-
The Divine Comedy
- Penguin Classics
- Narrado por: Jot Davies, Robin Kirkpatrick, Kristin Atherton
- Duración: 17 h y 17 m
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Resumen del Editor
Brought to you by Penguin.
The Divine Comedy describes Dante's descent into Hell with Virgil as a guide, his ascent of Mount Purgatory and his encounter with his dead love Beatrice, and finally, his arrival in Heaven.
Examining questions of faith, desire and enlightenment, the poem is a brilliantly nuanced and moving allegory of human redemption. This major translation is published here for the first time in a single volume.
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The Girlfriend
- De: K.L. Slater
- Narrado por: Clare Corbett
- Duración: 8 h y 28 m
- Versión completa
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The doorbell rings, just days after my beloved husband’s sudden death. I don’t recognise the woman on our doorstep, with her blonde highlights, a diamond bracelet identical to my own and a bouncing baby boy in her arms. As I show her inside, I notice her eyes grow wide as she takes in our spacious hallway, and the big squashy sofas that we all used to pile on. She glances at the silver-framed family photos and my little daughter hiding behind my skirts. She looks at me, her blue eyes serious. ‘I’m sorry’ she says. ‘I am your husband’s girlfriend. And this is his son.'
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Uh, what?
- De Karyn Cavanaugh en 02-22-23
De: K.L. Slater
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You Shouldn’t Have Come Here
- De: Jeneva Rose
- Narrado por: Andrew Eiden, Andi Arndt
- Duración: 8 h y 1 m
- Versión completa
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Grace Evans, an overworked New Yorker looking for a total escape from her busy life, books an Airbnb on a ranch in the middle of Wyoming. When she arrives at the idyllic getaway, she’s pleased to find that the owner is a handsome man by the name of Calvin Wells—and he’s eager to introduce her to his easygoing way of life. But there are things Grace discovers that she’s not too pleased about: a lack of cell phone service. A missing woman. And a feeling that something isn’t right with the ranch.
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Worst. Ever. NOT a true twist. Juvenile writing and story,
- De Whitney Lahann en 04-29-23
De: Jeneva Rose
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The Narrator
- De: K. L. Slater
- Narrado por: Clare Corbett, Kristin Atherton
- Duración: 8 h y 5 m
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When the call came it seemed like the answer to my prayers. My career as a voice actor had been over for months and me and my little girl Scarlet were living back at my mum’s place. I felt like a failure professionally—and with Scarlet having problems at school, as a parent as well. So, when I was asked to narrate a new book by disappeared novelist Philippa Roberts I jumped at the chance, even if it meant leaving Scarlet with my ex, Hugo, for a few weeks. Hugo, with his perfect new home and his perfect new girlfriend Saskia. But this isn’t a dream come true. It’s a nightmare.
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Love but it's a production issue!
- De Mary en 09-02-22
De: K. L. Slater
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The Shallows
- De: Holly Craig
- Narrado por: Tamala Shelton
- Duración: 9 h y 43 m
- Versión completa
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Emma and Ariella, neighbours in one of Sydney’s most exclusive suburbs, appear to have it all—perfect homes, perfect husbands, perfect lives. But they both know dark secrets lurk beneath the surface and shallow waters can’t hide Ariella’s. Now she has been found murdered. Her daughter filmed the killing. Not knowing what she’s filmed, Emma’s daughter Kiki innocently uploads footage of Ariella’s brutal death. Emma fears the worst—the killer will know what she and Kiki have seen. Their safe suburban lives no longer exist.
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Surprising and refreshing
- De digitalblonde2001 en 04-10-24
De: Holly Craig
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Fingerprints of the Gods
- The Quest Continues
- De: Graham Hancock
- Narrado por: Graham Hancock
- Duración: 18 h y 31 m
- Versión completa
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Fingerprints of the Gods is the revolutionary rewrite of history that has persuaded millions of listeners throughout the world to change their preconceptions about the history behind modern society. An intellectual detective story, this unique history audiobook directs probing questions at orthodox history, presenting disturbing new evidence that historians have tried - but failed - to explain.
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Classic in Historical Mysteries
- De Kelly en 09-05-19
De: Graham Hancock
Las personas que vieron esto también vieron...
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The Divine Comedy
- Inferno; Purgatorio; Paradiso
- De: Dante Alighieri, Stephen Wyatt
- Narrado por: Blake Ritson, John Hurt, David Warner, y otros
- Duración: 2 h y 50 m
- Grabación Original
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Blake Ritson, David Warner, Hattie Morahan and John Hurt star in this BBC Radio 4 dramatisation of Dante's epic poem. Inferno: Thirty-five year old Dante finds himself in the middle of a dark wood, in extreme personal and spiritual crisis. Hope of rescue appears in the form of the venerable poet Virgil, now a shade himself, who offers to lead Dante on an odyssey through the afterlife, beginning in the terrifying depths of Hell.
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Revisiting the land of the dead
- De Adeliese Baumann en 10-21-16
De: Dante Alighieri, y otros
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The Divine Comedy
- De: Clive James - translator, Dante Alighieri
- Narrado por: Edoardo Ballerini
- Duración: 14 h y 38 m
- Versión completa
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General
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Renowned poet and critic Clive James presents the crowning achievement of his career: a monumental translation into English verse of Dante’s The Divine Comedy. The Divine Comedy is the precursor of modern literature, and this translation - decades in the making - gives us the entire epic as a single, coherent and compulsively listenable lyric poem. Written in the early 14th century and completed in 1321, the year of Dante’s death, The Divine Comedy is perhaps the greatest work of epic poetry ever composed.
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Brilliant!
- De Tad Davis en 10-18-13
De: Clive James - translator, y otros
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The Divine Comedy
- De: Dante Alighieri, Henry Wadsworth Longfellow - translator
- Narrado por: Charlton Griffin
- Duración: 17 h y 3 m
- Versión completa
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General
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Dante's Divine Comedy is considered to be not only the most important epic poem in Italian literature, but also one of the greatest poems ever written. It consists of 100 cantos, and (after an introductory canto) they are divided into three sections. Each section is 33 cantos in length, and they describe how Dante and a guide travel through Inferno, Purgatorio, and Paradiso.
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Not for listening.
- De Larry en 03-13-11
De: Dante Alighieri, y otros
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The Divine Comedy: Inferno
- De: Dante Alighieri, Henry Wadsworth Longfellow - translator
- Narrado por: James Langton
- Duración: 4 h y 18 m
- Versión completa
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The most famous of the three canticles that compose The Divine Comedy, "Inferno" describes Dante's descent into Hell midway through his life, with Virgil as a guide. As he descends through nine concentric circles of increasingly agonizing torture, Dante encounters doomed souls that include the pagan Aeneas, the liar Odysseus, the suicidal Cleopatra, and his own political enemies, damned for their deceit.
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This one needs a companion book
- De RYAN M OMAN en 08-30-20
De: Dante Alighieri, y otros
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The Divine Comedy
- De: Dante Alighieri
- Narrado por: Ralph Cosham
- Duración: 13 h y 18 m
- Versión completa
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General
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One of the greatest works in literature, Dante's story-poem is an allegory that represents mankind as it exposes itself, by its merits or demerits, to the rewards or the punishments of justice. A single listen will reveal Dante's visual imagination and uncanny power to make the spiritual visible.
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Almost Divine
- De whynot? en 02-07-08
De: Dante Alighieri
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The Divine Comedy
- The Inferno, The Purgatorio, & The Paradiso
- De: Dante Alighieri
- Narrado por: Pam Ward
- Duración: 13 h y 3 m
- Versión completa
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General
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Dante Alighieri's poetic masterpiece is a moving human drama, an unforgettable visionary journey through the infinite torment of Hell, up the arduous slopes of Purgatory, and on to the glorious realm of Paradise-the sphere of universal harmony and eternal salvation. One of the greatest works in literature, Dantes story-poem is an allegory that represents mankind as it exposes itself, by its merits or demerits, to the rewards or the punishments of justice.
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OK
- De Tad Davis en 05-22-09
De: Dante Alighieri
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The Divine Comedy
- Inferno; Purgatorio; Paradiso
- De: Dante Alighieri, Stephen Wyatt
- Narrado por: Blake Ritson, John Hurt, David Warner, y otros
- Duración: 2 h y 50 m
- Grabación Original
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General
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Blake Ritson, David Warner, Hattie Morahan and John Hurt star in this BBC Radio 4 dramatisation of Dante's epic poem. Inferno: Thirty-five year old Dante finds himself in the middle of a dark wood, in extreme personal and spiritual crisis. Hope of rescue appears in the form of the venerable poet Virgil, now a shade himself, who offers to lead Dante on an odyssey through the afterlife, beginning in the terrifying depths of Hell.
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Revisiting the land of the dead
- De Adeliese Baumann en 10-21-16
De: Dante Alighieri, y otros
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The Divine Comedy
- De: Clive James - translator, Dante Alighieri
- Narrado por: Edoardo Ballerini
- Duración: 14 h y 38 m
- Versión completa
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General
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Renowned poet and critic Clive James presents the crowning achievement of his career: a monumental translation into English verse of Dante’s The Divine Comedy. The Divine Comedy is the precursor of modern literature, and this translation - decades in the making - gives us the entire epic as a single, coherent and compulsively listenable lyric poem. Written in the early 14th century and completed in 1321, the year of Dante’s death, The Divine Comedy is perhaps the greatest work of epic poetry ever composed.
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Brilliant!
- De Tad Davis en 10-18-13
De: Clive James - translator, y otros
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The Divine Comedy
- De: Dante Alighieri, Henry Wadsworth Longfellow - translator
- Narrado por: Charlton Griffin
- Duración: 17 h y 3 m
- Versión completa
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General
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Narración:
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Historia
Dante's Divine Comedy is considered to be not only the most important epic poem in Italian literature, but also one of the greatest poems ever written. It consists of 100 cantos, and (after an introductory canto) they are divided into three sections. Each section is 33 cantos in length, and they describe how Dante and a guide travel through Inferno, Purgatorio, and Paradiso.
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Not for listening.
- De Larry en 03-13-11
De: Dante Alighieri, y otros
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The Divine Comedy: Inferno
- De: Dante Alighieri, Henry Wadsworth Longfellow - translator
- Narrado por: James Langton
- Duración: 4 h y 18 m
- Versión completa
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General
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Historia
The most famous of the three canticles that compose The Divine Comedy, "Inferno" describes Dante's descent into Hell midway through his life, with Virgil as a guide. As he descends through nine concentric circles of increasingly agonizing torture, Dante encounters doomed souls that include the pagan Aeneas, the liar Odysseus, the suicidal Cleopatra, and his own political enemies, damned for their deceit.
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This one needs a companion book
- De RYAN M OMAN en 08-30-20
De: Dante Alighieri, y otros
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The Divine Comedy
- De: Dante Alighieri
- Narrado por: Ralph Cosham
- Duración: 13 h y 18 m
- Versión completa
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General
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Narración:
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Historia
One of the greatest works in literature, Dante's story-poem is an allegory that represents mankind as it exposes itself, by its merits or demerits, to the rewards or the punishments of justice. A single listen will reveal Dante's visual imagination and uncanny power to make the spiritual visible.
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Almost Divine
- De whynot? en 02-07-08
De: Dante Alighieri
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The Divine Comedy
- The Inferno, The Purgatorio, & The Paradiso
- De: Dante Alighieri
- Narrado por: Pam Ward
- Duración: 13 h y 3 m
- Versión completa
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General
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Narración:
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Historia
Dante Alighieri's poetic masterpiece is a moving human drama, an unforgettable visionary journey through the infinite torment of Hell, up the arduous slopes of Purgatory, and on to the glorious realm of Paradise-the sphere of universal harmony and eternal salvation. One of the greatest works in literature, Dantes story-poem is an allegory that represents mankind as it exposes itself, by its merits or demerits, to the rewards or the punishments of justice.
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OK
- De Tad Davis en 05-22-09
De: Dante Alighieri
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Dante's Divine Comedy
- A Guide for the Spiritual Journey
- De: Mark Vernon
- Narrado por: Mark Vernon
- Duración: 17 h y 41 m
- Versión completa
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Dante Alighieri was early in recognizing that our age has a problem. His hometown, Florence, was at the epicenter of the move from the medieval world to the modern. The Divine Comedy was born in a time of troubling transition, which is why it still speaks today. In this narrative retelling and guide, from the gates of hell, up the mountain of purgatory, to the empyrean of paradise, Mark Vernon offers a vivid introduction and interpretation of a book that, 700 years on, continues to open minds and change lives.
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An Inversion of Dante
- De A.B.D. en 09-24-22
De: Mark Vernon
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The Divine Comedy
- De: Dante Alighieri
- Narrado por: Jack Wynters
- Duración: 11 h y 50 m
- Versión completa
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The Divine Comedy is Dante's record of his visionary journey through the triple realms of Hell, Purgatory, and Paradise. This, the first epic of which its author is the protagonist and his individual imaginings the content, weaves together the three threads of classical and Christian history, contemporary Medieval politics and religion, and Dante's own inner life including his love for Beatrice, to create the most complex and highly structured long poem extant.
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Abandon all hope
- De Julian en 02-28-19
De: Dante Alighieri
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The Inferno
- De: Dante, Robert Hollander - translator, Jean Hollander - translator
- Narrado por: Dominic Hoffman
- Duración: 4 h y 41 m
- Versión completa
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The epic grandeur of Dante's masterpiece has inspired readers and listeners for 700 years and has entered the human imagination. But the further we move from the late medieval world of Dante, the more a rich understanding and enjoyment of the poem depends on knowledgeable guidance.
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Into Hell
- De Adam en 10-25-19
De: Dante, y otros
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The Divine Comedy - Inferno
- De: Dante Alighieri
- Narrado por: Denis G. Daly
- Duración: 5 h y 47 m
- Versión completa
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Among the monuments of world literature, few works have been as influential as the Divine Comedy. Dante's compendious allegory of a journey through the world of the afterlife is significant on many levels. It established Italian as a literary language, and consolidated the position of Florentine Italian as the lingua franca of the Italian peninsula. As an engaging portrait of the social and intellectual life in medieval Florence it is unrivalled
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This narration is the WORST I have ever heard
- De James Oliva en 03-09-20
De: Dante Alighieri
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Inferno: From The Divine Comedy
- De: Dante Alighieri, Benedict Flynn - translator
- Narrado por: Heathcote Williams
- Duración: 4 h y 10 m
- Versión completa
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"Abandon all hope you who enter here." ( "Lasciate ogne speranza voi ch’intrate.") Dante’s Hell is one of the most remarkable visions in Western literature. An allegory for his and future ages, it is, at the same time, an account of terrifying realism. Passing under a lintel emblazoned with these frightening words, the poet is led down into the depths by Virgil and shown those doomed to suffer eternal torment for vices exhibited and sins committed on earth.
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The Best Inferno So Far
- De Laurel en 12-19-12
De: Dante Alighieri, y otros
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The Iliad of Homer
- De: Elizabeth Vandiver, The Great Courses
- Narrado por: Elizabeth Vandiver
- Duración: 6 h y 4 m
- Grabación Original
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For thousands of years, Homer's ancient epic poem the
Iliad has enchanted readers from around the world. When you join Professor Vandiver for this lecture series on the Iliad, you'll come to understand what has enthralled and gripped so many people. Her compelling 12-lecture look at this literary masterpiece -whether it's the work of many authors or the "vision" of a single blind poet - makes it vividly clear why, after almost 3,000 years, the
Iliad remains not only among the greatest adventure stories ever told but also one of the most compelling meditations on the human condition ever written.
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Vandiver never disappoints
- De Machteacher en 07-23-13
De: Elizabeth Vandiver, y otros
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Dante's Inferno
- A Study on Part I of The Divine Comedy
- De: Anthony Esolen PhD
- Narrado por: Anthony Esolen PhD
- Duración: 4 h y 38 m
- Grabación Original
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With Professor Esolen you will enter the terrible gates of Hell and progress level by infernal level to its diabolical depths. Professor Esolen places a special emphasis on the drama of the poem, leading you through each canto in succession. Professor Esolen will more than satisfy your curiosity about Hell and the fate of the damned. He will reveal in all its starkness the horror of sin and awaken in your heart a longing for divine love.
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THIS IS A LECTURER
- De Amazon Customer en 05-22-21
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The Divine Comedy
- The New Translation by Gerald J. Davis
- De: Gerald J. Davis
- Narrado por: John Hanks
- Duración: 12 h y 55 m
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The beloved classic by Dante in a new translation. Inferno. Purgatory. Paradise. Complete and unabridged.
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Touching Your - Through Hell to Heaven
- De Amazon Customer en 04-29-23
De: Gerald J. Davis
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The Divine Comedy
- De: Dante Alighieri
- Narrado por: Bryan Godwin
- Duración: 12 h y 8 m
- Versión completa
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The Divine Comedy (Italian: Divina Commedia) is an Italian narrative poem by Dante Alighieri, begun c. 1308 and completed in 1320, a year before his death in 1321. It is widely considered the pre-eminent work in Italian literature and one of the greatest works of world literature. The poem's imaginative vision of the afterlife is representative of the medieval worldview as it had developed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language. It is divided into three parts.
De: Dante Alighieri
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Paradise Lost & Paradise Regained
- De: John Milton
- Narrado por: Charlton Griffin
- Duración: 16 h y 9 m
- Versión completa
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Paradise Lost, along with its companion piece, Paradise Regained, remain the most successful attempts at Greco-Roman style epic poetry in the English language. Remarkably enough, they were written near the end of John Milton's amazing life, a bold testimonial to his mental powers in old age. And, since he had gone completely blind in 1652, 15 years prior to Paradise Lost, he dictated it and all his other works to his daughter.
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SELL YOUR SHIRT FOR THIS AUDIO BOOK!
- De thomas en 04-23-11
De: John Milton
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The Inferno of Dante
- A New Verse Translation by Robert Pinsky
- De: Dante Alighieri, Robert Pinsky - translator
- Narrado por: Seamus Heaney, Frank Bidart, Louise Glück, y otros
- Duración: 5 h y 5 m
- Versión completa
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This critically acclaimed translation was awarded the Los Angeles Times Book Prize for Poetry and the Harold Morton Landon Translation Award given by the Academy of American Poets. Well versed, rapid, and various in style, the Inferno is narrated by Pinsky and three other leading poets: Seamus Heaney, Frank Bidart, and Louise Glück.
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A great translation of the epic.
- De craig en 09-14-15
De: Dante Alighieri, y otros
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Inferno
- De: Dante Alighieri
- Narrado por: Charles Armstrong
- Duración: 4 h y 1 m
- Versión completa
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The Inferno is the first part of The Divine Comedy, Dante’s epic poem describing man's progress from hell to paradise. In it, the author is lost in dark woods, threatened by wild beasts and unable to find the right path to salvation. Notable for its nine circles of hell, the poem vividly illustrates the poetic justice of punishments faced by earthly sinners. The Inferno is perhaps the most popular of the three books of The Divine Comedy, which is widely considered the preeminent work in Italian literature.
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epic poem
- De Amazon Customer en 09-23-22
De: Dante Alighieri
Lo que los oyentes dicen sobre The Divine Comedy
Calificaciones medias de los clientesReseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.
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- Anonymous
- 10-07-20
bravo! best dante on audible
amazing to finally have a decent contemporary translation of the divine comedy on audible. this is without a doubt the version you should listen to. very thankful for this existing. it's necessary to pair this with the great courses audio course on the divine comedy and some podcast episodes like "entitled opinions" two-part episode. and look at the Dore illustrations for Dante's Divine Comedy while following along.
three points of feedback on the production (but none of these are dealbreakers):
it's necessary to listen to the introduction before listening to the book itself. they should've put the introduction at the beginning instead of moving it to the end. it's not like there are spoilers in this book. they should've cut the very long introduction up into chapters within the audible app. right now it's all one: an hour and a half long section. but there are obvious subsections that should've been separated out so you can skip around or jump back to a specific topic within the introduction.
there should be a narrator that has a different accent/sounding voice than everyone else that reads the canto commentaries at the end of each canto. i know people who aren't familiar with this book think it disrupts the flow, but realistically nobody reads this book straight through. it's impossible. the canto commentaries are part of the fun. every pilgrim who picks up this book needs a guide/virgil. surprised the commentaries weren't included at all. they could've been stacked together at the end for listeners who want to jump back and forth.
the voices of the narrators go from loud to soft throughout. so on my car speakers, i kept on having to turn the volume up and then the volume down. the emotional performances and characters were wonderful. but sometimes it sounded like they were whispering and other times they were intense. good for drama, not so great for an audiobook.
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- Anonymous User
- 01-21-22
Essential Reading
Dante’s Divine Comedy is essential reading for literature, theology, philosophy and history. The Penguin edition is a trusted classic and the audio version is excellent.
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- Tad Davis
- 11-15-20
Solid, read with gusto
I tried to read Kirkpatrick’s translation when all three parts were first published in one volume. It was a hard slog. I tend to gravitate toward translations that are written on a more consistently accessible level: less charitable people might describe them as “dumbed down.” I had recently finished reading Stanley Lombardo’s translation of the Comedy, which I think is NOT dumbed down, but which I found more immediately intelligible. With Kirkpatrick, I found myself having to stop and retrace my steps fairly often to parse the sentence I'd just read.
For whatever reason, I found this much less of a problem while listening to it. Part of it is the energy brought to the task by the excellent narrators Penguin has chosen for the task. But part of it is something I've noticed with other poetry that seems dense at first glance: it's like a mobile that lies flat on the table, but assumes a vivid, moving form when you hang it from the ceiling and let it spin in the air.
....up to a point. The simplest translating style in the world is going to make the third canticle, Paradise, a challenge for most modern readers. The other two parts are grounded in vivid descriptions of human suffering. But in Paradise, by definition, no one is suffering, so the space is filled up with increasingly abstract theological hair-splitting. The spectacular vision of the heavenly Rose and of the Trinity at the end of the journey is worth the price of admission, but it was hard for me, at least, to find a place to fasten onto in the meantime. Kirkpatrick appears to be following the conscientious translator’s maxim that his English rendering should be as simple as Dante’s Italian, but not one bit simpler.
The big disadvantage of listening to the Comedy, as opposed to reading it, is that you don't have access to the hundreds of notes that accompany the text and explain Dante’s many allusions to contemporary politics, classical mythology and other areas of learning. It doesn't appear that Penguin is participating in the Kindle read-along program, but this title would be a good candidate for it. (If you tackle this as your first try at the Divine Comedy, you should definitely have a copy of the Penguin text to follow. You could then stop between each canto and check the notes for what you've just heard.)
The introduction is placed at the end of the recording, presumably to avoid “spoilers.” I'm in favor of trying to read the work before reading the introduction, but how the concept of spoilers could apply to the Divine Comedy baffles me. So, spoilers: Dante gets through hell and purgatory, meets Beatrice, gets a tour of heaven, has a vision of the Trinity, and ends the poem abruptly at that point. (Curiously, at the time I listened to the audiobook, the introduction, which is nearly two hours long, was bundled into the single track labeled “End Credits.”)
Wherever it's placed, Kirkpatrick’s introduction — read by himself — is marked by great clarity. It provides the historical background of Florentine politics and Dante’s place in that world; the place of Italy in the rivalry between the Holy Roman Empire and the nation-states then rising in Europe; and most of all it provides a high-level exposition of the Comedy itself. Dante is writing an epic, he says, but he remains a poet of love. The introduction is rounded off with an exploration of the technical problems involved in translating Dante.
Penguin has gone to quite a bit of trouble to put this together with different narrators. In this case, Jot Davies takes on the main burden as the Pilgrim and the voices of the people Dante meets along the way; Kristin Atherton is Beatrice; and the translator, Robin Kirkpatrick, takes the role of Virgil (and acquits himself well, leading me to suspect he's had professional training in the spoken arts). The overall direction seems to have been: read it with GUSTO. I don’t think there are any other recordings of the poem that put so much feeling into the reading, or so much variety into the voices: it’s hard to believe at times that there are only three narrators.
My one and only complaint is one that applies to a couple of the Penguin offerings. The volume sometimes varies beyond the level of comfort: the pilgrim’s narration drops off into a whisper until he encounters one of the denizens of the afterlife, whose voice suddenly screeches out at top volume. This doesn't happen all the time, just sometimes, so it's not really a deal-breaker, just an occasional annoyance.
On the whole, this is one of the best Penguin Classics offerings I've encountered in their new series of unabridged recordings.
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- G Man
- 01-07-21
Rating of narration only...
Note: this is now the fourth time I’ve read the The Divine Comedy. (And fourth translation as well.) It is still my favorite book of all-time. But I struggled to get anything out of this particular version of the book. The narration was so bad!
Now I like when there are multiple narrators, and in this here we even have the translator, Robin Kirkpatrick, lending his voice to the story. Although his voice is not at all the embodiment of Virgil that I would have had in my head I can certainly appreciate him wanting to take up that part, and think it’s cool. He even does a fine job. Likewise, Kristin Atherton who does all the female voices.
No, my problem is with the lead voice actor. I had to speed up the playback to 1.3x just to bring his tempo and enunciation up to normal speed! Yes, this meant the other voices were a little too fast but there are many many moments where the lead actor is too slow! And his performance is akin to one “hamming it up” - except here it’s not done in jest but in all seriousness. It’s so overly dramatic it’s excruciating to listen to. I did not think I would ever want to hear a book read in a droning tone but if presented with that alternative I would have easily chosen it! A hundred times I practically wanted to scream out loud, ‘ Just read the #@&%ing thing!’
Also of note: this is the first version I’ve read/heard that did not have the chapter headings. In previous readings I’d always wondered if they were necessary or even wanted. But I can now say that the answer to both is definitely, “Yes!”. They’re needed to help keep one’s bearings; to help us understand or remind us what circle or plane, etc we are currently on.
The introduction - which was put at the end of the audiobook - makes this translation valuable, but it is my suggestion that buyers get the physical book instead of this audio version.
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