The Kidnapping of Miss Elisabeth Bennet
A Pride & Prejudice Variation
Failed to add items
Sorry, we are unable to add the item because your shopping cart is already at capacity.
Add to Cart failed.
Please try again later
Add to Wish List failed.
Please try again later
Remove from wishlist failed.
Please try again later
Adding to library failed
Please try again
Follow podcast failed
Please try again
Unfollow podcast failed
Please try again
Pick 1 audiobook a month from our unmatched collection.
Unlimited access to our all-you-can listen catalog of 150K+ audiobooks and podcasts.
Access exclusive sales and deals.
Premium Plus auto-renews for $14.95/mo after 30 days. Cancel anytime.
Buy for $5.00
-
Narrated by:
-
Virtual Voice
-
By:
-
Elise Daubery
This title uses virtual voice narration
Virtual voice is computer-generated narration for audiobooks.
Oldest child Jane is one year old: with Elisabeth missing, her mourning mother eventually produces three more girls, leaving Mr Bennet without an heir to inherit Longbourn.
Ten years later neighbour Sir William Lucas happens to intervene in a domestic dispute between a gypsy and his dirty ragged daughter. The brutish gypsy flees and abandons the pale, emaciated child, leaving Sir William to place her with a tenant farmer on his estate.
Charlotte Lucas happens to be present at the child's rescue and becomes her only friend, later taking her on as a protege until they are both one and twenty. Then a place as a maid comes up at troubled Longbourn, where a distracted Mrs Bennet cannot cope and her girls fight and squabble.
How will the new maid get on, given her mix of Charlotte's cultured society and her own gypsy upbringing? And what of the strange birthmark on her arm? And why do the Bennet's feel a deep and unexplained love for the shrinking maid, who has never been in society?
A Pride & Prejudice variation that is sensitive to Jane Austen's work, is wholesome, features most of her beloved characters and aspires to fine writing.
People who viewed this also viewed...
Regarding the story itself, it seems interesting, and the author writes in a way that is reminiscent of Jane Austen’s style, or even Shakespeare. The features in the story line that we, as p&p fans, recognize seem to be condensed and slightly different for no apparent reason. There a a few sundry consistent mistakes as well, such as Miss Bingley’s Christian name being Carolyn rather than Caroline.
I decided to stop listening to this book not even halfway through due to the inconsistencies and virtual voice narration. Normally, I don’t mind virtual voice, despite it being inferior to humans, but it is difficult to follow the story in the instance.
Overall, I do not recommend this audiobook, but maybe read the book yourself?
Not well suited to virtual voice
Something went wrong. Please try again in a few minutes.