The Coming of Conan the Cimmerian
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Narrado por:
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Todd McLaren
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De:
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Robert E. Howard
In a meteoric career that spanned a mere 12 years before his tragic suicide, Robert E. Howard single-handedly invented the genre that came to be called sword-and-sorcery. Collected in this volume are Howard's first 13 Conan stories in their original versions and in the order Howard wrote them. Included are classics of dark fantasy like "The Tower of the Elephant" and swashbuckling adventure like "Queen of the Black Coast."
Here are timeless tales featuring Conan the raw and dangerous youth, Conan the daring thief, Conan the swashbuckling pirate, and Conan the commander of armies. Here, too, is an unparalleled glimpse into the mind of a genius whose bold storytelling style has been imitated by many yet equaled by none.
©2002 Conan Properties International, LLC. (P)2009 TantorLos oyentes también disfrutaron:
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classic sword and sorcery
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Would you try another book from Robert E. Howard and/or Todd McLaren?
I have read other Robert Howard books. Todd McLaren needs to look into the pronunciation of the names for the books he is reading really annoying that he mispronounced Cimmerian and Cimmeria throughout the whole book.Would you be willing to try another book from Robert E. Howard? Why or why not?
YesWhat didn’t you like about Todd McLaren’s performance?
He mispronounces names from the booksDo you think The Coming of Conan the Cimmerian needs a follow-up book? Why or why not?
There are many Conan booksAnother great set of Conan Tales
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This volume of a three-part series opens with a very helpful introduction/essay on the context of Howard’s writing, and the historiography of his works following his death. From there it follows Howard’s Conan stories chronologically in order of their writing, as Howard intended. It’s interesting to see the man Conan, and the world of Hyborea, evolve in this manner, as the reader discovers Conan in the same way Howard did while writing him.
I have to say the writing is not what I expected- it’s both simple and dense at the same time, and has an undercurrent of Lovecraftian horror (who was a contemporary and friend of Howard’s). I suppose you could say the horror is not lovecraftian, but Howardian, but I think it’s fair to give those supernatural references to “unknown horrors”, etc., some credited influence to Lovecraft, while recognizing Howard’s attempt to ground the themes and stories in a recognizable, historic context and setting.
The stories themselves are of mixed quality, but I found all entries in this volume interesting, especially in the first half of the book. Some towards the end become formulaic, and I imagine they were written during the period Howard suffered financially and needed to churn out work to live. Those entries aren’t necessarily bad, but they are more what the unread Howard reader would probably consider quintessential Conan...a scantily clad damsel in distress who Conan saves by being macho and crafty. There’s a lot more to Conan than those themes, though, and actually reading the material bears that out. It’s also clear how much a product of the period in which they were written these stories are, as evidenced by some of the language and themes used around race and gender roles; if some of the sections were written this way today they’d never make it through editing due to being potentially (or sometimes blatantly) offensive. That said, they also add another layer of complexity to consider within the themes of barbarity vs civilization vs race.
Overall I’d highly recommend reading this book and series if nothing else but to understand the progenitor literature of the entire Sword and Sorcery genre.
One note on the narration. I found the narrator had a good voice and pacing for the stories, but there were some mispronunciations that were really distracting. Some, like gunwales, only cropped up here and there but should be something a narrator knows how to pronounce (hint: it isn’t pronounced gun-walls or gun-wales). The big problem was his mispronunciation of the word Cimmerian, which is used constantly throughout the works. There are two generally accepted ways it can be pronounced: Sim-MARE-ian, and Sim-MERE-ian. The narrator chose to use neither.
Solid Recounting, with minor quibble
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* Pulp stories written in the 30s will always be a reflection of their time. While the language R.E. Howard uses is dated to say the least, it should be noted that Howard was extremely progressive for his time, and this is reflected in his treatment of his characters. All that said, listen with a grain of salt.
Chapter Issues
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Awesome writing
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