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Through her experiences in the Merce Cunningham Dance Company, Marianne Preger-Simon offers a rare account of exactly how Cunningham taught and interacted with his students. She describes the puzzled reactions of audiences to the novel non-narrative choreography of the company’s debut performances. She touches on Cunningham’s quicksilver temperament, lamenting his early frustrations with obscurity and the discomfort she suspects he endured in concealing his homosexuality and partnership with composer John Cageyet she celebrates above all his dependable charm, kindness, and engagement.

Hiram is a man with mystical abilities derived from the commonsense application of Scot-Irish folk wisdom and German Braucher magic. He possesses an arcane Bloodstone that allows him to see a lie the moment it is spoken. Behind the played-out farms and failed businesses are demons, curses, sorcerers, and unatoned wrongs. Bags of groceries and carpentry won't be enough this time. The job will take a man who has known sorrow. A man who has known war. A man of wisdom. A man of magic. The job will take a cunning man.

"Narrator David Colacci approaches this opinionated, engrossing audiobook with a practiced voice that lets its numerous stories tell themselves without fanfare...this audiobook is a monumental work." -- AudioFile Magazine In his follow-up to the Pulitzer Prize–winning The Metaphysical Club...

One year. No future. A past that won't go away. Lennox "Nox" Demetri broke his own rule by making a deal. It may not have been directly with the devil, but that doesn't mean Satan himself isn't watching. Was it fate that brought Charli into his life and his bed? What will happen when rules are broken and secrets are revealed?

"Should I have taken the false teeth?" This is what Dr. Jonathan Hullah, a police surgeon with "a high degree of cunning", wonders after he signs the death certificate for St. Aidan's Father Hobbes. What made the good father drop dead while celebrating Communion? In his search for the answer, Hullah whisks us back on a tour of his own rich and colorful life.

Should I have taken the false teeth?" This is what Dr. Jonathan Hullah, a former police surgeon, thinks after he watches Father Hobbes die in front of the High Altar at Toronto's St. Aidan's on the morning of Good Friday. How did the good father die? We do not learn the answer until the very end of this "Case Book" of a man's rich and highly observant life.

But we learn much more about many things, and especially about Dr. Hullah.

Adam of Beneficence wanted to be a magician, and even undertook a magical apprenticeship, but there isn’t a single spark of magic in his entire body. In desperation, his master arranged for him to study at Heart’s Eye University, a former school of magic that has become a university, a place where magicians and mundanes can work to combine their talents and forge the future together. But all is not well at Heart’s Eye. The magical and mundane apprentices resent and fear each other, and outside, powerful forces are gathering to snuff out the future before it can take shape.

Carrie Noland's Merce Cunningham: After the Arbitrary (University of Chicago Press, 2020) goes past conventional understandings of Cunningham that insist that randomness was his central goal as a choreographer, instead providing a portrait of a choreographer interested in story, connection, and affect. For Noland, chance is a starting point in understanding Cunningham, not a final destination. His chance operations were always shaped and modified by a keen choreographic and theatrical eye. Chapters explore his relation to many other artists and thinkers, including John Cage, Marcel Duchamp, ...

Carrie Noland's Merce Cunningham: After the Arbitrary (University of Chicago Press, 2020) goes past conventional understandings of Cunningham that insist that randomness was his central goal as a choreographer, instead providing a portrait of a choreographer interested in story, connection, and affect. For Noland, chance is a starting point in understanding Cunningham, not a final destination. His chance operations were always shaped and modified by a keen choreographic and theatrical eye. Chapters explore his relation to many other artists and thinkers, including John Cage, Marcel Duchamp, ...

Carrie Noland's Merce Cunningham: After the Arbitrary (University of Chicago Press, 2020) goes past conventional understandings of Cunningham that insist that randomness was his central goal as a choreographer, instead providing a portrait of a choreographer interested in story, connection, and affect. For Noland, chance is a starting point in understanding Cunningham, not a final destination. His chance operations were always shaped and modified by a keen choreographic and theatrical eye. Chapters explore his relation to many other artists and thinkers, including John Cage, Marcel Duchamp, ...