel a La serpiente y el arco iris, sino también los propios orígenes, evolución, idiosincrasia y prácticas del vudú real, de la mano de uno de los mayores expertos en el tema. El texto principal está aderezado con críticas y ensayos sobre el tema de otros autores emblemáticos de la escena hispanohablante contemporánea.

Warner Bros charts the rise of an unpromising film studio from its shaky beginnings in the early 20th century through its ascent to the pinnacle of Hollywood influence and popularity. The Warner Brothers - Harry, Albert, Sam, and Jack - arrived in America as unschooled Jewish immigrants, yet they founded a studio that became the smartest, toughest, and most radical in all of Hollywood.

Baudrillard & Lacan: At the (Exploitation) Movies! uncovers the multifaceted complexity situated in several previously neglected exploitation masterpieces. It examines: *Joe D’Amato’s Porno Holocaust & Emanuelle in America *Jess Franco’s Jungfrauen-Report *Christploitation Classic A Thief in the Night *Harmony Korine’s Gummo *Naziploitation Comedy Liebes Lager *Tim Heidecker’s Urinal Street Station *And Much More! Written for lovers of the Video Nasties, Grindhouse, Mondo, Postmodern Theory, and all things Weird and Sleazy. A truly fun and entertaining gambol through the bizarre ...

As matinee idols go, Montgomery Clift had the looks, the personality and the acting talent to climb to the top of the heap as one of Hollywood's leading men of the 1950s. Tackling westerns like Red River, suspense pictures like I Confess, war films like From Here to Eternity, to romance and drama in films like A Place in the Sun and The Heiress, Clift had it all.However, having it all was not everything it was cracked up to be for this complex man. Struggling with stardom and his place in the limelight, Clift loved acting, but hated Hollywood. He shunned the spotlight and avoided Tinsel ...

Film historian David Thomson, leads us into this very delicate subject. While unpacking classics such as Seven, Strangers on a Train, The Conformist, The Godfather, and The Shining, he offers a disconcerting sense of how the form of movies makes us accomplices in this sinister narrative process. Murder and the Movies admits us into what Thomson calls "a warped triangle": the creator working out a compelling death; the killer doing his and her best; and the entranced spectator trying to cling to life and a proper sense of decency.

Thelma & Louise, the 1991 film directed by Ridley Scott and starring Susan Sarandon and Geena Davis, has been described as a road movie, a buddy movie, a feminist parable, and only incidentally as a Western. An Oscar winner for first-time screenwriter Callie Khouri, Thelma & Louise catalyzed a national conversation about women, violence, and self-determination in a Hollywood still shrugging off the West of John Wayne and in an America that still viewed women as accessories to the national mythology.

Why read The Wheel of Sitcom? Because you’ve laughed. You’ve groaned. You’ve fallen asleep to the sound of canned applause or the soothing murmur of small-town life. Maybe you grew up with Lucy or Jerry or Homer… or maybe you’re just discovering the joy of a perfectly timed one-liner. In The Wheel of Sitcom, author Joe Stevens takes you on a warm, witty, and occasionally baffled journey through 100 sitcoms, old and new — from the black-and-white days of The Andy Griffith Show to the fast-cut chaos of Brooklyn Nine-Nine. Part review, part memoir, part love letter to the comedy ...

According to Cox, the key to understanding The Prisoner is to view the series in the order in which the episodes were made - and not in the rearranged order of the UK or US television screenings. In this book he provides an innovative and controversial "explanation" for what is perhaps the best, the most original, and certainly the most perplexing TV series of all time.