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The Inferno of Dante
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Now of that second kingdom I shall sing where human souls are purified of sin and made worthy to ascend to Heaven’ Purgatory is the second part of Dante’s The Divine Comedy ascending the terraces of the Mount of Purgatory inhabited by those doing penance to expiate their sins on earth. There are the proud – forced to circle their terrace for aeons bent double in humility; the slothful – running around crying out examples of zeal and sloth; while the lustful are purged by fire.
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Led by his guide, Beatrice, Dante leaves the Earth behind and soars through the heavenly spheres of Paradise. In this third and final part of The Divine Comedy, he encounters the just rulers and holy saints of the Church. The horrors of Inferno and the trials of Purgatory are left far behind. Ultimately, in Paradise, Dante is granted a vision of God’s Heavenly court: the angels, the Blessed Virgin, and God Himself.
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Blake Ritson, David Warner, Hattie Morahan and John Hurt star in this BBC Radio 4 dramatisation of Dante's epic poem. Inferno: Thirty-five year old Dante finds himself in the middle of a dark wood, in extreme personal and spiritual crisis. Hope of rescue appears in the form of the venerable poet Virgil, now a shade himself, who offers to lead Dante on an odyssey through the afterlife, beginning in the terrifying depths of Hell.
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Dante's Divine Comedy is considered to be not only the most important epic poem in Italian literature, but also one of the greatest poems ever written. It consists of 100 cantos, and (after an introductory canto) they are divided into three sections. Each section is 33 cantos in length, and they describe how Dante and a guide travel through Inferno, Purgatorio, and Paradiso.
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The epic grandeur of Dante's masterpiece has inspired readers and listeners for 700 years and has entered the human imagination. But the further we move from the late medieval world of Dante, the more a rich understanding and enjoyment of the poem depends on knowledgeable guidance.
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Purgatory: From The Divine Comedy
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- Unabridged
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Overall
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Performance
-
Story
Now of that second kingdom I shall sing where human souls are purified of sin and made worthy to ascend to Heaven’ Purgatory is the second part of Dante’s The Divine Comedy ascending the terraces of the Mount of Purgatory inhabited by those doing penance to expiate their sins on earth. There are the proud – forced to circle their terrace for aeons bent double in humility; the slothful – running around crying out examples of zeal and sloth; while the lustful are purged by fire.
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-
Clear translation, excellent music
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-
Paradise: From The Divine Comedy
- By: Dante Alighieri
- Narrated by: Heathcote Williams
- Length: 4 hrs and 26 mins
- Unabridged
-
Overall
-
Performance
-
Story
Led by his guide, Beatrice, Dante leaves the Earth behind and soars through the heavenly spheres of Paradise. In this third and final part of The Divine Comedy, he encounters the just rulers and holy saints of the Church. The horrors of Inferno and the trials of Purgatory are left far behind. Ultimately, in Paradise, Dante is granted a vision of God’s Heavenly court: the angels, the Blessed Virgin, and God Himself.
-
-
Outstanding
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The Divine Comedy
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- Narrated by: Blake Ritson, John Hurt, David Warner, and others
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- Original Recording
-
Overall
-
Performance
-
Story
Blake Ritson, David Warner, Hattie Morahan and John Hurt star in this BBC Radio 4 dramatisation of Dante's epic poem. Inferno: Thirty-five year old Dante finds himself in the middle of a dark wood, in extreme personal and spiritual crisis. Hope of rescue appears in the form of the venerable poet Virgil, now a shade himself, who offers to lead Dante on an odyssey through the afterlife, beginning in the terrifying depths of Hell.
-
-
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The Divine Comedy
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-
Overall
-
Performance
-
Story
Dante's Divine Comedy is considered to be not only the most important epic poem in Italian literature, but also one of the greatest poems ever written. It consists of 100 cantos, and (after an introductory canto) they are divided into three sections. Each section is 33 cantos in length, and they describe how Dante and a guide travel through Inferno, Purgatorio, and Paradiso.
-
-
Divine Comedy
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The Inferno
- By: Dante, Robert Hollander - translator, Jean Hollander - translator
- Narrated by: Dominic Hoffman
- Length: 4 hrs and 41 mins
- Unabridged
-
Overall
-
Performance
-
Story
The epic grandeur of Dante's masterpiece has inspired readers and listeners for 700 years and has entered the human imagination. But the further we move from the late medieval world of Dante, the more a rich understanding and enjoyment of the poem depends on knowledgeable guidance.
-
The Iliad of Homer
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- Narrated by: Elizabeth Vandiver
- Length: 6 hrs and 4 mins
- Original Recording
-
Overall
-
Performance
-
Story
For thousands of years, Homer's ancient epic poem the Iliad has enchanted readers from around the world. When you join Professor Vandiver for this lecture series on the Iliad, you'll come to understand what has enthralled and gripped so many people.Her compelling 12-lecture look at this literary masterpiece -whether it's the work of many authors or the "vision" of a single blind poet - makes it vividly clear why, after almost 3,000 years, the Iliad remains not only among the greatest adventure stories ever told but also one of the most compelling meditations on the human condition ever written.
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Great!
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The most famous of the three canticles that compose The Divine Comedy, "Inferno" describes Dante's descent into Hell midway through his life, with Virgil as a guide. As he descends through nine concentric circles of increasingly agonizing torture, Dante encounters doomed souls that include the pagan Aeneas, the liar Odysseus, the suicidal Cleopatra, and his own political enemies, damned for their deceit.
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Volume one of the definitive collection of Seamus Heaney reading his own work, recorded in 2009 by RTE. Volume one contains four collections published between 1966 and 1975: Death of a Naturalist, Door into the Dark, Wintering Out and North.
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Dante's Inferno
- The Arts
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Learn about the story of Dante’s Inferno with iMinds insightful knowledge series. “Midway upon the journey of our life, I found myself in a forest dark, For the straightforward pathway had been lost.” So begins the classic text of the Inferno, a medieval poem written in 14th century Italy. Along with its sequels, Purgatorio and Paradiso, it makes up the classic Divine Comedy. But what is the poem about? In the Inferno, the narrator of the tale travels through hell.
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The Aeneid
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The publication of a new translation by Fagles is a literary event. His translations of both the Iliad and Odyssey have sold hundreds of thousands of copies and have become the standard translations of our era. Now, with this stunning modern verse translation, Fagles has reintroduced Virgil's Aeneid to a whole new generation, and completed the classical triptych at the heart of Western civilization.
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Purgatorio
- By: Dante Alighieri
- Narrated by: Charles Armstrong
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- Unabridged
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Purgatorio is the second part of The Divine Comedy, Dante's epic poem describing man's progress from hell to paradise. Having escaped the Inferno, Dante and his guide, the classical Roman poet Virgil, ascend out of the underworld to the Mountain of Purgatory on an island on the far side of the world. The mountain has nine terraces, seven of which correspond to the seven deadly sins, and two of which constitute an Ante-Purgatory with the Garden of Eden at the summit.
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The Aeneid
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Profoundly poetic yet gloriously accessible, this is the best way to experience a work that has remained a centerpiece of Western civilization for 2,000 years. Fitzgerald's rendering speaks directly to the modern listener, inviting us to share the excitement, adventure, and human tears as Aeneas, the warrior hero, escapes from the burning city of Troy, embarks on a long and perilous journey, and eventually, triumphantly establishes a new nation: Rome.
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Not complete
- By Martin E Sargent on 04-16-16
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The Divine Comedy
- By: Clive James (translator), Dante Alighieri
- Narrated by: Edoardo Ballerini
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- Unabridged
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Renowned poet and critic Clive James presents the crowning achievement of his career: a monumental translation into English verse of Dante’s The Divine Comedy. The Divine Comedy is the precursor of modern literature, and this translation - decades in the making - gives us the entire epic as a single, coherent and compulsively listenable lyric poem. Written in the early 14th century and completed in 1321, the year of Dante’s death, The Divine Comedy is perhaps the greatest work of epic poetry ever composed.
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Brilliant!
- By Tad Davis on 10-18-13
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Paradiso
- By: Dante Alighieri
- Narrated by: Charles Armstrong
- Length: 3 hrs and 41 mins
- Unabridged
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Paradiso is the third and final part of The Divine Comedy, Dante's epic poem describing man's progress from hell to salvation. In it, the author progresses through nine concentric spheres of heaven. Corresponding with medieval astronomy, the Moon, Mercury, Venus, the Sun, Mars, Jupiter, and Saturn deal with the four cardinal virtues Prudence, Fortitude, Justice, and Temperance. The remaining two spheres are the fixed stars and the Primum Mobile, containing the purely virtuous and the angels, followed by the Empyrean, or God itself.
Publisher's Summary
To supplement this reading of Dante's Inferno, listen to The SparkNotes Guide to Dante's Inferno.
Critic Reviews
"Line by line, canto by canto, Pinsky's version responds to every nuance of meaning in the original while its English remains fluid and colloquial." (Alan Williamson, The American Poetry Review)
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- Todd
- 02-15-05
Good Interpretation, Somewhat difficult to follow
The Inferno is an excellent work in itself and is extremely interesting for anyone. The narration of Mr. Cleese is however somewhat difficult to follow. His overly-excited and passionate voices for the suffering denizens of hell are difficult to make out. It is however very fun to hear a voice from a Monty Python movie or the like come through. Listen carefully and follow along and you shouldn't have too many problems.
12 of 12 people found this review helpful
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Overall
- Thomas Phelan
- 03-23-10
Surprisingly Good
John Cleese narrate Dante?! Definitely took a few minutes to purge the Monty Python demons from my head, but once I got into it I think Cleese was a remarkably good narrator. Some complained it was hard to understand, but I thought he was very understandable.
2 of 2 people found this review helpful
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- robert
- 02-11-13
Fantastic narration and translation
John Cleese is perfect, and Pinsky's translation is the best. My only problem with this title is the abridgment. Why is it abridged? Several cantos are left out, and it only serves to detract from the experience. The unabridged readings on Audible only seem to be about an hour longer.
For those unfamiliar with the text, the Inferno is the first part of a trilogy about hell, purgatory, and heaven (in that order). The story of Dante's journey through hell is dark, but not scary. I'd describe it as wondrous. It's like a sight-seeing trip. What you are seeing is horrible, yet so vivid and interesting that you can't turn away. My favorite part about it is how specific Dante is about everything. He describes exactly where in hell each type of sinner should go and what their punishment should be, all in great detail.
The other side of the Inferno is its historical context. Not only is Inferno a great read, but it also offers a glimpse at Dante's worldview. In almost every canto Dante encounters people he either knew personally or were well known at the time. In this way it almost reads like an angsty teenager's blog, calling out all of the ass kissers and bullies that he can't otherwise do anything about.
I prefer Robert Pinsky's translation because it is modern, it doesn't try to rhyme (yet preserves the flow), and it is beautifully blunt.
Regardless of the missing cantos (don't worry, they are few), I highly recommend this audio book. John Cleese really is amazing, and nobody else has narrated Pinsky's translation. In my opinion, there is not a better version available.
1 of 1 people found this review helpful
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Overall
- David
- 07-29-11
Poor audio quality
The audio quality is very poor. Sounds like it was re-recorded from tape! This made it very difficult to understand. I gave up on it.
1 of 1 people found this review helpful
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- Lillian
- 07-09-17
Best rendition of Dante's Inferno EVER.
If you only ever read Dante's Inferno once, or are a long time fan who has read countless reiterations already, this chilling and compellingly narrated rendition is a must-have.
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- Amazon Customer
- 02-10-17
The Inferno of Dantè is worth listening to.
Somber, but not depressing. John Cleese is a great narrator. It's a short listen, and well worth it.
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- Brad Rodrigues
- 07-06-16
Donate's Inferno
Loved it. I have read this book seven times since November. Grate narration.Absolutely timeless!
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- BobV
- NJ
- 04-26-15
Why is John Cleese mumbling?
What would have made The Inferno of Dante better?
The recording quality here was awful; there were parts where I couldn't understand a word Cleese was saying... and audio levels would shift noticeably in different sections.
What was your reaction to the ending? (No spoilers please!)
Abrupt ending left me with no emotional reaction.
What three words best describe John Cleese’s voice?
Pleasant, sometimes ridiculous.
What character would you cut from The Inferno of Dante?
Toward the end, Cleese voiced some characters with the same tone and inflection as Monty Python's "There's a penguin on the telly!" and "I'm not dead yet!"
Any additional comments?
I listened to this in prep for a live reading on Holy Thursday -- and it was serviceable for that purpose. However, I'm a big fan of John Cleese, and I was a bit disappointed by it all. Mostly due to the quality of the recording, I suppose.
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- Mossback
- Seattle, WA
- 04-23-12
Amazing, poetic.
What made the experience of listening to The Inferno of Dante the most enjoyable?
Written sometime in the 1200's makes this book even more mind blowing. That many modern pieces take pages from this book even today is a testament to its greatness.
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- DHM
- Somerville, MA, United States
- 03-25-12
Muddled voice and language
Compared to the Kenny translation, I found this very hard to listen to. The language was much less engaging and the audio quality and narrator inflections made is much less engaging.