Mostrando resultados por narrador "Dawn Harvey" en Todas las categorías

Now reduced to a schoolyard chant, the Hope family murders shocked the Maine coast one bloody night in 1929. While most people assume seventeen-year-old Lenora was responsible, the police were never able to prove it. Other than her denial after the killings, she has never spoken publicly about that night, nor has she set foot outside Hope’s End, the cliffside mansion where the massacre occurred.

Emery Blackwood’s life changed forever the night her best friend was found dead and the love of her life, August Salt, was accused of murdering her. Years later, she is doing what her teenage self swore she never would: living a quiet existence on the misty, remote shores of Saoirse Island and running the family’s business, Blackwood’s Tea Shoppe Herbal Tonics & Tea Leaf Readings. But when the island, rooted in folklore and magic, begins to show signs of strange happenings, Emery knows that something is coming.

In twelve luminous stories set across three centuries, The History of Sound examines the unexpected ways the past returns to us and how love and loss are entwined and transformed over generations. In Ben Shattuck's ingenious collection, each story has a companion story, which contains a revelation about the previous, paired story. Mysteries and murders are revealed, history is refracted, and deep emotional connections are woven through characters and families.

On a mission to learn about her enigmatic past, Lennon understands one thing: the truth lies at Nine Pines. But as the whispers and rumors surrounding the inn’s history pique her curiosity, the allure of the mystery still haunting the place draws her in. In a small town where gossip is traded as currency, Lennon’s instincts about whom to trust will be put to the ultimate test as she seeks the truth about where she came from and just what secrets the old inn is hiding. Miles away, Ingrid’s husband is lying. At least his cryptic behavior would suggest he is.

NATIONAL BESTSELLER An exclusive thriller writer’s retreat hosted on a private island turns lethal when one of the authors is found murdered. “Twisty and fabulously fun . . . This debut is not to be missed!”—Amy Tintera, New York Times bestselling author of Listen for the Lie...

Push Not the River is the rich story of Poland in the late 1700's - a time of heartache and turmoil as the country's once peaceful people are torn apart by neighboring countries and divided loyalties. It is then, at the young and vulnerable age of seventeen, that Lady Anna Maria Berezowska loses both of her parents and must leave the only home she has ever known.

Death is a subject obscured by fear and denial. When we do think of dying, we are more often concerned with how to avoid the pain and suffering that may accompany our death than we are with really confronting the meaning of death and how to approach it. Sushila Blackman places death - and life - in a truer perspective, by telling us of others who have left this world with dignity.

Sebastian Pana is a sin-eater, a shaman-like figure who can absolve the dead of their transgressions before they move on to the afterlife. But when a tear in the fabric of reality allows hideous beasts to invade the small arctic town he calls home, Sebastian must wage battle with them the only way he knows how: by unleashing the power of sin itself. Thus, the stage is set for an epic confrontation between the forces of good and evil, in which a mother monster strives to save the dying land around her.

Inside a century-old row house in Brooklyn, renegade Sister Evelyn and her fellow nuns preside over a safe haven for the abused and abandoned. Gruff and indomitable on the surface, warm and wry underneath, little daunts Evelyn, until she receives word that Mercy House will be investigated by Bishop Hawkins, a man with whom she shares a dark history. In order to protect everything they’ve built, the nuns must conceal many of their methods, which are forbidden by the Catholic Church.

Here, collected in one volume and chosen by the author himself, are favorites such as "What Kind of Day Did You Have?", "Leaving the Yellow House", and a previously uncollected piece, "By the St. Lawrence". With his larger-than-life characters, irony, wisdom, and unique humor, Bellow presents a sharp, rich, and funny world that is infinitely surprising. With a preface by Janice Bellow and an introduction by James Wood, this is a collection to treasure for longtime Saul Bellow fans and an excellent introduction for new listeners.

Though her mind is still sharp, Elizabeth's eyes have failed. No longer able to linger over her beloved books or gaze at the paintings that move her spirit, she fills the void with music and memories of her family, especially her beloved twin sister, Emily. When her late father's journals are discovered after an accident, the past suddenly becomes all too present. With the help of Morgan, a delinquent teenager performing community service at her senior home, Elizabeth goes through the diaries.

The year is 1794, and the beautiful and resilient Countess Anna Maria Berezowska has narrowly escaped death amidst the chaos caused by the violent dissolution of Poland. Anna is soon reunited with her longtime love, Lord Jan Stelnicki, and the two lovers marry even as their beloved Poland is ripped apart. As the couple struggles to raise a family in the face of an uncertain future, Anna’s capricious cousin, Zofia, returns with a surprise of her own.

Margaret Atwood has established herself as one of the most visionary and canonical authors in the world. This collection of fifteen extraordinary stories—some of which have appeared in The New Yorker and The New York Times Magazine—explore the full warp and weft of experience, speaking to our unique times with Atwood’s characteristic insight, wit and intellect.

Diana Wood’s escape to Paris has ended. She’s traded her international sexual escapades for sharing a couch in therapy with her husband, Oliver. Dedicated to rekindling the spark they lost, Diana and Oliver are determined to follow whatever directives their therapist issues. But then they’re told, “absolutely no sex.” Diana begins dating the man who was once her husband. Much to her surprise, the therapist’s advice seems to be working: The emotional connection between Diana and Oliver deepens and their physical attraction becomes all-consuming.

The moment Joan Castleman decides to leave her husband, they are 35,000 feet above the ocean on a flight to Helsinki. Joan's husband, Joseph, is one of America's preeminent novelists, about to receive a prestigious international award, and Joan, who has spent 40 years subjugating her own literary talents to fan the flames of his career, has finally decided to stop.

A reproduction of the classic text, unavailable now for more than a decade, with a new introduction by the author. The Hite Report, first published in 1976, was a sexual revolution in six hundred pages. To answer sensitive questions dealing with the most intimate details of women's sexuality, Hite's innovation was simple: she asked women, a lot of them, everything--and published the results. One hundred thousand women, ages fourteen to seventy-eight, were asked what they do and don't like about sex; how orgasm really feels, with and without intercourse.

Still provocative after all these years, Helen Gurley Brown celebrates the pleasures of flirting, of enjoying affairs from beginning to end, throwing brunches and dinner parties, finding men where you might not think to look, dating (and ditching) married men, and being both feminine and powerful.

In The Sweet Hereafter, Russell Banks tells a story that begins with a school bus accident. Using four different narrators, Banks creates a small-town morality play that addresses one of life's most agonizing questions: When the worst thing happens, who do you blame?

In the summer of 1977, Victoria Leonard’s world changes forever when Caitlin Somers chooses her as a friend. Dazzling, reckless Caitlin welcomes Vix into the heart of her sprawling, eccentric family, opening doors to a world of unimaginable privilege, sweeping her away to vacations on Martha’s Vineyard, an enchanting place where the two friends become “summer sisters”. Now, years later, Vix is working in New York City. Caitlin is getting married on the Vineyard. And the early magic of their long complicated friendship has faded.

Diana Wood has a job she likes and a husband, Oliver, she loves. Together, they have a daughter they adore. She and Oliver spend so much time together that they even carpool to work in the same office. They’re in married love, which isn’t exactly the same as love love, but it’s fine. Or is it? Is fine good enough?