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With his trademark mirth and boundless charisma, actor Nick Offerman brought the loveable shenanigans of Twain's adolescent hero to life in The Adventures of Tom Sawyer. Now, in yet another virtuosic performance, the actor proves that despite being separated by a span of over a century, his connection to the author and his work is undeniable and that theirs is a timeless collaboration that should not be missed.

After Hank Morgan of Hartford, Connecticut, takes a blow to the head, he inexplicably awakens in sixth-century Camelot. At first lost and confused, the time traveler soon realizes that he can use modern knowledge and his ability to foretell the future to his advantage. Consequently, he is granted a place in the king’s court as Arthur’s right-hand man. When the Catholic Church grows fearful of his power, the Connecticut Yankee aims higher and concocts a grandiose plan to bring American ideals to sixth-century England to change the future.

A Connecticut Yankee in King Arthur's Court is both a whimsical fantasy and a social satire chock-full of brilliant Twainisms. Hank Morgan, a nineteenth-century American---a Connecticut Yankee---by a stroke of fate is sent back into time to sixth-century England and ends up in Camelot and King Arthur's Court.

A Connecticut Yankee in King Arthur's Court tells the story of Hank Morgan, a 19th-century American - a Connecticut Yankee - who, after a blow to the head, awakens to find himself inexplicably transported back in time to early medieval England at the time of the legendary King Arthur.

Hank Morgan is a mechanic, an engineer, and a foreman at the Colt Arms Factory. One day he gets into an argument, "conducted with crowbars," with an employee known as "Hercules." A blow to Hank's head sends him back to King Arthur's England in the Sixth Century.

Transported back in time to the regal days of chivalry, the quick-witted, sharp-tongued Connecticut Yankee introduces the legendary King Arthur and his court to some "magic" even the wizard Merlin never dreamed of: the destructive power of gunpowder, and the ability to eclipse the sun itself!

One of the greatest satires in American literature, Mark Twain's "A Connecticut Yankee in King Arthur's Court" begins when Hank Morgan, a skilled mechanic in a nineteenth-century New England arms factory, is struck on the head during a quarrel and awakens to find himself among the knights and magicians of King Arthur's Camelot. The 'Yankee' vows brashly to "boss the whole country inside of three weeks" and embarks on an ambitious plan to modernize Camelot with 19th c. industrial inventions like electricity and gunfire. It isn't long before all hell breaks loose!

The ungentle laws and customs touched upon in this tale are historical, and the episodes which are used to illustrate them are also historical. It is not pretended that these laws and customs existed in England in the sixth century; no, it is only pretended that inasmuch as they existed in the English and other civilizations of far later times, it is safe to consider that it is no libel upon the sixth century to suppose them to have been in practice in that day also. The question as to whether there is such a thing as divine right of kings is not settled in this book.

An ingenious Yankee mechanic, knocked unconscious in a fight, awakens to find himself in Camelot in 528 A.D. Imprisoned by Sir Kay the Seneschal and exhibited before the knights of the Round Table, he is condemned to death but saves himself by posing as a Merlin-like magician, correctly predicting an eclipse, and becoming a minister to King Arthur. He increases his power by applying 19th century knowledge of gunpowder, electricity, and industrial methods.

Transported 1300 years into the past, Connecticut engineer Hank Morgan finds himself in Camelot, the legendary home of King Arthur and his fabled Knights of the Round Table. Becoming a friend and adviser to the king, Hank encounters Merlin, Lancelot, Guinevere, and all the other characters from Arthurian legend. As he attempts to take on the task of analyzing the problems of their time, he tries to share his knowledge from the future in order to modernize, Americanize, and improve the lives of the people he meets.

Cracked on the head by a crowbar in nineteenth-century Connecticut, Hank Morgan wakes to find himself in King Arthur's England. Branded by Twain's aptitude for broad comedy and biting social satire, the grim truths of Twain's Camelot, fear, injustice, ignorance, resound as clearly now as when it was written.

Brought to you by Penguin. This Penguin Classic is performed by Shazad Latif, best known for his roles in Star Trek: Discovery and Spooks. This definitive recording includes an introduction by Justin Kaplan. When Connecticut mechanic and foreman Hank Morgan is knocked unconscious, he wakes not...

The story of Hank Morgan, a 19th-century American who is accidentally returned to sixth-century England, is a powerful analysis of such issues as monarchy versus democracy and free will versus determinism, but it is also one of Twain's finest comic novels, still fresh and funny after more than 100 years.

The novel was originally titled "A Yankee in King Arthur's Court". Some early editions are titled "A Yankee at the Court of King Arthur". In it, a Yankee engineer from Connecticut is accidentally transported back in time to the court of King Arthur, where he fools the inhabitants of that time into thinking he is a magician and soon uses his knowledge of modern technology to become a "magician" in earnest, stunning the English of the Early Middle Ages with such feats as demolitions, fireworks and the shoring up of a holy well.