Fierce Poise

Helen Frankenthaler and 1950s New York

De: Alexander Nemerov

Narrado por: Alison Fraser

A National Book Critics Circle finalist • One of Vogue's Best Books of the Year

A dazzling biography of one of the twentieth century's most respected painters, Helen Frankenthaler, as she came of age as an artist in postwar New York

“The magic of Alexander Nemerov's portrait of Helen Frankenthaler in Fierce Poise is that it reads like one of Helen's paintings. His poetic descriptions of her work and his rich insights into the years when Helen made her first artistic breakthroughs are both light and lush, seemingly easy and yet profound. His book is an ode to a truly great artist who, some seventy years after this story begins, we are only now beginning to understand.” ―Mary Gabriel, author of Ninth Street Women

At the dawn of the 1950s, a promising and dedicated young painter named Helen Frankenthaler, fresh out of college, moved back home to New York City to make her name. By the decade's end, she had succeeded in establishing herself as an important American artist of the postwar period. In the years in between, she made some of the most daring, head-turning paintings of her day and also came into her own as a woman: traveling the world, falling in and out of love, and engaging in an ongoing artistic education. She also experienced anew―and left her mark on―the city in which she had been raised in privilege as the daughter of a judge, even as she left the security of that world to pursue her artistic ambitions.

Brought to vivid life by acclaimed art historian Alexander Nemerov, these defining moments--from her first awed encounter with Jackson Pollock's drip paintings to her first solo gallery show to her tumultuous breakup with eminent art critic Clement Greenberg―comprise a portrait as bold and distinctive as the painter herself. Inspired by Pollock and the other male titans of abstract expressionism but committed to charting her own course, Frankenthaler was an artist whose talent was matched only by her unapologetic determination to distinguish herself in a man's world.

Fierce Poise is an exhilarating ride through New York's 1950s art scene and a brilliant portrait of a young artist through the moments that shaped her.

Awful narration

Enjoyed the content, though often felt the need to clarify the somewhat abstractly poetical accounts of the paintings wi a google search for images. However, the book was nearly ruined for me by the Audible narration which adopted a drawling, petulant, pretentious voice for Frankenthaler that made me want to slap her upside the head every time she opened her mouth. Seems quite a strange ( and inevitably sexist) editorial decision to intentionally trivialize the main subject of a book by constantly emphasizing how annoying she was. Listening to it required conscious resistance to the parody I was being offered.

I don’t want to write a review

And can’t get rid of the box so I can go back and re-listen to this book
It’s beyond annoying!

Somewhat disappointed

After reading the lengthy tome, 9th Street Women (which is a fabulous, timely and well-worthy read!) I found 'Fierce Poise' repetitive of the Helen Frankenthaler story with which I was already familiar. While her decade of the 50's was a seminal beginning for her talent and background to be able to explore, I expected more insight regarding the development and interactions behind Frankenthaler's skill.
I consider it peculiar that the author, who apparently chose not to meet or interview her, did not do so - even while his family was associated with her own original family.
In addition, due to this, I found it even more unusual, and inappropriate, that in his Intro, the author decided to call this famed painter by her first name.
While the reader, Allison Fraser is excellent in other works to which I've listened, her tone and attitude taken when quoting/acting the role of Frankenthaler in the book, is cloyingly affected. Fingers scraping a blackboard for me.
However, Frankenthaler remains one of my very favorite painters - and I was exposed to the details of many titled works.

Fierce Poise

Good story about a fascinating era. Sorry to say tho the narration was quite distracting. The « voice of Helen » was so pretentious answered most others that I barely made it thru and almost opted to just buy the book and read it instead. Sorry to say this but I cannot recommend this narration. Gave performance 1* because it was required by audible.

interesting informative

I enjoyed the book. I came away with a different view of Frankenthaler than before. I found the Helen voice very condescending and uppity. I guess that is how some people saw her. It took away from the story for me. but good book anyway

Cringe worthy and not really too interesting.

This book was a book club choice by another member in my group. I wasn’t a fan of Helen Frankenthal’s
work to begin with but I did grow to appreciate her work a little more after reading the book. The reader of this book put on a pretentious accent and seemed to be mocking the artist Helen that she was reading about. It was highly annoying, unprofessional and quite difficult to get through because of this. I didn’t appreciate the “psychological assessments” by the author of Helen and I would be willing to bet he had no credible qualifications to do so. I felt like there is lot more substance to Helen Frankenthal than this book reported. There were no pdf images to refer the reader to see the work of Helen. So another negative.

Get the paper version

This audiobook is so badly read that in spite of the interesting characters portrayed and the interesting story it make this experience of listening to it excruciating. I am not sure why the reader provides a different tone and voice (definitely counterproductive and deeply annoying) to the main character quotes and
why
she
puts
long
innumerable
pauses
when
ever
as if reading a new line after each single words or some obscure bad poem.
As a professor of art history and fine art I strongly recommend you do not miss out on the remarkable life and production of Helen Frankenthaler but please do get a written text copy, whether digital or paper.