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Thought-provoking, lyrical, and timeless, this collection lingers in the imagination long after the final word. Press play now and let Bliss and Other Stories transport you into a world where every glance, gesture, and thought brims with meaning, subtle revelation, and unforgettable beauty.

The Complete Katherine Mansfield Collection contains the five volumes of short stories written by Mansfield between 1911 and 1924 which established her as one of the best short story writers of her generation, as-well as the only novel she ever penned: The Aloe. Katherine Mansfield (1888-1923) was a New Zealand-born English writer, famous for her expertly observed short stories. She had a great influence on the development of the short story as a form of literature.

Innovative, startlingly perceptive and aglow with colour, these 15 stories were written towards the end of Katherine Mansfield's tragically short life. Many are set in the author's native New Zealand, others in England and the French Riviera. All are revelations of the unspoken, half-understood emotions that make up everyday experience - from the blackly comic 'The Daughters of the Late Colonel' and the short, sharp sketch 'Miss Brill', in which a lonely woman's precarious sense of self is brutally destroyed, to the vivid impressionistic evocation of family life in 'At the Bay'.

Katherine Mansfield is remembered as one of the great modernist short-story writers, who managed to pack a huge amount of creative work into her 34 years before she died of TB in 1923. This impressive collection includes brand-new full-cast BBC dramatisations of 'Bliss', 'Something Childish but Very Natural', 'Marriage a la Mode', 'Daughters of the Late Colonel', 'The Garden Party', 'Life of Ma Parker and Her First Ball', plus many more readings brought to life by a wealth of narrators.

Skyboat Media presents The Best of Katherine Mansfield, an original compilation of stories from one of the defining writers of modernist fiction. Katherine Mansfield’s stories shine a light on the duality and the overpowering nature of psychology through her delicate, nuanced, and often stream-of-consciousness narration style. None of her stories seem to settle on just one theme; like life they encompass the intersectional nature of all moments, from the most minute and mundane to the most terrific and tragic.

This recording contains four of Katherine Mansfield's best stories. In The Daughters of the Late Colonel, two sisters are recently bereaved; while in Her First Ball a young girl attends her first dance. The Singing Lesson features Miss Meadows, a music teacher in turmoil; and in The Stranger, a middle-aged couple are reunited.

In a world that has moved on, two men sit in the shadows of the past. One, frail and forgetful, speaks of things best left unsaid. The other, powerful yet unknowingly adrift, listens—and feels something crack beneath his carefully preserved sense of control. The war took their sons, but time has taken something else, something harder to name. In the quiet of an office where authority once meant everything, grief lingers like dust on old furniture. A casual visit, a few words spoken in passing, and suddenly, the weight of loss is too heavy to ignore.

In the realm of the short story, Katherine Mansfield established a highly original style. Undramatic, poetic and lyrical, her writing is exquisitely subtle in its treatment of human behaviour. When these 14 short stories were published in 1920, she had already effected a transformation in this form of fiction, and her influence has been deeply felt by subsequent writers.

An exploration of the New Zealand writer's life told through her journals, letters and stories. Katherine Mansfield is New Zealand’s most famous writer. She was born in Wellington in 1888 and moved to Europe in 1908, where she wrote some of the best short stories in the English language.

This is a story from the Classic Women's Short Stories collection.

Set in colonial New Zealand, The Aloe captures a moment of transition for the Burnell family as they move into a new home. At the heart of it all is Kezia, a perceptive young girl whose sharp eyes and quiet curiosity offer a child's view of adult tension, familial love, and the quiet dramas of everyday life. Through lush, lyrical prose, Mansfield explores the unspoken complexities of women's roles, family expectations, and inner longing—all from the inside out.

Brimming with intensity, shrewd psychological insight and quiet epiphanies, Bliss and Other Stories compellingly explores the emotional complexity lying just beneath the surface of day-to-day niceties. Mansfield’s flair and impressionistic prose provides a poignant lens into the inner worlds of her characters.

In At Lehmann’s by Katherine Mansfield we have the theme of innocence, vulnerability, appearance, confusion and desire. Taken from her In a German Pension collection the story is narrated in the third person by an unnamed narrator and from the beginning of the story the reader realises that Mansfield may be exploring the theme of innocence. Sabina believes Hans’ story about why his hands are so dirty even though the story is exceptionally far-fetched and borders on the impossible.

A Blaze is a short story by Katherine Mansfield: “Max, you silly devil, you’ll break your neck if you go careering down the slide that way. Drop it, and come to the Club House with me and get some coffee.” - “I’ve had enough for to-day. I’m damp all through. There, give us a cigarette, Victor, old man. When are you going home?”

Although Katherine Mansfield was born in New Zealand in 1888, she spent much of her short life in England and on the Continent. As she wrote about the privileged worlds she encountered there, her stories quickly attracted literary attention. Prelude was hand-published by Leonard and Virginia Woolf at their Hogarth Press. Readers today still applaud the grace with which Mansfield fuses image, mood and meaning. Here are ten of Katherine Mansfield’s extraordinary tales.

Between 1922 and 1923, Katherine Mansfield wrote four volumes of short stories. This recording includes all sixty-three stories from the four collections, including a number of incomplete stories collated after Mansfield’s death.

THE RUNAWAY NEW YORK TIMES BESTSELLER “Katherine May opens up exactly what I and so many need to hear but haven't known how to name.” —Krista Tippett, On Being “Every bit as beautiful and healing as the season itself. . . . This is truly a beautiful book.” —Elizabeth Gilbert ...

The Garden Party and Other Stories was published in 1922. A collection of fifteen short stories, it explores themes including life and death, gender and family roles, relationships and duty.

Je ne parle pas français is a short story by Katherine Mansfield. She began it at the end of January 1918, and finished it by February 10. It was first published by the Heron Press in early 1920, and an excised version was published in Bliss and Other Stories later that year. A French writer describes his encounter with an English writer, and the consequences thereof.

"In a German Pension" is a collection of short stories by Katherine Mansfield, a New Zealand writer and critic who was an important figure in the modernist movement and widely considered one of the greatest short story writers of all time. Focusing on the lives and interactions of a diverse group of guests staying at a German spa-town pension, where the narrative explores themes of social norms, cultural differences, and the complexities of human relationships.