Wolf Hall
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Narrated by:
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Simon Slater
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By:
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Hilary Mantel
National Book Critics Circle, Fiction, 2010
Man Booker Prize, Fiction, 2009
Tudor England. Henry VIII is on the throne, but has no heir. Cardinal Wolsey is charged with securing his divorce. Into this atmosphere of distrust comes Thomas Cromwell - a man as ruthlessly ambitious in his wider politics as he is for himself. His reforming agenda is carried out in the grip of a self-interested parliament and a king who fluctuates between romantic passions and murderous rages.
©2009 Hilary Mantell (P)2009 WF Howes LtdListeners also enjoyed...
Critic reviews
"...as soon as I opened the book I was gripped. I read it almost non-stop. When I did have to put it down, I was full of regret the story was over, a regret I still feel. This is a wonderful and intelligently imagined retelling of a familiar tale from an unfamiliar angle - one that makes the drama unfolding nearly five centuries ago look new again, and shocking again, too. " ( The Times)
"The reader, Simon Slater, skilfully adopts contrasting voices and the narrative has an immediacy close to a dramatisation... Provocative, rewarding listening." (The Times)
An enjoyable listen
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I just have to say that I hated how the audiobook was broken up ad hoc not according to the chapters in the book.
Wonderful book
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What made the experience of listening to Wolf Hall the most enjoyable?
The descriptions and the characters. I loved learning about Cromwell and the time he lived inWhat other book might you compare Wolf Hall to and why?
Bring up the Bodies. Both excellent.Was there a moment in the book that particularly moved you?
Here is a man that rose to one of the most influential positions in the English court from nothing. Fascinating. From a life of abject poverty and cruelty. Fascinating. This book chronicles the rise of Thomas Cromwell. I loved it.Any additional comments?
Must read both. Fabulous.She is a genius. Loved it.
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Well read and interesting but how factual might it be?
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I particularly like the seeming transition from the third person to the first person that the author has employed with great skill. Through it, and the simple device of capturing the day to day, she conveys what some other historical novelists miss: the inner character of the historical figures. For example, whereas Thomas More's martyrdom seems like the hallmark of his struggle with Henry, as an event for Cromwell it is much more. Cromwell respects and disrespects More in proportion, but he hates that great thinkers must be sacrificed. Yet sacrifice is the artifice of government. That dilemma for Cromwell is palpable from the narrative. For all that, the language is simple throughout, reflecting a Protestant value true to Cromwell's aspiration. It also reflects with wonderful eloquence a simpler time when there was a right and a wrong (although they could change overnight at the monarch's whim); England in the 1530s. I was tempted to keep reading, moving to the second in the trilogy at once. I have resisted only to make that reading even more auspicious.
As to the performance by Simon Slater, I think him the perfect selection to read this work. His voices were attuned to each character, particularly Cromwell and More. The stretch narrative was conveyed at a lovely pace. I am pleased to see he has also read a version of the sequel. It is on my Wish List.
In my opinion, Ms Mantel deserved the Man-Booker Prize for this work and readers of good books deserve to have books of this quality win prestigious awards.
Brilliant Simplicity
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