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Joyce's first major work, written when he was only 25, brought his city to the world for the first time. His stories are rooted in the rich detail of Dublin life, portraying ordinary, often defeated lives with unflinching realism. He writes of social decline, sexual desire and exploitation, corruption and personal failure, yet creates a brilliantly compelling, unique vision of the world and of human experience.

Form-defining short stories. First published in 1914, James Joyce defined what the short story could be with his collection The Dubliners. A mixture of prose and poetry, each story can be listened to independently, or as a collection. From childhood to maturity, we see what life - and ultimately death - can be, via an extraordinary cast of characters, all of whom experience an epiphany. There’s Father Flynn, the priest; Evelyn, the shop girl who dreams of escape; Mrs Mooney, the butcher’s daughter, who runs a boarding house.

Dubliners is a collection of short stories by James Joyce that was first published in 1914. The 15 stories were meant to be a naturalistic depiction of the Irish middle-class life in and around Dublin in the early years of the 20th century. The stories were written at a time when Irish nationalism was at its peak and a search for a national identity and purpose was raging; at a crossroads of history and culture, Ireland was jolted by various converging ideas and influences.

These vivid portraits of the author's native city weave a tapestry of Dublin and its people, yet also poignantly mourn the decline of Irish culture and civilization. Published in 1914, the collection was decried by some as obscene, but Joyce saw the work as "a chapter in the moral history" of Ireland. The stories present a vision of Dublin's claustrophobia and psychological paralysis, but the work's heaviness is balanced by an eccentric assortment of characters and the author's dry, often unexpected humor.

Three BBC radio productions of major works by James Joyce - plus Gordon Bowker’s fascinating biographical account of his life.

James Augustine Aloysius Joyce was born in 1882 in Dublin but spent most of his life living with Nora Barnacle in various parts of Europe. Apart from a collection of verse, Dubliners was his first published work in 1914. In Dubliners, Joyce portrays quite brilliantly human relationships in Ireland at the turn of the century. His characters are so vital and exciting and the stories so fresh, evocative, and entertaining that they could well have been written today.

James Joyce's Dubliners is a collection of short stories about the lives of the people of Dublin around the turn of the century. Each story describes a small but significant moment of crisis or revelation in the life of a particular Dubliner, sympathetically but always with stark honesty. Many of the characters are desperate to escape the confines of their humdrum lives, though those that have the opportunity to do so seem unable to take it.

This collection of 15 stories was first published in 1914. James wrote them as descriptions of middle class life in Ireland but in each story one or more characters has an "epiphany," - a moment where the character has a speical moment of illumination. Many of the characters in these stories later appear in his novel, Ulysses.

As a legendary writer who has left a lasting and profound impact on Irish literature and culture at large, James Joyce pioneered a daring and influential transformation in writing, drawing on a unique style and new ways of writing which have cemented him as a world-famous author. Now, this brilliant collection compiles three of his most famous works for the modern listener, capturing all the wit and charm of Joyce’s original books all those years ago.

The first authorized, unabridged release of this timeless classic and exclusively available from Recorded Books. Ulysses records the events of a single day, June 16, 1904, in Dublin, Ireland.

Back in 1985, Frank Mackey was a nineteen-year-old kid with a dream of escaping his family's cramped flat on Faithful Place and running away to London with his girl, Rosie Daly. But on the night they were supposed to leave, Rosie didn't show. Frank took it for granted that she'd dumped him-probably because of his alcoholic father, nutcase mother, and generally dysfunctional family. He never went home again. Neither did Rosie. Then, twenty-two years later, Rosie's suitcase shows up.

Dubliners is a collection of fifteen short stories by James Joyce, first published in 1914. They form a naturalistic depiction of Irish middle class life in and around Dublin in the early years of the 20th century. The stories were written when Irish nationalism was at its peak, and a search for a national identity and purpose was raging; at a crossroads of history and culture, Ireland was jolted by various converging ideas and influences.

As dusk approaches a small Dublin suburb in the summer of 1984, mothers begin to call their children home. But on this warm evening, three children do not return from the dark and silent woods. When the police arrive, they find only one of the children gripping a tree trunk in terror, wearing blood-filled sneakers, and unable to recall a single detail of the previous hours. Twenty years later, the found boy, Rob Ryan, is a detective on the Dublin Murder Squad and keeps his past a secret.

James Joyce's disillusion with the publication of Dubliners in 1914 was the result of ten years battling with publishers, resisting their demands to remove swear words, real place names and much else, including two entire stories. Although only 24 when he signed his first publishing contract for the book, Joyce already knew its worth. Joyce's aim was to tell the truth — to create a work of art that would reflect life in Ireland at the turn of the last century.

These vivid, tightly focused observations about the life of Dublin's poorer classes originally made publishers uneasy: the stories contain unconventional themes and coarse language, and they mention actual people and places. Today, however, the stories are admired. They are considered to be masterful representations of Dublin done with economy and grace - representations, as Joyce himself once explained, of a chapter in the moral history of Ireland that give the Irish a good look at themselves.

In his first published work in prose, James Joyce paints vivid portraits of the people of Dublin, his city of birth, in a collection of stories whose larger purpose, he said, was to depict a "moral history of Ireland". From the first story, in which a young boy encounters death, to the haunting final story involving the middle-aged Gabriel, the book gives an unflinching and realistic portrayal of "dear, dirty Dublin" in the early 20th-century.

A MAYOR GRACIA DE DIOS (The Grace). Es uno de los 15 relatos que componen la novela Dublineses. Este relato está marcado por la religión. Aquí se ven los trapicheos de un cierto proselitismo católico, ya que este relato trata de cómo los amigos y la esposa del protagonista, que ha tenido un accidente estando borracho, intentan reconducirle a la senda católica.

The 15 short stories that make up James Joyce's Dubliners give a realistic account of the life in and around Dublin, Ireland, in the early 20th century. In many of the short stories within the work, Joyce includes the Irish struggle for self-identity through epiphanies from the main characters.

This quintessential coming-of-age novel describes the early life of Stephen Dedalus. It is set in Ireland during the 19th century, which was a time of emerging Irish nationalism and conservative Catholicism. Highly autobiographical in nature, the work is also notable for its being the first one in which Joyce uses innovative “stream of consciousness” writing style. A Portrait... follows Stephen Dedalus from his babyhood into early adulthood.

In exploring everyday life and its intersections with death, this enduring collection of stories offers a naturalistic depiction of the working class in early twentieth-century Dublin. Joyce masterfully portrays frustrations and aborted desires to escape the mundane; transformative epiphanies both great and small; and the restraints, loneliness, violence, and contemplations of lives lived.