The Night Manager

A Novel

By: John le Carré

Narrated by: David Case

Length: 18 hrs and 27 mins

Publisher's Summary

New York Times Best Seller

A New York Times Notable Book

AMC Miniseries event Tuesday, April 19, 10/9c

John le Carré, the legendary author of sophisticated spy thrillers, is at the top of his game in this classic novel of a world in chaos.

With the Cold War over, a new era of espionage has begun. In the power vacuum left by the Soviet Union, arms dealers and drug smugglers have risen to immense influence and wealth. The sinister master of them all is Richard Onslow Roper, the charming, ruthless Englishman whose operation seems untouchable.

Slipping into this maze of peril is Jonathan Pine, a former British soldier who's currently the night manager of a posh hotel in Zurich. Having learned to hate and fear Roper more than any man on earth, Pine is willing to do whatever it takes to help the agents at Whitehall bring him down - and personal vengeance is only part of the reason why.

©2015 John le Carre (P)2016 Random House Audio

Critic Reviews

"A splendidly exciting, finely told story...masterly in its conception." ( The New York Times Book Review)

"Intrigue of the highest order." ( Chicago Sun-Times)

"Richly detailed and rigorously researched.... Le Carré's gift for building tension through character has never been better realized." ( People)

David Case's Narration the Worst on Planet Earth

Words fail me to describe just how bad David Case's narration is of this Le Carré novel, which is way too long and overwritten to begin with. Like many readers, I wish I could give the Performance zero stars. The narrator's own voice is so prissily posh in the extreme, it's hard for me as an American to believe any Englishman really talks this way anymore, and if he does, it's a bad idea to use that voice for the narration, because when you then have to voice a truly posh character, the accent becomes so extreme as to be a parody of itself.

But Case's character voices are so awful, so overcooked, so annoying, so just plain WRONG in the case of his American accents, that I eventually settled into a state of annoyed wonderment that anyone hired this hack and then made the mistake of publishing his work. One particular American female voice sounds like someone mockingly doing a parody of a gay male American voice, like a homophobe making fun of Charles Nelson Reilly. No American woman has ever spoken like this -- the accent, the intonation, the cadence, EVERYTHING is so wrong, so comically bizarre, you wonder if David Case has ever watched an hour of US TV or cinema. On top of all that, she speaks in a mindless bellowing tone that no highly educated US intelligence operative would ever use. You might hear that from the cashier at a US Wal-Mart, if the accent itself were not so bizarre. And one Southern American female has such a stilted, uncertain cadence and uneven accent, she has none of the easy drawl and folksy delivery that give such characters their charm.

And the black Bahamian characters shout their lines in such a cretinous broken pidgin English, it's actually offensive, It's the aural equivalent of white actors clowning around in blackface, all exaggerated vocal mannerisms and intentional idiocy. And who in the Caribbean speaks broken English anymore, anyway? They've all got cable and Satellite TV down there and have grown up on the same English as you or me. I must admit that some of Le Carré's dialogue on the page may be partly responsible here, but honestly it's hard to tell when you can't make out exactly what the character is supposed to be saying.

I tried to finish this audiobook just out of a perverse curiosity to hear how much worse the narration could get, but had to quit halfway thru, it was just too painful.

Regarding Le Carré's book itself: it is way too long and bloated anyway. This is a rare case where the movie is way better than the book, because a screenplay has no room for ridiculously overwritten dialogue and encyclopaedic descriptions. At one point one spy, speaking to another over dinner, recites a list of every possible item a modern arms dealer might sell, from stinger missiles to combat boots. The list must be 50 items long. No one, even on the kind of angry (and incredibly tiresome) rant the character is on, ever talks out loud like this in a one-on-one conversation.

I know this comment will outrage some UK readers who worship John Le Carré, but sometimes great writers get intoxicated by their own acclaim and become annoyingly self-indulgent, especially angry older men who see that the world is not going the way they want, and that they are too old and powerless to change it. As a 57 year old American man in the age of Trump, I understand the pull toward impotent anger and endless opinionating. I can only imagine what that pull is like for Le Carré at 88. But a great writer like Le Carré must either resist that pull or retire. Or find an editor who actually edits him.

If you're still reading this far, you ought to accuse ME of endless, angry opinionating. Guilty as charged -- but I'm not asking anyone to pay me (handsomely) for my bloviating. Even aside from the majestic awfulness of David Case's narration, I'm still exhausted from hacking through the dense undergrowth of Le Carré's writing to try to find what is actually a compelling, timely, and even important central narrative about the chaos of our post Cold War world.

Awful narration

David Case’s affection is way over the top and ruins the story. Most frustrating is that there is an earlier version, which Audible has, but cannot be purchased in the US. Apparently publishing houses can dictate where and when their products will face competition from alternative editions and productions.

War is a racket.

"Every man has his personal devil waiting for him somewhere."
-- John le Carré, The Night Manager

"WAR is a racket. It always has been.

It is possibly the oldest, easily the most profitable, surely the most vicious. It is the only one international in scope. It is the only one in which the profits are reckoned in dollars and the losses in lives.

A racket is best described, I believe, as something that is not what it seems to the majority of the people. Only a small "inside" group knows what it is about. It is conducted for the benefit of the very few, at the expense of the very many. Out of war a few people make huge fortunes."
-- Major General Smedley Butler, 1935

After finishing le Carré's recent memoir The Pigeon Tunnel: Stories from My Life, I felt the need to climb a bit higher up on my le Carré mountain. Since BBC had recently dropped its 6 episode series of 'The Night Manager' and since it was one of the handful of le Carré I haven't read (I now have just four left: Our Game, The Naive and Sentimental Lover, The Tailor of Panama, and Absolute Friends). I felt this novel was a good place, as any, to re-start JlC. I loved it. It wasn't perfect, but it was a nice exploration of the guns for drug trade that went on (and hell, probably still goes on) with tacit approval of arms producing nations (see UK, US, etc). Like most of le Carré's oeuvre it contains bureaucratic turf battles and isolated groups and individuals fighting for ideals in a corrupted world.

The book is set in the late 80s or early 90s (it was published in 1993), so I think of this as le Carré examining the underworld we didn't exactly get to see when Oliver North was testifying/obfuscating about his role in the Iran-Contra affair. Here, as always, le Carré is focused more on the UK's involvement and private arms dealing in this book. This book has received renewed attention since the 2015 BBC adaption staring Tom Hiddleston and Hugh Laurie. The adaption moves the time frame up (lucky for the adaption, arms dealing and government complicity in this ugly economy is almost timeless) to the period right around the Arab Spring.

Good book. Get the Michael Jayston version instead

I enjoyed Le Carre's words, but personally found David Case's narration to be quite off-putting. Case puts on distinct voices for each of the book's characters but, to the audiobook's detriment, selects for the narrator (who speaks for the bulk of the time) a particularly smarmy British that sounds like the natural outcome of teaching a child to speak by exposing them exclusively and in equal parts to recordings of prohibition-era movie robbers saying "So long, coppers" and untraveled Americans imitating British accents by saying, " 'ello Gub'nah". What's more, there are a number of 2-3 second, mid-sentence pauses that undermine Le Carre's unique flair for language and long, intricate sentences. While I've not listened to Michael Jayston's version of The Night Manager, I can vouch for his work on other Le Carre titles, which was excellent. Before buying, do consider listening to Audible's samples of both versions and decide which you'd prefer.

The story itself is good.

If you're coming from the AMC miniseries, the plot differs meaningfully in a number of ways, generally in the direction of spending more time on the mind/tradecraft of a spy and less on the James Bond-esque explosions.

If you're coming from Le Carre's other novels, The Night Manager is an above-replacement-value entry, and, if it is not quite at the same level as Tinker Tailor or The Spy Who Came in From the Cold, it is certainly still a good read. While it is set in the Smiley universe, there is no required (or even helpful) context from the previous books, nor does the Night Manager give away the previous books' secrets. The characters are a mixture of great and reasonably good (Roper: great; Goodhew: grand; Eponymous Hotelier: meh, okay). The story is Le Carre's first real success in translating his style to a post-Berlin Wall world (Russia House's central Brits v. Russians conflict was dulled by perestroika and Secret Pilgrim was more a book of B-Sides from the good old days than a coherent story of its own).

Bottom Line: it's a good book, worth listening to. Maybe just buy the Jayston version...

Great one!

Wow , what a story made more remarkable by the reading of David Case (Fredrick Davidson ).

Put la Carre’ in the hands ( voice acting) by Fredrick Davidson and you have a masterpiece.

I’m sorry Davidson didn’t read more of la Carre’s work...he can add so much versatility, depth and demention to a cast of characters , it’s mind dazzling.

This story, no top tier, is given a boost up the ladder of enjoyment by it’s interpreter. BRAVO !!!

The Night Manager: No Martinis, Not Enough Booms

Full disclosure here. Even though I have read other Le Carré selections, The Night Manager only came to my attention by way of AMC’s fantastic miniseries. That miniseries, which I highly recommend watching, was one of those rare instances where the adaptation slightly exceeds the source material. The miniseries edited out much of the backroom politics and verbal backstabbing, which Le Carré excels at, and was replaced with character drama, situational tension, physical action of all types, and explosions, which, cliché or not as a truth, Americans most eagerly respond to.

The Night Manager, the novel, with its grimy locales, dry dialogue, and political guesswork in hopes to obtain knighthood, probably presents a more accurate take of a modern day spy more so than England’s reigning pop-culture Superman, James Bond, as well as, you know, the alluring looks of Tom Hiddleston. A spy who crawls into deep, tight situations, conspires with uncomfortable characters, and, one would think, doesn’t rely on pithy one-liners during a bout of fisticuffs, is exactly Jonathan Pine’s role in the story; even though he does get to throw the occasional punch, as well as take one. Or a dozen. If anything, the true hero of the tale is Pine’s MI-6 contact Burr, the protagonist with a raging desire to take down, once-and-for-bloody-all, drug-runner and arms-broker Richard Roper, who has been tagged with the title “The Worst Man in the World”. As such, he fails to be awarded with a corporate beer sponsorship.

While Pine’s plight is definitely the more sexy one of the story, Burr gets a great deal of attention as he seeks to fight evil internally not only among his peers at the Riverhouse, but to do so with bureaucracy. Friends, bureaucracy ain’t sexy. And it can make for an overly-lengthy read. Burr is a fun character to get into, he’s strong and just, which gives the many overly-dry chapters that John Le Carré is known for a reason to continue. The American male side of me, however, was waiting for the explosions. Waiting for that denouement of “Ha-ha! Got you Dickie Roper!” But Le Carré doesn’t work that way, frustratingly so.

The Night Manager is a long, slow read that is probably a great representation of deep cover sting work but makes for a tiring read, with a resolution that is unfulfilled and wanting. What was missing were a few more well-placed explosions.

Mediocre Plot, Over-eager Narrator

Would you recommend this book to a friend? Why or why not?

No - I would highly recommend the Film version of this story to a friend though.

If you’ve listened to books by John le Carré before, how does this one compare?

Characters and places in this book are not described as convincingly in other novels.

How did the narrator detract from the book?

Horrible Narration - some of his exaggerated affectations were so ridiculous I had to stop listening. His presentation is distracting and annoying - more caricature than character.

If this book were a movie would you go see it?

I listened to this book because I enjoyed the film version, which truly is SO much better.

Any additional comments?

Authors: Otherwise good books are easily defiled by unprofessional narration. Choose wisely!

Now a fantastic series on Amazon Prime

I purchased this because I had watched the first two of 6 episodes of the adaption via Amazon Prime. It is one of LeCarre's best works. I higly recommend this title, provided you can tolerate the narration.

Sadly the narrator is really droll and is terrible with voices and accents not his own.

I have subsequently finished the film series, which the best adaptation I have seen since Lonesome Dove.

leaves the miniseries in the dust

...especially due to an extraordinarily spot on performance by David Case. Deserving of an award.

Another fine entry from le Carre

Not his best perhaps, but le Carre’s second best still bettter than most, in my opinion. As usual, an extremely intricate plot that never quite goes the way you think it will.
If you are looking for a James Bond type action thriller, skip this.
If you are looking for a very cerebral story with a strong human element, this is for you. As always, he captures all the complexities of a wide range of people thrown together in difficult and unusual circumstances. Flaws, inner struggles, moral dilemmas and interpersonal relationships are all masterfully examined to the point you feel like you know all the principle characters.
Wasn’t sure if I was going to like David Case at first, but he really grew on me. As an American, I have never heard a Brit who could do a decent American accent. (Yeah, I know. They probably feel the same way about us.) Until now. He actually is pretty good on most of them. He does women well, acts all the parts very well and I lost track of how many regional British accents he does to the point where when one character is said to lapse into his old Yorkshire accent, Case actually does so. Don’t find that often in a narrator. Will look for more by him.