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We Keep the Dead Close
- A Murder at Harvard and a Half Century of Silence
- Narrated by: Becky Cooper
- Length: 15 hrs and 47 mins
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Bonus material! Includes an excerpt from John Douglas and Mark Olshaker’s Obsession! Discover the classic behind-the-scenes chronicle of John E. Douglas’ 25-year career in the FBI Investigative Support Unit, where he used psychological profiling to delve into the minds of the country’s most notorious serial killers and criminals - the basis for the upcoming Netflix original series.
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Publisher's summary
A Recommended Book from: New York Times * Publishers Weekly * Kirkus * BookRiot * Booklist * Boston Globe * Goodreads * Town & Country * Refinery29 * CrimeReads * Glamour
Dive into a "tour de force of investigative reporting" (Ron Chernow): a "searching, atmospheric and ultimately entrancing" (Patrick Radden Keefe) true crime narrative of an unsolved 1969 murder at Harvard and an "exhilarating and seductive" (Ariel Levy) narrative of obsession and love for a girl who dreamt of rising among men.
You have to remember, he reminded me, that Harvard is older than the US government. You have to remember because Harvard doesn't let you forget.
1969: the height of counterculture and the year universities would seek to curb the unruly spectacle of student protest; the winter that Harvard University would begin the tumultuous process of merging with Radcliffe, its all-female sister school; and the year that Jane Britton, an ambitious 23-year-old graduate student in Harvard's Anthropology Department and daughter of Radcliffe Vice President J. Boyd Britton, would be found bludgeoned to death in her Cambridge, Massachusetts apartment.
Forty years later, Becky Cooper a curious undergrad, will hear the first whispers of the story. In the first telling the body was nameless. The story was this: a Harvard student had had an affair with her professor, and the professor had murdered her in the Peabody Museum of Archaeology and Ethnology because she'd threatened to talk about the affair. Though the rumor proves false, the story that unfolds, one that Cooper will follow for ten years, is even more complex: a tale of gender inequality in academia, a "cowboy culture" among empowered male elites, the silencing effect of institutions, and our compulsion to rewrite the stories of female victims. We Keep the Dead Close is a memoir of mirrors, misogyny, and murder. It is at once a rumination on the violence and oppression that rules our revered institutions, a ghost story reflecting one young woman's past onto another's present, and a love story for a girl who was lost to history.
*Special audiobook bonus PDF includes photos and source notes*
Critic reviews
"Searching, atmospheric and ultimately entrancing, We Keep the Dead Close is a vivid account of a notorious murder at Harvard that had remained unsolved for fifty years, and a meditation on the stories that we tell ourselves about violence. Cooper is a methodical, obsessive and very companionable sleuth, who ushers us through the many twists and turns in her own investigation until she arrives at a solution. In a deft touch, she interrogates not just the evidence, witnesses and suspects, but her own biases and assumptions, as well." (Patrick Radden Keefe, New York Times best-selling author of Say Nothing)
"Meticulously reported and sensitively written, We Keep the Dead Close is top-of-the-line true crime, fortified with shrewd intellectual rigor and acute moral clarity. This case became Becky Cooper's obsession, and before long, you'll be obsessed, too." (Robert Kolker, author of the number one New York Times best seller Hidden Valley Road)
"We Keep the Dead Close is the most amazing true crime book I have read where the identity of the person responsible was not revealed until the end. It's the true crime story everyone will be talking about next year." (BookRiot)
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Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Leslie G.
- 11-13-20
Needs a great editor
I usually enjoy a long book but this book was way too long and repetitive. At least a third of it could have been discarded without losing much in the process. And perhaps too many extraneous subjects were included that might do better as a separate book because they don’t really concern this murder.
And typically, without a lot of experience and training an author is not the best person to read or perform the book. There was not enough variation and interest in her voice. It got boring.
It’s all too bad because this could’ve been a much better book. I don’t think it should have been published as is.
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58 people found this helpful
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- rardmills
- 11-24-20
Reading Woes!
I’m all for the writer reading a book they’ve written. But it still needs to be edited. Mispronunciations galore. I was so sick of hearing The Peabody Museum pronounced “pee-buddy”. At first I thought it wouldn’t be irksome and then it repeated hundreds of times. Also, it seems that 92% of the book was written before the DNA analysis revealed the real killer thus making 92% of the book obsolete nonsense tracking the unusual habits and personalities previously “connected” to the case. Very disappointing.
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43 people found this helpful
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- appreciative reader
- 11-15-20
Rambling and Incoherent At Times
As a true crime fan, I was excited to read this book. The setting (hallowed grounds of Harvard), young bright girl, academic intrigue, police misconduct, even ritual murder clues - all of this is a great basis for a rich story. But the author fumbled terribly. She seemed to tangle her story lines and the characters were really hard to keep up with. She also inserted a lot of anthropology psychobabble that added nothing to the story line. I lost patience with the author. Skipped through last part of book, something I never do. The author’s musings just drove me to want this book to be over.
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43 people found this helpful
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- gibbospa
- 12-27-20
She Keeps the Dead VERY Close
This is one very strange book. For the first third of it I thought I couldn’t get through it. Which was surprising because I love true crime. The writing style was painful as was the author/ narrator’s little girl voice. This is about the inner workings of the male dominated world of academia at Harvard in the late 60’s early 70’s but mostly it’s about the author’s complete obsession with this case and the victim.
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32 people found this helpful
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- Alice E Matthews
- 11-13-20
Rethinking True Crine
We Keep the Dead Close redefines true crime. Cooper’s determination to honor Jane Britton’s short life brings respect, scholarship and sobriety to the genre. The careful examination of Britton’s murder does cover every detail of the crime and investigation, but also considers the psychological and social aspects of how we view victims. You never lose sight of the fact that Jane Britton was very much a living, breathing human and all the complications her humanity entails.
We Keep the Dead close has so much more though. While telling the fascinating story of Britton’s murder, Cooper carefully covers the history of the past 50 years, the sometimes toxic history of Harvard and the often toxic history of women in academia. Her painstaking research adds to the solemnity of the crime and never lessens the suspense.
Hopefully Cooper’s next book will not take ten years to write. But maybe that’s why it’s such a flawless accomplishment.
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23 people found this helpful
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- AB Hancock
- 01-01-21
Too much narrator
The underlying story is interesting but the book completely lacks focus. What is it about? The writer has done extensive, years-long research bordering on obsession, and perhaps because it has taken over her life, she has inserted herself into the story way too much. And not in a good way. Also, the book is way too long. You finally find out "who done it" and the book goes on for another two hours. I have an hour left and I don't think I can do it.
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16 people found this helpful
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- Avid series reader
- 11-11-20
Details Details
Extremely detailed research but tedious. The wealth of details could have been trimmed significantly. I am glad that the perpetrator of Jane’s death was finally revealed and the author worked diligently to make that happen.
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15 people found this helpful
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- Andrea
- 01-10-21
Fascinating narrative
Becky Cooper does an incredible job of weaving together through a memoir like style the story of Jane, her own story and many of those impacted by tragedy. She also does an excellent job of focusing on systemic issues at Harvard and the changing cultural trends in academia.
I always prefer author narrated books and this one really delivers. The passion of Ms. Cooper’s written word comes across in her narration. I’m deeply impressed with her reporting and writing and looking forward to seeing what she does next.
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11 people found this helpful
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- IJL
- 01-05-21
Amazing!
Gripping from the first word to the last. Beautifully written. Highly recommended- even for those who are not interested in mysteries.
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9 people found this helpful
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- GeeBea
- 12-05-20
Incredible!
A really amazing book, so detailed and meticulous which serves to give you the feeling of being there, which also makes it creepy! Just in awe of the dedication this book took to write and the blend of facts, humanity, context that makes it so engaging and relevant today.
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Janet March had it all: a corporate lawyer husband, two beautiful children, a promising career as an artist, and a dream house she designed herself. But behind closed doors, her husband led a destructive double life. On August 16, 1996, Janet had an appointment to finally file for divorce. But she never arrived. On the night of August 15, she vanished. Janet's disappearance incited a massive search and media frenzy that revealed her husband Perry's seedy dealings.
By: Michael Glasgow, and others
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My Dark Places
- By: James Ellroy
- Narrated by: Michael Prichard
- Length: 14 hrs and 31 mins
- Unabridged
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Overall
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Performance
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Story
In 1958 Jean Ellroy was murdered, her body dumped on a roadway in a seedy L.A. suburb. Her killer was never found, and the police dismissed her as a casualty of a cheap Saturday night. James Ellroy was ten when his mother died, and he spent the next thirty-six years running from her ghost and attempting to exorcize it through crime fiction. In 1994, Ellroy quit running. He went back to L.A., to find out the truth about his mother--and himself.
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Haughting. I did cry. A good cry.
- By Nerda Trusty on 09-12-19
By: James Ellroy
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Scoundrel
- How a Convicted Murderer Persuaded the Women Who Loved Him, the Conservative Establishment, and the Courts to Set Him Free
- By: Sarah Weinman
- Narrated by: Gabra Zackman
- Length: 9 hrs and 4 mins
- Unabridged
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Overall
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Performance
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Story
In the 1960s, Edgar Smith, in prison and sentenced to death for the murder of teenager Victoria Zielinski, struck up a correspondence with William F. Buckley, the founder of National Review. Buckley, who refused to believe that a man who supported the neoconservative movement could have committed such a heinous crime, began to advocate not only for Smith’s life to be spared but also for his sentence to be overturned. So begins a bizarre and tragic tale of mid-century America.
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Oozes of privilege
- By Buretto on 03-01-22
By: Sarah Weinman
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Furious Hours
- Murder, Fraud, and the Last Trial of Harper Lee
- By: Casey Cep
- Narrated by: Hillary Huber
- Length: 11 hrs and 15 mins
- Unabridged
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Overall
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Performance
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Story
Reverend Willie Maxwell was a rural preacher accused of murdering five of his family members for insurance money in the 1970s. With the help of a savvy lawyer, he escaped justice for years until a relative shot him dead at the funeral of his last victim. Despite hundreds of witnesses, Maxwell's murderer was acquitted - thanks to the same attorney who had previously defended the reverend. Casey Cep brings this story to life, from the shocking murders to the courtroom drama to the racial politics of the Deep South.
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Great book, needs a Southern narrator
- By Joseph Wu on 06-06-19
By: Casey Cep
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Last Call
- A True Story of Love, Lust, and Murder in Queer New York
- By: Elon Green
- Narrated by: David Pittu
- Length: 8 hrs and 11 mins
- Unabridged
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Overall
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Performance
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Story
The Townhouse Bar, midtown, July 1992: The piano player seems to know every song ever written, the crowd belts out the lyrics to their favorites, and a man standing nearby is drinking a Scotch and water. The man strikes the piano player as forgettable. He looks bland and inconspicuous. Not at all what you think a serial killer looks like. But that’s what he is, and tonight, he has his sights set on a gray haired man. He will not be his first victim.
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shockingly sad but so informative
- By Kelly on 08-30-21
By: Elon Green
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American Fire
- Love, Arson, and Life in a Vanishing Land
- By: Monica Hesse
- Narrated by: Tanya Eby
- Length: 7 hrs and 27 mins
- Unabridged
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Overall
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Performance
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Story
Shocked by a five-month arson spree that left rural Virginia reeling, Washington Post reporter Monica Hesse drove down to Accomack County to cover the trial of Charlie Smith, who pled guilty to 67 counts of arson. But Charlie wasn't lighting fires alone: he had an accomplice - his girlfriend, Tonya Bundick. Through her depiction of the dangerous shift that happened in their passionate relationship, Hesse brilliantly brings to life the once-thriving coastal community and its distressed inhabitants.
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Narration is horrible
- By Bryan Campbell on 08-17-17
By: Monica Hesse
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An Unfinished Canvas
- A True Story of Love, Family, and Murder in Nashville
- By: Michael Glasgow, Phyllis Gobbell
- Narrated by: Chris Abernathy
- Length: 12 hrs and 12 mins
- Unabridged
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Overall
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Performance
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Story
Janet March had it all: a corporate lawyer husband, two beautiful children, a promising career as an artist, and a dream house she designed herself. But behind closed doors, her husband led a destructive double life. On August 16, 1996, Janet had an appointment to finally file for divorce. But she never arrived. On the night of August 15, she vanished. Janet's disappearance incited a massive search and media frenzy that revealed her husband Perry's seedy dealings.
By: Michael Glasgow, and others
-
My Dark Places
- By: James Ellroy
- Narrated by: Michael Prichard
- Length: 14 hrs and 31 mins
- Unabridged
-
Overall
-
Performance
-
Story
In 1958 Jean Ellroy was murdered, her body dumped on a roadway in a seedy L.A. suburb. Her killer was never found, and the police dismissed her as a casualty of a cheap Saturday night. James Ellroy was ten when his mother died, and he spent the next thirty-six years running from her ghost and attempting to exorcize it through crime fiction. In 1994, Ellroy quit running. He went back to L.A., to find out the truth about his mother--and himself.
-
-
Haughting. I did cry. A good cry.
- By Nerda Trusty on 09-12-19
By: James Ellroy
-
Scoundrel
- How a Convicted Murderer Persuaded the Women Who Loved Him, the Conservative Establishment, and the Courts to Set Him Free
- By: Sarah Weinman
- Narrated by: Gabra Zackman
- Length: 9 hrs and 4 mins
- Unabridged
-
Overall
-
Performance
-
Story
In the 1960s, Edgar Smith, in prison and sentenced to death for the murder of teenager Victoria Zielinski, struck up a correspondence with William F. Buckley, the founder of National Review. Buckley, who refused to believe that a man who supported the neoconservative movement could have committed such a heinous crime, began to advocate not only for Smith’s life to be spared but also for his sentence to be overturned. So begins a bizarre and tragic tale of mid-century America.
-
-
Oozes of privilege
- By Buretto on 03-01-22
By: Sarah Weinman
-
Furious Hours
- Murder, Fraud, and the Last Trial of Harper Lee
- By: Casey Cep
- Narrated by: Hillary Huber
- Length: 11 hrs and 15 mins
- Unabridged
-
Overall
-
Performance
-
Story
Reverend Willie Maxwell was a rural preacher accused of murdering five of his family members for insurance money in the 1970s. With the help of a savvy lawyer, he escaped justice for years until a relative shot him dead at the funeral of his last victim. Despite hundreds of witnesses, Maxwell's murderer was acquitted - thanks to the same attorney who had previously defended the reverend. Casey Cep brings this story to life, from the shocking murders to the courtroom drama to the racial politics of the Deep South.
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Great book, needs a Southern narrator
- By Joseph Wu on 06-06-19
By: Casey Cep
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Road to Jonestown
- Jim Jones and Peoples Temple
- By: Jeff Guinn
- Narrated by: George Newbern
- Length: 17 hrs and 30 mins
- Unabridged
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Overall
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Performance
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Story
In the 1950s a young Indianapolis minister named Jim Jones preached a curious blend of the Gospel and Marxism. His congregation was racially integrated, and he was a much-lauded leader in the contemporary civil rights movement. Eventually Jones moved his church, Peoples Temple, to Northern California. He became involved in electoral politics and soon was a prominent Bay Area leader.
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An Important Accurate Historical Report
- By Julia on 08-24-17
By: Jeff Guinn
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Our Little Secret
- The True Story of a Teenage Killer and the Silence of a Small New England Town
- By: Kevin Flynn, Rebecca Lavoie
- Narrated by: Aven Shore
- Length: 9 hrs and 3 mins
- Unabridged
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Overall
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Performance
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Story
For 20 years Daniel Paquette's murder in New Hampshire went unsolved. It remained a secret between two high school friends until Eric Windhurst's arrest in 2005. What was revealed was a crime born of adolescent passion between Eric and Daniel's stepdaughter, Melanie - redefining the meaning of loyalty, justice, and revenge.
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A
- By Diana Hart 33 on 04-28-21
By: Kevin Flynn, and others
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I'll Be Gone in the Dark
- One Woman's Obsessive Search for the Golden State Killer
- By: Michelle McNamara
- Narrated by: Gabra Zackman, Gillian Flynn - introduction, Patton Oswalt - afterword
- Length: 10 hrs and 7 mins
- Unabridged
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Overall
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Performance
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Story
A masterful true crime account of the Golden State Killer - the elusive serial rapist turned murderer who terrorized California for over a decade - from Michelle McNamara, the gifted journalist who died tragically while investigating the case.
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A haunting masterpiece
- By Kat - Audible on 03-02-18
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Columbine
- By: Dave Cullen
- Narrated by: Don Leslie
- Length: 14 hrs and 6 mins
- Unabridged
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Overall
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Performance
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Story
"The tragedies keep coming. As we reel from the latest horror..." So begins a new epilogue, illustrating how Columbine became the template for nearly two decades of "spectacle murders". It is a false script, seized upon by a generation of new killers. In the wake of Newtown, Aurora, and Virginia Tech, the imperative to understand the crime that sparked this plague grows more urgent every year. What really happened April 20, 1999? The horror left an indelible stamp on the American psyche, but most of what we "know" is wrong.
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Everything You Know About Columbine is False
- By Kensai77 on 06-10-18
By: Dave Cullen
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In the Woods
- A Novel
- By: Tana French
- Narrated by: Steven Crossley
- Length: 20 hrs and 24 mins
- Unabridged
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Overall
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Performance
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Story
As dusk approaches a small Dublin suburb in the summer of 1984, mothers begin to call their children home. But on this warm evening, three children do not return from the dark and silent woods. When the police arrive, they find only one of the children gripping a tree trunk in terror, wearing blood-filled sneakers, and unable to recall a single detail of the previous hours. Twenty years later, the found boy, Rob Ryan, is a detective on the Dublin Murder Squad and keeps his past a secret.
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Detection with a Difference
- By Lesley on 07-18-07
By: Tana French
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Say Nothing
- A True Story of Murder and Memory in Northern Ireland
- By: Patrick Radden Keefe
- Narrated by: Matthew Blaney
- Length: 14 hrs and 40 mins
- Unabridged
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Overall