Sweet & Bitter Magic
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Narrado por:
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Ferdelle Capistrano
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Andrea Emmes
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De:
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Adrienne Tooley
Tamsin is the most powerful witch of her generation. But after committing the worst magical sin, she’s exiled by the ruling Coven and cursed with the inability to love. The only way she can get those feelings back—even for just a little while—is to steal love from others.
Wren is a source—a rare kind of person who is made of magic, despite being unable to use it herself. Sources are required to train with the Coven as soon as they discover their abilities, but Wren—the only caretaker to her ailing father—has spent her life hiding her secret.
When a magical plague ravages the queendom, Wren’s father falls victim. To save him, Wren proposes a bargain: if Tamsin will help her catch the dark witch responsible for creating the plague, then Wren will give Tamsin her love for her father.
Of course, love bargains are a tricky thing, and these two have a long, perilous journey ahead of them—that is, if they don’t kill each other first.
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Reseñas de la Crítica
"In this debut fantasy audiobook, magic has a price, and two young women make a contract that will cost each of them more than they know. Tamsin, portrayed by narrator Andrea Emmes, was banished as a young witch while trying to save her twin sister. Now Wren goes to her, seeking a cure for her father, who has fallen victim to a plague. Wren's innocent view of life is unfolded by narrator Ferdelle Capistrano. Emmes captures Tamsin's difficult emotional transformation from an inability to feel love to a hopeful attitude about the future. Capistrano illuminates more subtle changes as Wren loses some of her naïveté and uncovers her strength."
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Great book
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Really liked the book
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good story but narrator was not
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other than that little glitch, I thought it was well written, and well preformed. it really carried across an important and unconventional message. most fantasy novels carry a moral that has to do with power and responsibility or society and justice or science vs spirituality, but this one had a more interpersonal message. I think I had a therapist spend about a year trying to get me to learn what this book clearly communicates in a handful of hours.
that said, I felt a certain character was given little to no accountability for their actions and their part in what happened, all the growth and character arcs were had by other characters, which is fine, except I thought it a little unfair.
like, I get that they were 12 year olds when most of the crap went down, but we're just supposed to be okay with 12 year old Marlena being a vapid, selfish, little sh*t who refused to communicate her needs to the people who loved her and supported her most? like, her sister spends her life blaming herself for everything, including her death, but Marlena never once said what she wanted, she just secretly resented everyone for not automatically knowing what she never so much as hinted at. totally classic 12 year old move, I know, but even five years later, nobody is like, "hey, Tamsin, it's not 100% your fault, your twin was kinda a butthead."
I was unclear on why exactly Marlena was dying. did she have a chronic illness made worse by magic use or was using magic the only reason she was dying? either way, a little acknowledgement that magic was killing her (or killing her faster) by their mother or literally anyone would have made sense. like, it never occurred to anyone that if magic was part of her illness she should...I don't know...maybe stop? she wasn't even good at it. so I didn't understand the point on her continuing, and I sort of felt like there should have a been some stronger motivation to keep her in training than was given.
also, the dad was whiny jerk and had more to apologize for than what was covered. he manipulated his daughter into staying with him by playing up his illness. then again, she was like, 17 so probably a little young to be leaving home on her own anyway, but it's implied he would have kept doing it indefinitely which is highly problematic. this made my sympathy for her giving up her love for him almost zero. like, without it she wouldn't care, and he seemed better off without someone to manipulate. so I wasn't emotionally invested in her internal conflict about her father. I had a sort of "eh, screw that guy" reaction to him getting left behind.
I loved it, but have some critiques.
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This book was fantastic!
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Good But the Narrator was Monotone
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Best book EVER
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Good book, not the best narration
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they sorry was really good and had a few surprises too.
awesome
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I can relate to the inner feelings of the protagonists and some of the secondary..
Loved it!
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