
The History of Rock & Roll, Volume 2
1964–1977: The Beatles, the Stones, and the Rise of Classic Rock
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Narrated by:
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David Colacci
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By:
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Ed Ward
It's February 1964 and The Beatles just landed in New York City, where the NYPD, swarms of fans, and a crowd of two hundred journalists await their first American press conference. It begins with the question on everyone's mind: "Are you going to get a haircut in America?" and ends with a reporter tugging Paul McCartney's hair in an attempt to remove his nonexistent wig. This is where The History of Rock & Roll, Volume 2 kicks off. Chronicling the years 1964 through the mid-1970s, this latest volume covers one of the most exciting eras of rock history, which saw a massive outpouring of popular and cutting-edge music.
Ed Ward weaves together an pause-resisting narrative told through colorful anecdotes and shares the behind-the-scenes stories of the megastars, the trailblazers, DJs, record executives, concert promoters, and producers who were at the forefront of this incredible period in music history. From Bob Dylan to Bill Graham, Jimi Hendrix, Janis Joplin, The Byrds, Aretha Franklin, The Rolling Stones, and more, everyone's favorite musicians of the era make an appearance in this sweeping history that reveals how the different players, sounds, and trends came together to create the music we all know and love today.
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Very enjoyable!
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real raw story of musicians dysfunctional lives making great music
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The most interesting compendium of Rock and Roll
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Great Story. Read is Soporific
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Indispensable! Vol. I and II are a must read!
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Pardon these quibbles, p;ease, because this book was a deligh to listen to. Especially so when David Colacci, easily my favorite narrator, does the reading.
great book,great reader
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The book was interesting until the few chapters . The author neglected a lot of good bands that were big in the early 70's as he he continued to focused on John Lennon, Bob Dillon, The Band, The Grateful Dead and other Folk artists. Also, working in the industry in the 70's & 80's some of the stories about record labels didn't ring true. The book treated the man with the golden ear, Clive Davis as an aftert thought instead of the legend he is.
Lost me in the end
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Just couldn't get into it
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But the author makes it clear the music he doesn’t like, giving snobbish asides about how awful they are that are substance-less and pretentious. He follows the typical rock critic line of hating prog rock, which I’m not even a huge fan of, but man, you don’t have to be a dick about it. You lose credibility.
The first book in this series was far better, as you can actually tell that he has a passion for that music, so it was largely better.
Some really bad factual errors, too. “Day Tripper” the b-side of “Ticket to Ride”? He even makes it seem like Abbey Road was made before Let it Be.
Amateurish and encyclopedic in the worst way of both of those words.
The author is an asshole
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All over the place
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