Mostrando resultados por "Anne Berest" en Todas las categorías

January, 2003. Together with the usual holiday cards, an anonymous postcard is delivered to the Berest family home. On the front, a photo of the Opéra Garnier in Paris. On the back, the names of Anne Berest’s maternal great-grandparents, Ephraïm and Emma, and their children, Noémie and Jacques—all killed at Auschwitz. Fifteen years after the postcard is delivered, Anne, the heroine of this novel, is moved to discover who sent it and why.

Justine is 21 years old, and has lived with her grandparents and her cousin Jules since the death of her parents. As a nursing assistant at a retirement home, she spends much of her days listening to her residents’ stories. After bonding with Hélène, an almost 100-year-old resident, the two women slowly reveal their stories to one another. Whilst Justine helps Hélène to relive her memories of love and war, Hélène encourages Justine to confront the secrets of her own past and the loss she keeps buried deep within.

On a spring day in 1926, Aimee Semple McPherson wandered into the Pacific Ocean and vanished. Weeks later she reappeared in the desert, claiming to have been kidnapped. A national media frenzy and months of investigation ensued. Who was this woman? America’s most famous evangelist, McPherson was a sophisticated marketer who used spectacle, storytelling, and the newest technology—including her own radio station—to bring God’s message to the masses.

In San Francisco in 1866, an Irish nun, abandoned following a torrid relationship with a Chilean aristocrat, gives birth to a daughter named Emilia del Valle. Raised by a loving stepfather, Emilia grows into an independent thinker and a self-sufficient young woman. To pursue her passion for writing, she is willing to defy societal norms. At the age of seventeen, she begins to publish pulp fiction using a man’s pen name. When these fictional worlds can no longer satisfy her sense of adventure, she turns to journalism, convincing an editor at The Daily Examiner to hire her.

A group of friends gather at an Airbnb on New Year’s Eve. It is Benjamin’s birthday, and his sister Abigail is throwing him a jazz-age Murder Mystery themed party. As the night plays out, champagne is drunk, hors d’oeuvres consumed, and relationships forged, consolidated or frayed. Someone kisses the wrong person; someone else’s heart is broken. In the morning, all of them wake up—except Benjamin. As Abigail attempts to wrap her mind around her brother’s death, an eminent detective arrives determined to find Benjamin's killer.

From lavish palace for Elizabethan nobles to dreary jailhouse for 18th-century prisoners of war, from well-manicured country house for a string of landed families to weed-choked ruin, Sissinghurst, in Kent, has become one of the most illustrious estates in England - and its future may prove to be just as intriguing as its past. In the 1930s, English poet Vita Sackville-West and her husband, Harold Nicolson, acquired land that had once been owned by Vita's ancestors.

At the dawn of the 1950s, a promising and dedicated young painter named Helen Frankenthaler, fresh out of college, moved back home to New York City to make her name. By the decade's end, she had succeeded in establishing herself as an important American artist of the postwar period. In the years in between, she made some of the most daring, head-turning paintings of her day and also came into her own as a woman: traveling the world, falling in and out of love, and engaging in an ongoing artistic education.

Raj Bhatt is often unsure of where he belongs. Having moved to America from Bombay as a child, he knew few Indian kids. Now middle-aged, he lives mostly happily in California with a job at a university. Still, his white wife seems to fit in better than he does at times, especially at their tennis club, a place he's cautiously come to love. But it's there that, in one week, his life unravels. It begins at a meeting for potential new members: Raj thrills to find an African American couple on the list; he dreams of a more diverse club. But in an effort to connect, he makes a racist joke.

Here is a grotesque and carnivalesque collection of exuberant, fantastical stories that takes us from the ancient world through to the European Renaissance. At the heart of these tall tales are the giant Gargantua and his equally seismic son, Pantagruel. Containing magical adventures, maniacal punning, slapstick humor, erudite allusions, and just about any bodily function one can think of, here is quite possibly the zaniest, most risqué book ever written.

Using previously undiscovered material, Surreal tells the riveting story of Gala Dalí, (1894-1982) who broke away from her cultured but penurious background in pre-Revolutionary Russia to live in Paris with both France’s most famous poet Paul Éluard and Max Ernst. By the time she met the budding artist Salvador Dalí in 1929, Gala was known as the Mother of Surrealism. She rapidly became his mentor and protector, marrying him in 1934 and subsequently engineering their vast fortune.

Larissa Salmina and Francis Haskell met by chance in a Venetian restaurant in September 1962. Prior to this fateful meal, Larissa escaped the siege of Leningrad and lived in the Urals, surrounded by Spanish revolutionaries. She became Keeper of Italian Drawings at the Hermitage and attended the 1962 Venice Biennale, where she stole (“I didn’t steal it. I liberated it”) a Matisse painting. Francis was a historian who never felt safe in England, his own country, and had abandoned hope of falling in love or finding anyone who could love him.

When Simon Kuper left London for Paris in his early thirties, he wasn't planning to make a permanent move. Paris, however, had other plans. Kuper has grown middle-aged there, eaten the croissants, seen his American wife through life-threatening cancer, taken his children to countless football matches on freezing Saturday mornings in the city's notorious banlieues, and in 2015 lived through two terrorist attacks on their neighborhood. Over two decades of becoming something of a cantankerous Parisian himself, Kuper has watched the city change.

In a working-class town in a county west of London, a schoolgirl scribbles stories in the back pages of her exercise book, intoxicated by the first sparks of her imagination. As she grows, everything and everyone she encounters become fuel for a burning talent. The large Russian man in the ancient maroon car who careens around the grocery store where she works as a checkout clerk, and slips her a copy of Beyond Good and Evil. The growing heaps of other books in which she loses–and finds–herself. Even the derailing of a friendship, in a devastating violation.

Paced and structured with the inevitable suspense of a countdown, Brigitte Giraud’s tense and haunting novel follows one woman’s quest to comprehend the motorcycle accident that took the life of her partner Claude at age 41. The narrator of Live Fast recounts the chain of events that led up to the fateful accident, tracing the tiny, madden twists of fate that might have prevented its tragic outcome. Each chapter asks the rhetorical question, “what if.”

In this novel of the glittering and gritty Jazz Age, a young aspiring photographer named Dorothea Lange arrives in San Francisco in 1918. As a newcomer - and naïve one at that - Dorothea is grateful for the fast friendship of Caroline Lee, a vivacious, straight-talking Chinese American with a complicated past, who introduces Dorothea to Monkey Block, an artists’ colony and the bohemian heart of the city. Dazzled by Caroline and her friends, Dorothea is catapulted into a heady new world of freedom, art, and politics.