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This fully annotated edition of "Frankenstein" includes: Two original critical afterwords (over 7,500 words) Computational lexical analysis of the 1818 text Historical essay on Mary Shelley's life and context Comparison of the 1818 and 1831 editions Original orthography of the first edition preserved Most readers have never read the real Frankenstein. The version taught in schools — the 1831 revised edition — is a domesticated text. Mary Shelley, older and burdened by grief, softened Victor's choices into the workings of fate, severed Elizabeth's blood tie to Victor, and muted the ...

Mary Wollstonecraft, often described as the first major feminist, is remembered principally as the author of A Vindication of the Rights of Woman (1792), and there has been a tendency to view her most famous work in isolation. Yet Wollstonecraft's pronouncements about women grew out of her reflections about men, and her views on the female sex constituted an integral part of a wider moral and political critique of her times which she first fully formulated in A Vindication of the Rights of Men (1790).

The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late twenty-first century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.

First published in 1792, A Vindication of the Rights of Woman tackles many of the punitive patriarchal attitudes that dominated 18th-century society. With warmth and passion, Mary Wollstonecraft urges women to prioritize reason over emotion - a necessary step in building the strength of character required to break free from male notions of female fragility and foolishness. Wollstonecraft bases much of her argument in the case for women's education.

Brought to you by Penguin. This Penguin Classic is performed by celebrated British novelist Jeanette Winterson, CBE. This definitive recording includes an introduction to the audio edition written and performed by Jeanette Winterson. Writing in an age when the call for the rights of man had...

Mary Wollstonecraft is widely hailed as the mother of modern feminism. The book that made her famous, A Vindication of the Rights of Woman, is a work of worldwide renown. Yet the range of her achievements as a thinker and writer reach far beyond this text. She was a multi-faceted author, and although the condition of women was a constant preoccupation throughout her life, she wrote on a wide variety of topics and in a range of literary forms, some of which she created herself.

Mary Wollstonecraft is the author of A Vindication of the Rights of Woman (1792), one of the earliest works of feminist philosophy. She has been called Britain’s first feminist. Her daughter Mary Shelley is the author of the novel Frankenstein (1818). This biography was written by Elizabeth Robin Pennell. It was her first book, written before she was thirty. She was married that year to illustrator and artist Joseph Pennell.

NOW A NETFLIX FILM FROM ACADEMY AWARD–WINNING VISIONARY GUILLERMO DEL TORO NOMINATED FOR NINE ACADEMY AWARDS, INCLUDING BEST PICTURE Mary Shelley’s timeless gothic classic accompanied by the art of legendary illustrator Bernie Wrightson live on in this gorgeous illustrated adaptation of...

Charlotte Gordon's new work is a fresh look at the lives of Mary Wollstonecraft and Mary Shelley, who together comprise one of the most illustrious and inspiring mother-daughter pairs in history.

Dans cette œuvre pionnière de 1792, Mary Wollstonecraft revendique de manière révolutionnaire l'égalité des sexes et critique sévèrement les conditions sociales de son époque. Avec une rhétorique passionnée, elle fait valoir que les femmes ne sont pas intellectuellement inférieures aux hommes par nature, mais sont maintenues artificiellement dans cette position par le manque d'éducation et les restrictions sociales.

On a miserable summer trip to Geneva with her future husband, Percy Bysshe Shelley, poet Lord Byron and a small group of friends, writer Mary Wollstonecraft was asked to participate in a game where the guests would create a ghost story and share it with the group. Everyone told their stories, but Mary's creation surprised them all. She had conceived of the idea that would later become her best known work, a tale of horror and creation, the legendary early science fiction classic: Frankenstein, or the Modern Prometheus.

Set against the backdrop of a world and society in turmoil during the various revolutions across the globe, and written before the term “feminism” had become popularized, A Vindication of the Rights of Woman is a treatise that explains the ways in which women were mistreated and marginalized. Specifically, this explication was writing to respond to a particular popular idea of the time: that women were unsuited for getting their own educations and were better off living private, quiet lives in service of husbands.

Frankenstein is infused with some elements of the Gothic novel and the Romantic movement and is also considered to be one of the earliest examples of science fiction. Includes introduction and commentary by Mary Shelley. Required reading for any fan of science fiction and horror genres. A classic.

Three works of fiction, two by Mary Wollstonecraft, and one by her daughter Mary Shelley, creator of Frankenstein. In Mary Wollstonecraft's Mary, the heroine flees her young husband in order to nurse her dearest friend, Ann, and finds genuine love, while Maria tells of a desperate young woman who seeks consolation in the arms of another man after the loss of her child. And Mary Shelley's Matilda - suppressed for more than a century - tells the story of a woman alienated from society by the incestuous passion of her father.

Maria, or The Wrongs of Woman, is an unfinished novel by Mary Wollstonecraft, serving as a compelling sequel to her groundbreaking political treatise, A Vindication of the Rights of Woman. Published posthumously in 1798 by her husband, William Godwin, the story follows a woman unjustly confined in an insane asylum by her husband, highlighting the broader societal injustices faced by women rather than focusing solely on individual experiences. Released alongside Wollstonecrafts memoirs, both works stirred controversy and were deemed scandalous in their time. It wasnt until the 20th century that...

Mary Wollstonecraft is an undisputed icon for women’s rights, and this is not a status she earned lightly. Daring to demand equality at a time when it was incredibly risky to do so, Wollstonecraft developed a long resume of standing up to those that wished to subvert her rights and the rights of those she loved. She stood up to her own father as a teenager when he abused her mother, and she didn’t hesitate to help her sister escape from a similarly tyrannical husband.

First published in 1792, Wollstonecraft’s groundbreaking essay, written against the tumultuous backdrop of the French revolution, was an immediate success. Challenging the idea that women are inferior to men, Wollstonecraft argued that women deserved the same access to education, and the chance to develop as independent individuals. Blending Enlightenment ideals with sharp social critique, this pioneering work laid the foundation for modern feminist thought, provocatively – and successfully – defying gender norms in the eighteenth century.

Narrating from her deathbed, Mathilda, a young woman barely in her twenties, writes her story as a way of explaining her actions to her friend, Woodville. Her narration follows her lonely upbringing and climaxes at a point when her unnamed father confesses his incestuous love for her. Mathilda has also been seen as an example of redefining female Gothic narratives which includes the first person female narrator having more control over the story than was common at the time.

The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late 21st century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.

At once a Gothic thriller, a passionate romance, and a cautionary tale about the dangers of science, Frankenstein tells the story of committed science student Victor Frankenstein. Obsessed with discovering "the cause of generation and life" and "bestowing animation upon lifeless matter", Frankenstein assembles a human being from stolen body parts. However, upon bringing it to life, he recoils in horror at the creature's hideousness.