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In her last days, Sylvia Plath struggled to break out from the control of the towering figure of her husband Ted Hughes. In the antique mythology of his retinue, she had become the gorgon threatening to bring down the House of Hughes. Drawing on recently available court records, archives, and interviews, and reevaluating the memoirs of the formidable Hughes contingent who treated Plath as a female hysteric, Carl Rollyson rehabilitates the image of a woman too often viewed solely within the confines of what Hughes and his collaborators wanted to be written.

By the end of The Life of William Faulkner, Volume 1, the young Faulkner had gone from an unpromising, self-mythologizing bohemian to the author of some of the most innovative and enduring literature of the century, including The Sound and the Fury and Light in August. The second volume of Carl Rollyson’s ambitious biography finds Faulkner lamenting the many threats to his creative existence. Feeling, as an artist, he should be above worldly concerns and even morality, he has instead inherited only debts and numerous mouths to feed and funerals to fund.

He provides entertaining and informative accounts of her feud with Mary McCarthy, and her many love affairs and surprising friendships. He also provides a provocative and compelling portrayal of this complex and brilliant woman, who was called everything from a "viper" and "a goddam liar" to "an empathetic genius with a highly original and penetrating mind." Near death, Hellman spoke of being blocked; this biography will show what got in her way.

Since her death, Sylvia Plath (1932–1963) has become an endless source of fascination for a wide audience ranging from readers of The Bell Jar, her semiautobiographical novel, to her groundbreaking poetry as exemplified by Ariel. Beyond her writing, however, interest in Plath has also been fueled in part by the tragic nature of her death. As a result, a steady stream of biographies of Plath have appeared over the last fifty-five years that mainly focus on her death or contain projections of an array of points of view about the writer.

Dana Andrews (1909-1992) worked with distinguished directors such as John Ford, Lewis Milestone, Otto Preminger, Fritz Lang, William Wyler, William A. Wellman, Mervyn Le Roy, Jean Renoir, and Elia Kazan. He played romantic leads alongside the great beauties of the modern screen, including Joan Crawford, Elizabeth Taylor, Greer Garson, Merle Oberon, Linda Darnell, Susan Hayward, Maureen O'Hara, and most important of all, Gene Tierney, with whom he did five films.

Integrating Faulkner’s screenplays, fiction, and life, Rollyson argues that the novelist deserves to be reread not just as a literary figure but as a still-relevant force, especially in relation to issues of race, sexuality, and equality. The culmination of years of research in archives that have been largely ignored by previous biographers, The Life of William Faulkner offers a significant challenge and an essential contribution to Faulkner scholarship.

American Isis is the first Plath biography benefiting from the new Ted Hughes archive at the British Library, which includes 41 letters between Plath and Hughes as well as a host of unpublished papers. The Sylvia Plath that Carl Rollyson brings to us in American Isis is no shrinking violet overshadowed by Ted Hughes; she is a modern-day Isis, a powerful force that embraced high and low culture to establish herself in the literary firmament.

Martha Gellhorn died in February 1998, just shy of her 90th birthday. Well before her death, she had become a legend. She reported on wars from Spain in the 1930s to Panama in the 1980s, and her travel books have become classics. Her marriage to Ernest Hemingway and affairs with legendary lovers like H. G. Wells, and her relationship with two presidents, Roosevelt and Kennedy, reflect her campaigns against tyranny and deprivation, and her outrage at the corruption and cruelty of modern governments.

Too many biographers, he believes, evince no interest in the biographical tradition. Concerned only with possession of their subjects, their proprietorial attitude deforms not only their biographies but also the genre itself. If a biography is reviewed badly (receiving hardly more than a summary of the subject's life with a perfunctory nod to the biographer), it is because the biographical tradition has been disregarded or discounted. This book, in other words, has been created on the behalf of biography, a genre that still awaits a full vindication.

This first biography of Susan Sontag (1933-2004) is now fully revised and updated, providing an even more intimate portrayal of the influential writer’s life and career. The authors base this revision on Sontag’s newly released private correspondence, including emails, and the letters and memoirs of those who knew her best.

Rollyson fully explores Brennan's work with Hollywood's greatest directors, such as Howard Hawks, John Ford, and Fritz Lang. As a father and grandfather, Brennan instilled generations of his family with an outlook on the American Dream that remains a sustaining feature of their lives today. His conservative politics, which grew out of his New England upbringing and his devout Catholicism, receive meticulous attention and a balanced assessment in A Real American Character.

From this comprehensive, yet critically measured wealth of material, Rollyson offers a distinctive and insightful portrait of Marilyn Monroe, highlighted by new perspectives that depict the central importance of acting to the authentic aspects of her being.

Carl Rollyson was Norman Mailer's first literary biographer to draw on unpublished letters and manuscripts as well as on interviews with the writer's friends and foes. Rollyson provides a full account of Mailer's college years, especially his fear of being drafted. Here are the sources of Mailer's mental crisis in the 1950s that led to the stabbing of his second wife, Adele. Norman Mailer: The Last Romantic gets at the sources of Mailer's obsession with violence while also portraying a major literary figure in the making.

Drawing on the rich literature of historiography (including the writings of R. G. Collingwood and Herbert Butterfield), and on a wide-ranging body of scholarship on the historical novel (including discussions of Scott, Thackeray, and Conrad), Rollyson shrewdly probes Faulkner's dynamic and changing uses of the past. Also taking advantage of his own work as a biographer, Rollyson has updated, revised, and expanded his original book - extending his dialogue with recent Faulkner critics.

The late Michael Foot, once leader of the Labour party, lives on as a major figure in British political history, although he is best remembered as a fiery and eloquent standard-bearer for socialist beliefs and policies.

This engaging collection of essays restores Amy Lowell's rightful place in the history of American literature. Carl Rollyson, author of several major literary biographies, corrects the distorted and often hostile accounts of Lowell that have appeared in biographies of D. H. Lawrence, Robert Frost, Ezra Pound, and other writers who collaborated with her in establishing the "new poetry" as an integral part of post-World War I American culture.

The first biography of Martha Gellhorn, produced during her lifetime. This comprehensive biography provides crucial information about her early life in St. Louis, her travels abroad, her work for the Federal Emergency Relief Administration, her meeting and subsequent storied marriage to Ernest Hemingway, and her decision to leave him and resume her career as novelist and war reporter.

The controversial American poet Amy Lowell (1874-1925), a founding member of the Imagist group that included D. H. Lawrence and H. D., excelled as the impresario for the "new poetry" that became news across the U. S. in the years after World War I.

Carl Rollyson's Biography: A User's Guide is an informative and entertaining text for those interested in biography. No aspect of the genre, from A to Z, goes uncovered: issues around authorized and unauthorized biography, censorship, libel, fair use, public domain (referred to as "PD" by publishers and editors), and a great deal more - including examples drawn from published biographies, as well as general and specific assessments of the biographer's art.

This memoir of a professional biographer's life tells the inside story of how he became interested in his subjects and reveals the mechanics of the trade: how to assemble proposals for publishers, conduct interviews and archival research, and joust with editors, subjects, and their literary estates. Other biographers have described their process but remained discrete, not wishing to offend their sources and supporters. This author has forgone such caution.