The Black-Eyed Blonde
A Novel
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Narrado por:
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Dennis Boutsikaris
Raymond Chandler’s Philip Marlowe returns in The Black-Eyed Blonde—also published as Marlowe as by John Banville—the basis for the major motion picture starring Liam Neeson as the iconic detective.
"Somewhere Raymond Chandler is smiling . . . I loved this book. It was like having an old friend, one you assumed was dead, walk into the room."
—Stephen King
"It was one of those summer Tuesday afternoons when you begin to wonder if the earth has stopped revolving."
The streets of Bay City, California, in the early 1950s are as mean as they get. Marlowe is as restless and lonely as ever, and the private eye business is a little slow. Then a new client is shown in: blond, beautiful, and expensively dressed, she wants Marlowe to find her former lover.
Almost immediately, Marlowe discovers that the man's disappearance is merely the first in a series of bewildering events. Soon he is tangling with one of Bay City's richest and most ruthless families—and developing a singular appreciation for how far they will go to protect their fortune.
“It’s vintage L.A., toots: The hot summer, rain on the asphalt, the woman with the lipstick, cigarette ash and alienation, V8 coupes, tough guys, snub-nosed pistols, the ice melting in the bourbon . . . . The results are Chandleresque, sure, but you can see Banville’s sense of fun.”
—The Washington Post
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OK but
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Marlowe Lives!
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The convoluted story and Marlowe philosophy are spot on.
Unfortunately, the narrator/actor is wrong for the character. He certainly speaks well; he just doesn't speak like Philip Marlowe. Elliott Gould owns that voice. He understands that Marlowe has seen too many fat cats get away with corruption, and too many nice girls rubbed out for being at the wrong place and the wrong time. He's smoked too many cigarettes, been sucker-punched too many times; and spent too many nights at the station. This author doesn't sound world-weary; he sounds like he's just come back from "senior year abroad" and is eager to tell you about his adventures.
Close Your Eyes and Marlowe Is (almost) Back
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best Chandler reboot
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Great book!!
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Dennis Boutsikaris is spot-on in his snarkiness(!), pacing & delivery.
He needs to continue his Marlowe, even if it means retreading some early books...
Masterful.
Outstanding.
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So so.
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The narrator does a great job with all the characters, though I particularly like his Marlow; much better aligned with the mid-thirty year-old PI versus the trope cliché of the cynical baritone who always sounds like he’s fifty years-old.
I still reread the original stories with relish, and THE BLACK-EYED BLONDE will sit confidently on the bookshelf waiting to be read again.
It’s Not Raymond Chandler. It’s Better.
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Where does The Black-Eyed Blonde rank among all the audiobooks you’ve listened to so far?
The performance is essentially at the core of an audio book. This is an embarrassing moment in the usually stellar record of audible.com. If you want the the experience of a guy reading the phone book, then this is your book, with the pacing and the inflection of just such an endeavor. This is the only review I've written in some measure of haste- hoping to protect other unsuspecting listeners.How did the narrator detract from the book?
Primarily, it was the lack of timing. The words were read in a hurried manner lacking any depth or expression. By far, the most disappointing reader I've encountered at Audible.Any additional comments?
Avoid this title.The worst narration I've ever encountered
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Author captured the essence of Chandler’s Phillip Marlowe without the period accuracy. Chandler captured the time perfectly by having written in it. Author was unable to recreate the casual bigotries of the time that makes Chandler so accurate by not having lived it. Nonetheless, if he writes a follow up Marlowe I’ll happily buy it. Listened straight through in a day.
R. Chandler revisited
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