Mostrando títulos en Dirección y Producción

Fue un notable director de cine español naturalizado mexicano. La gran mayoría de su vasta obra cinematográfica fue realizada en México y Francia y es considerado, por unanimidad de los críticos, como uno de los más importantes y originales directores de la historia del cine.

In an evolving networked era, social-issue documentaries like Blackfish are art for civic imagination and social critique. In Story Movements, producer and scholar Caty Borum Chattoo explores how documentaries disrupt dominant cultural narratives through complex, creative, often investigative storytelling.

Listen—Earl Jones didn’t just move to Hollywood, he crash-landed like a broke Superman with twelve grand and no cape. One acting class, two bad headshots, and three months of rent later, he was flat broke and questioning his life choices. But quitting? Nah—this man worked security in the same parking lots he wanted to be discovered in. He paid for bartending school just to realize he couldn’t remember drink recipes. He dyed his hair, botched auditions, met celebrities at the wrong time, and still kept chasing the dream like it owed him money. It Never Rains on the Star is a wild, ...

Often considered one of the greatest filmmakers of all time, Stanley Kubrick has been widely praised for taking risks such as doing at least one film in a number of genres to avoid being pigeonholed into certain styles or expectations. Yet he still received a great deal of support from big Hollywood studios and mass audiences. From his humble beginnings as a chess enthusiast and photographer for Look Magazine who did not excel in academics to a legendary filmmaker who eventually had creative and financial autonomy over the majority.

Picture Ke Peechhe is a 10-episode series from Audible Suno, created and hosted by Rajeev Masand. This series reveals the untold making-of stories of the most enduring Hindi films of the past two decades, featuring their directors and stars. These are the films that have cast the biggest shadows, left the biggest footprints and are the ones we're still talking about years after they were made. Each film's director sits down with Rajeev to recollect their personal memories from the sets.

Hollywood producer/director/executive Stephen Simon’s provocative and entertaining new book illuminates a bold and controversial new plan to save new movies from extinction. Simon also shares the fun of growing up in The Old Hollywood: Frank Sinatra was my “godfather.” My Dad was a successful producer/director and I spent the Sundays of my youth with Dad’s best friends Red Skelton, Milton Berle, Jack Benny, and Lucille Ball. I played touch football with Elvis Presley, and rode horses every Saturday with Ronald Reagan. In my own thirty-five year Hollywood career, I fired Nancy Meyers...

Breaking into the Movies! It is the humorous (true) story of the life of a kid from Inglewood California, who made it up the food chain to become a world famous motion picture key grip! Michael G. Uva is the author of the world-renowned, Grip Book! (also known as The Grip Bible, now in its fifth edition). Why it's even been translated into Korean. Funny thing is, Mike can't spell or type, nor does he have any command of the English language. None of that has held him back.

¿Existe alguien que no lo considere un genio del cine? Allan Stewart Königsberg, su verdadero nombre, es como la figura condensada de todo el séptimo arte. Además de notable director, es guionista, actor, músico, escritor y ganador del premio Óscar en múltiples ocasiones. Hoy es uno de los personajes más respetados, influyentes y prolíficos de la era moderna.

It’s an epic tale that spans more than 30 years. As the Cold War took hold at that dawn of the 1950s the U.S. government began a program to perfect the atom bomb. The Nevada Test Site would be the prime location for testing atomic weapons on U.S. soil. A key to the program was to reduce impact to the public by having the radioactive nuclear fallout drift “downwind” into sparsly-inhabited areas of Utah. Who Nuked The Duke? looks at the program through the camera lense and filming of the 1954 RKO epic The Conqueror. The John Wayne feature, from producer Howard Hughes, would be filmed ...

Unlock the secrets to mastering location contracts and skyrocket your negotiation prowess with "Location Contracts to Your Advantage." This comprehensive guide takes you on an immersive journey through the complex world of location agreements in film and entertainment, providing you with the tools you need to secure the best deals and transform your projects. Dive into the essentials of location agreements and understand the pivotal role locations play in capturing the essence of a story. From legal considerations to foundational negotiation strategies, this book equips you with the ...

Défier les lois de la physique avec "Ant-Man", et celles de l'anatomie avec "Godzilla". S'aventurer aux abords d'un trou noir... et y plonger avec "Interstellar". Communiquer avec les aliens comme dans "Premier Contact". Se retrouver seul sur Mars et tenter d'y survivre. Étudier Prometheus et s'interroger sur l'origine et l'évolution des espèces extraterrestres.

When F. W. Murnau brought Nosferatu to the screen in 1922, he ushered in the bloody reign of cinema’s most venerable villain - the vampire. Nocturnal, fanged and insatiable for human blood, the vampire has infected the public consciousness like no other movie monster. In this illustrated pocket guide, Charles Bramesco goes vampire hunting across a century of cinema, stalking around lonely Transylvanian castles, dusty New York apartments and rain-soaked Washington woods to discover why the vampire has become cinema’s most enduring villain.

Rede an die Filmakademie: o. Univ. Prof. Peter Patzak, Institutsleiter der Filmakademie, an der Universität für Musik und darstellende Kunst Wien, begrüßt die Filmschaffenden und Freunde der Filmakademie am 18. Juni 2009 anlässlich der jährlichen Galaveranstaltung im neu gestalteten Orang-Utan Haus, Tiergarten Schönbrunn. Dort wo viele Jahre davor die Studios der Filmakademie und das Regiebüro von Peter Patzak zu Hause waren.

Эльдар Александрович Рязанов—советский и российский кинорежиссёр, сценарист, актёр, поэт, драматург, телеведущий, педагог, продюсер. На страницах книги раскрывается внутренний мир известного режиссера. Эльдар Рязанов рассказывает о сути комедийного жанра, поднимает важные проблемы современного кинематографа и ТВ.

1996年に放送作家を始めて、超一流の人たちと仕事をしてきました。（伝説の放送作家 腰山一生、古舘伊知郎など）能力平凡なぼくのなんてことない人生に大き

A New Slant on Acting offers a clear, detailed description of how films get made, how to work on a set, and what filmmakers need from actors. Once you know what everyone on the set is doing, you’ll know what you can do to help films and their crew members be successful. As a valuable team player, you’ll gain a definite edge over your competition and build a life for yourself in the midst of the wonderful magic of moviemaking.

Una ácida crónica vital que el autor dedica a las dos pasiones que han marcado su vida: el fútbol y el teatro. Humor, vivencias, deporte y arte se dan la mano en este audiolibro inolvidable que, en última instancia, habla de todos nosotros.

Lontano dalla grande distribuzione cinematografica, c'è un mondo di registi indipendenti che lavorano in silenzio, senza pretendere nulla, ostacolati dalla burocrazia e dalla mancanza di appoggi che non gli consentono di dedicarsi alla loro arte in santa pace. Tra loro c'è Marco Pollini, un regista indipendente veronese, proprietario di una piccola società di distribuzione, Ahora!, uno che i film li vuole fare comunque, nonostante tutto e tutti, persino contro il parere di sua moglie.

Можно смело утверждать, что XX век был веком режиссуры. Под влиянием режиссера, то есть организатора, педагога, творца, развивались театр и кинематограф. За прошедший век режиссура обогатилась многими выдающимися именами, среди которых немало наших соотечественников. Это К.С. Станиславский, С.М.

Удивительно, но до сих пор нет однозначного ответа на вопрос, когда, собственно появилась режиссура. Еще в 1890-х годах театральный режиссер был фигурой второстепенной и выполнял преимущественно административные функции. И вдруг в конце XIX столетия режиссер становится хозяином театра.