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Reconstruction
- Narrated by: Julia Franklin
- Length: 12 hrs and 55 mins
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Meet John Milton. He considers himself an artisan. A craftsman. His trade is murder. Milton is the man the government sends after you when everything else has failed. Ruthless. Brilliant. Anonymous. Lethal. You wouldn't pick him out of a crowd but you wouldn't want to be on his list. In this second dip into his case files (see 1000 Yards for a further novella), Milton is sent to Italy to investigate the death of a colleague from Group 15.
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John Milton tries to exit British intelligence
- By Wayne on 06-03-16
By: Mark Dawson
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The Cleaner
- By: Elisabeth Herrmann
- Narrated by: Imogen Church
- Length: 14 hrs and 23 mins
- Unabridged
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Pools of blood, scenes of carnage, signs of agonising death - who deals with the aftermath of violence once the bodies have been taken away? Judith Kepler has seen it all. She is a crime-scene specialist. She turns crime scenes back into habitable spaces. She is a cleaner. It is at the home of a woman who has been brutally murdered that she is suddenly confronted with her own past. The murder victim knew Judith's secret: as a child Judith was sent to an orphanage under mysterious circumstances - parentage unknown.
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Reader was very distracting
- By Merry Unbirthday on 10-16-17
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The Lost Ones
- A Novel
- By: Sheena Kamal
- Narrated by: Bahni Turpin
- Length: 10 hrs and 20 mins
- Unabridged
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Story
It begins with a phone call that Nora Watts has dreaded for 15 years - since the day she gave her newborn daughter up for adoption. Bonnie has vanished. The police consider her a chronic runaway and aren't looking, leaving her desperate adoptive parents to reach out to her birth mother as a last hope. A biracial product of the foster system, transient, homeless, scarred by a past filled with pain and violence, Nora knows intimately what happens to vulnerable girls on the streets.
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Would make a great movie!
- By Shay on 08-27-17
By: Sheena Kamal
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Dear Amy
- By: Helen Callaghan
- Narrated by: Michelle Ford
- Length: 10 hrs and 52 mins
- Unabridged
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Performance
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Story
Margot Lewis is a teacher at an exclusive high school in the English university town of Cambridge. In her spare time, she writes an advice column, "Dear Amy", for the local newspaper. When one of Margot's students, 15-year-old Katie, disappears, the school and the town fear the worst. And then Margot gets a "Dear Amy" letter unlike any of the ones she's received before. It's a desperate plea for rescue from a girl who says she is being held captive and in terrible danger - a girl called Bethan Avery, who was abducted from the local area 20 years ago and never found.
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Stunning debut
- By Mystery Maven on 11-18-16
By: Helen Callaghan
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Only the Innocent
- By: Rachel Abbott
- Narrated by: Sarah Coomes
- Length: 15 hrs and 7 mins
- Unabridged
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Performance
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Story
When philanthropist Hugo Fletcher’s dead body is discovered tied to a bed in his London home, Chief Inspector Tom Douglas determines right away that he’s hunting a female killer. Though Fletcher made countless enemies through his work with Eastern European prostitutes, the crime scene reeks of sex and revenge. This murder was personal. Douglas knows Fletcher’s unhappy wife, Laura, should be his prime suspect. She’s definitely hiding something. Something big. But he isn’t convinced it’s murder. Besides, she’s not the only woman with a motive to kill the manipulative billionaire....
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Sigh... Sigh... Ohhh Sigh...
- By Colorado-reader on 01-30-15
By: Rachel Abbott
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The Wicked Girls
- By: Alex Marwood
- Narrated by: Anna Bentinck
- Length: 14 hrs and 12 mins
- Unabridged
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Overall
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Performance
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Story
On a fateful summer morning in 1986, two 11-year-old girls meet for the first time. By the end of the day, they will both be charged with murder. Twenty-five years later, journalist Kirsty Lindsay is reporting on a series of sickening attacks on young female tourists in a seaside vacation town when her investigation leads her to interview carnival cleaner Amber Gordon. For Kirsty and Amber, it's the first time they've seen each other since that dark day so many years ago.
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I didn't want to like these girls...
- By Lesley on 08-30-13
By: Alex Marwood
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The Beautiful Dead
- By: Belinda Bauer
- Narrated by: Andrew Wincott
- Length: 10 hrs and 37 mins
- Unabridged
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Overall
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Performance
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Story
Crime reporter Eve Singer's career is on the downward slope when a spate of bizarre murders - each carefully orchestrated and advertised like performance art - begin in her territory. Covering these very public crimes revives her byline, and when the killer contacts Eve to discuss her coverage of his crimes, she is suddenly on the inside of the biggest murder investigation of the decade. But as the killer becomes increasingly obsessed with her, Eve realizes there's a thin line between inside information and becoming an accomplice to murder.
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What is this
- By J.Hamp on 02-09-21
By: Belinda Bauer
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At All Costs
- By: John Gilstrap
- Narrated by: Chris Kayser
- Length: 16 hrs and 43 mins
- Unabridged
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Overall
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Performance
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Story
Jake and Carolyn have lived a lie for 14 years to protect themselves. But now they have to protect their 13-year-old son, Travis. Their only chance is to return to the hellish scene of an unprecedented crime, and collect the evidence that may finally set them free - if they can elude a massive manhunt long enough to get there.
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Avoid AT ALL COSTS
- By cristina on 04-05-16
By: John Gilstrap
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The Butcher's Boy
- By: Thomas Perry
- Narrated by: Michael Kramer
- Length: 10 hrs and 14 mins
- Unabridged
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Overall
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Performance
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Story
Thomas Perry's Edgar Award-winning debut novel follows a professional hitman on the run from both the mafia and the government.
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A writer with extreme talents.
- By richard on 02-26-12
By: Thomas Perry
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Hero: A Simon Serrailler Short Story
- By: Susan Hill
- Narrated by: Steven Pacey
- Length: 51 mins
- Unabridged
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Overall
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Performance
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Story
When Simon Serrailler was a rookie constable with the Met, he did something reckless in the course of a night's work which caused a man's death. But his act was praised by his colleagues, and he was called a hero. Years later, now a detective chief superintendent who has been badly injured in the course of duty, he receives a medal for bravery at Buckingham Palace while recollecting that fateful night of his early career, when chance disguised itself as bravery.
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This 'story' makes no sense to me
- By Pamela Donaldson on 05-10-17
By: Susan Hill
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Not as good as Slough House
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Not Slough House
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Not as good as Slough House
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Northern Ireland, spring 1981. Hunger strikes, riots, power cuts, a homophobic serial killer with a penchant for opera, and a young woman’s suicide that may yet turn out to be murder: on the surface, the events are unconnected, but then things—and people—aren’t always what they seem. Detective Sergeant Duffy is the man tasked with trying to get to the bottom of it all. It’s no easy job—especially when it turns out that one of the victims was involved in the IRA but was last seen discussing business with someone from the loyalist Ulster Volunteer Force.
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Listen to this book. You won't be disappointed.
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Court Gentry is known as The Gray Man—a legend in the covert realm, moving silently from job to job, accomplishing the impossible, and then fading away. And he always hits his target. But there are forces more lethal than Gentry in the world. And in their eyes, Gentry has just outlived his usefulness. Now, he is going to prove that for him, there's no gray area between killing for a living-and killing to stay alive.
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The gray man talks about gentry in the 3rd person on the court
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When editor Susan Ryeland is given the manuscript of Alan Conway's latest novel, she has no reason to think it will be much different from any of his others. After working with the best-selling crime writer for years, she's intimately familiar with his detective, Atticus Pünd, who solves mysteries disturbing sleepy English villages. An homage to queens of classic British crime such as Agatha Christie and Dorothy Sayers, Alan's traditional formula has proved hugely successful.
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A British Whodunit
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What listeners say about Reconstruction
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall
- Patti Antonacci
- 12-13-21
Good book Cringe worthy narrator
Why have the narrator introduce herself at the beginning of the novel? It just distracts from the novel and inserts her ostentatious personality. She over emotes at every opportunity. Hearing her act like a child is just creepy not to mention her swallowing saliva. Ick.
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1 person found this helpful
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- Manny Molina
- 02-08-23
Good story
I have a new favorite British spy author.. Excellent characters. I recommend this book.
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- Tx Star
- 05-22-21
Excellent Story and narration
The story was well developed and engaging. I particularly appreciated Ms. Franklin’s introduction and Explanation about how she would narrate this book.
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1 person found this helpful
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- mimz
- 06-25-21
worst reader ever
I tried to get past it because I am a huge Herron fan and love the audio editions of the Slough House series, but this reader is incredibly overbearing. Way way too much emphasis on every. single. word. The scenery chewing overacting is such that I couldn't follow the plot—far too distracted by the overdone voicing. (Not good in so many ways, including: why does she use a thick, Boris-and-Natasha Russian accent to voice a hispanic character????) I got maybe halfway through, kept having to rewind whole chapters to try to hear the story rather than the hamfest vocal performance, and finally just couldn't take it any more, gave up and returned for refund credit.
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5 people found this helpful
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- HMac8
- 08-22-22
I love Mick Heron but
This isn’t his best. Writing is clever but the story is too drawn out. A few less repeated phrases and themes might have helped.
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- Paul
- 07-04-21
I love the narration.
The narrator of this book, Julia Franklin, is one of the very best. The voices and intonations that she gives to the different characters make the book come to life. I highly recommend this book and the other Mick Herron’s (Zoe Boehm series) that she has narrated.
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- Virginia G.
- 09-20-23
Story almost ruined by the narrator
I did not appreciate the intro from the narrator which only contributed to a sense everything was being staged. And staged it was!! The narrator overly emotes every phrase .. every sentence. I found her extremely hard to listen to. The plot moves very slowly .. I think I might have enjoyed the book more if reading it. Mick Herron’s command of language is truly amazing, and heretofore always a delicious treat. But for me this story was basically ruined by the narrator, who bothered me to such a degree I was unable to appreciate the presumed care that went into the writing. I considered returning it.
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- Sarah F. Burns
- 02-07-24
Clever, But Plodding
Mick Heron novels are usually more exciting. This once does get interesting, but it takes time. The narrator is excellent, except for a lot of mouth noises, which are painful. Overall not my favorite by the author. But as always, intricate story.
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- Amazon Customer
- 10-05-22
Narrator is intolerable but story is good
I had to mute it a lot to get through it. I'm not sure the narrator has ever heard a child speak. I won't get another book with her reading it.
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Overall
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Performance
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Story
- Ca
- 08-26-22
The narration takes away from the story
It is really a bit painful
So much so that it is difficult to focus on the story
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