The Troupe
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Narrado por:
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Luis Moreno
Best-selling author Robert Jackson Bennett has won widespread critical acclaim for his unique brand of darkly inventive fiction. In The Troupe, 16-year-old George Carole joins vaudeville in search of Heironomo Silenus, the man he believes to be his father. But what he discovers casts a dark pall over his world: Silenus' troupe hides a dangerous secret - one that invites death to all in its vicinity.
©2012 Robert Jackson Bennett (P)2012 Recorded BooksLos oyentes también disfrutaron:
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One of the best stories of the decade.
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Very likely to make you cry.
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What did you love best about The Troupe?
The story, the characters, the world were all so interesting and different. I have absolutely zero interest in Vaudeville or theater, but that's really just the framework that this magnificent fabric of story is hung upon - in short, don't let that part turn you off.I'm a big fan of thicker fantasy & fiction writing, but this book (which is relatively short compared to my usual far) really worked like a charm to break up a "reading rut" that I'd run into where I just wasn't finding anything interesting to dig into.
Any additional comments?
I didn't love the ending... but I also can't really imagine a better way to close up the book. In short, I guess I was just sad to see the story come to a close when I could have read another 400 pages (or hours?) of material based in this world.A great book if you need to break a reading rut...
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First.
The characters are TOO annoying. George is a teenager who is blind, self-centered, and vain. Normal teenagers have good days and bad days, so we can love them despite their craziness, but George finds a way to be nails-on-chalkboard awkward all the time, whether he's yelling at someone or romancing them. The other characters notice this, but (strangely) love and pamper him anyway. You will not have this impulse.
It's not just George, either. Have you ever had an argument where the other person makes their point, and you say you're sorry, but then they continue to explain why they're mad over and over until they run out of anger? All the characters are like this, their fury-monologues meticulously transcribed. And they have plenty of opportunities for screaming fits because they spend all their time hanging out with other psychologically miscalibrated individuals.
Really, I can't say that Bennett's character development is bad. I've met people just like his characters. They're just the type of people whose drama and psychosis I try to avoid.
Second.
The story is TOO saccarine. Seriously, there is a point at the end, where a character is observed by all his neighbors looking heartbreaking in a manner they can't put their finger on. It's ham-fisted tragedy at its finest. Just when you think the author has painted himself up the most obvious tragic scenario possible, interlaced with 5 other tragic scenarios, he painstakingly explains to you "see, this is what I've done here...." Even when he writes himself a happy ending, he makes sure you know everyone is beautifully screwed. And it's soooo bittersweet you immediately need to go to the dentist.
Third.
This is a fairytale without claws. It is not a horror any more than a Disney movie is a horror. It has a "villain" - a very heartwarming villain who is the most likable character. It might be scary to children whose imaginations can provide the kind of terror the author does not. As an adult, your imagination will be too busy figuring out how to kill off all the characters except the two you like. Just like when you're watching "Walking Dead!"
I don't know why people keep getting confused that fairytales can be written by providing a lot of detailed surreal atmosphere and maybe some fairies. A fairytale is dark and unnerving and teaches you about survival. I don't know what this book teaches you. I guess not to date that girl/guy who's been through some stuff and seems a little broken. And that she might be trying to save the world.
The true horror is the dysfunctional characters
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Not RJB’s Best
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