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Lapvona
- A Novel
- Narrated by: Ottessa Moshfegh
- Length: 8 hrs and 43 mins
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Publisher's summary
An Instant New York Times Bestseller!
“Lapvona flips all the conventions of familial and parental relations, putting hatred where love should be or a negotiation where grief should be . . . Through a mix of witchery, deception, murder, abuse, grand delusion, ludicrous conversations, and cringeworthy moments of bodily disgust, Moshfegh creates a world that you definitely don’t want to live in, but from which you can’t look away.”—The Atlantic
In a village in a medieval fiefdom buffeted by natural disasters, a motherless shepherd boy finds himself the unlikely pivot of a power struggle that puts all manner of faith to a savage test, in a spellbinding novel that represents Ottessa Moshfegh’s most exciting leap yet
Little Marek, the abused and delusional son of the village shepherd, never knew his mother; his father told him she died in childbirth. One of life’s few consolations for Marek is his enduring bond with the blind village midwife, Ina, who suckled him when he was a baby, as she did so many of the village’s children. Ina’s gifts extend beyond childcare: she possesses a unique ability to communicate with the natural world. Her gift often brings her the transmission of sacred knowledge on levels far beyond those available to other villagers, however religious they might be. For some people, Ina’s home in the woods outside of the village is a place to fear and to avoid, a godless place.
Among their number is Father Barnabas, the town priest and lackey for the depraved lord and governor, Villiam, whose hilltop manor contains a secret embarrassment of riches. The people’s desperate need to believe that there are powers that be who have their best interests at heart is put to a cruel test by Villiam and the priest, especially in this year of record drought and famine. But when fate brings Marek into violent proximity to the lord’s family, new and occult forces upset the old order. By year’s end, the veil between blindness and sight, life and death, the natural world and the spirit world, will prove to be very thin indeed.
Critic reviews
“Moshfegh expertly creates a world with its own superstitions and laws, both timeless and topical.” —Oprah Daily
“The author of My Year of Rest and Relaxation, EW's pick for the best book of 2018, turns her inimitable lens to a medieval fiefdom ruled by deeply tribal ideas of class, family, and faith. The result reads like a cracked fairy tale, both familiar and fantastically strange (June 21).” —Entertainment Weekly, 16 novels we're excited for this summer
“No one is quite who he first seems in the latest wicked tale from macabre master Moshfegh . . . Sculpting an eerily canny fabular world of contrasts and evil, cartoonish cruelty, in her signature way, Moshfegh conjures a grotesque, disturbing story of gross inequality and senseless strife.” —Booklist
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Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Stetson
- 07-04-22
uncomfortable
I was tricked by Anthony Jeselnik, this book is not funny. it's sad and uncomfortable.
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4 people found this helpful
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- Carolyn Stenbak
- 11-11-22
Wow
This book is definitely something, although I don’t really get disturbed this is really a lot to take in. I absolutely loved it though, I thought that a the beginning it was supposed to be a cruel incident and the rest of the book would sorta revolve around It but after the first page it got progressively worse and I had to take multiple brakes. Somehow it found a way of pulling me into the story, it was so well written and easy to follow along that I would definitely recommend!😊(Prospective from a 14yo)
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3 people found this helpful
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- Justice McDaniel
- 07-27-22
Nasty (Good)
This one is a wild, nasty, disorienting, and emotional ride- another straight up BANGER from Ottessa. It was also great to hear her read it- I love her voice and she's kinda my favorite person.
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3 people found this helpful
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- Chumnley
- 07-09-22
Deep twisted tale
Few can tell tales like this. And turns out she is an excellent reader (always makes a big difference). So many pearls of dark wisdom - mark of a timeless writer, like Celine, Twain, Steinbeck, can pack a world of emotion in a single sentence: “When she asked the birds which herbs to eat to heal her loneliness they answered that they knew nothing of love. That love was a distinctly human defect which god had created to counterbalance the power of human greed”. Do. Not. Miss.
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3 people found this helpful
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- Joan Sutton
- 07-05-22
Hideous violence
A cruel story with awful people all victims of superstition and poverty. The plot was interesting enough to keep me listening until the end, which was a far cry from satisfying.
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3 people found this helpful
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- Landin
- 07-01-22
disturbing but well rounded
I've read most of the books by this author and they are all disturbing but I just can't stop reading/listening to them. The time period of this book makes it seem as though it is completely different than the rest but I think the author made the same connections with hu.an behavior as she did in Eileen and Year of Rest and Relaxation. The ending left me haunted. Usually I can never listen to a book read by it's own author but Ottessa Meshfegh performed the story well. Not my favorite book by this author but still worth the listen.
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3 people found this helpful
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- Driver of the DEAD
- 03-02-23
Why all the good reviews?
This was like a failed Monty Python skip I'm going through a depression. Absolutely Awful.
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1 person found this helpful
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- Paul Z
- 02-11-23
Poetically Unjust
Such a hard review to write because this book is so great on so many levels, Absurdly funny, dark and horrific , poetically unjust, I can go on for a while, Lapvona is like a Halloween haunted house where you are uneasy the whole time you're in it and then come out and say that was great lets do it again. Lapvonas charcters are like no others and there are scenes that will haunt you for days after reading.
Moshfegh is the most genuine and unique writer in some time, her stories lack likeable or sympathetic protaganists overcoming impossible hurdles but feature real people stumbling over the hurdles of day to day life, there are no "you go girl" moments in her stories but delightfully many "oh no you didn't" ones.
Her writing is visual and very descriptive which makes her not for everyone, I find her to be matter of fact where others find her gross. It is easy to imagine Lapvonas world with its unforgettable characters and its many contrasts.
Moshfegh also does a great job narrating Lapvona and am looking forward to her next novel. These days a stand alone story writer who's books are not just trying to get you to the next one in a series is quite refreshing,
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- Anonymous User
- 01-06-23
I don’t even know…
I doubt I can say anything about this book that hasn’t already been said, just thought I’d add one more to the list of people who were disgusted yet captivated by this book. It’s quite unlike anything I’ve read or listened to. The last 1/3 of the book really annoyed me bc I actually liked Lord Villiam. He was basically the one character I did like and I’m extremely annoyed about it. I really loved the book though and found Moshfegh to be a satisfactory narrator.
Also, Andrea Long Chu’s scathing review of Lapvona is what enticed me to try it out. I’m so glad I did but now I can’t decide if that was Chu’s intentions or not.
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- Aaron J Bach
- 08-21-23
Well written. Not for everyone, but if it’s for you, you’ll give it 4 stars.
A genuinely good book. Two steps away from great. A few parts seems simply inserted for shock value. That said, there are some character studies in it that truest excel. Well done.
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Death in Her Hands
- A Novel
- By: Ottessa Moshfegh
- Narrated by: Ann Marie Lee
- Length: 7 hrs and 51 mins
- Unabridged
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Overall
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Performance
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Story
While on her daily walk with her dog in a secluded woods, a woman comes across a note, handwritten and carefully pinned to the ground by stones. "Her name was Magda. Nobody will ever know who killed her. It wasn't me. Here is her dead body." But there is no dead body. Our narrator is deeply shaken; she has no idea what to make of this. She is new to this area, alone after the death of her husband, and she knows no one. Becoming obsessed with solving this mystery, our narrator imagines who Magda was and how she met her fate.
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Omg get ON with it
- By Nicole Dreyfus on 06-24-20
By: Ottessa Moshfegh
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Boy Parts
- By: Eliza Clark
- Narrated by: Eliza Clark
- Length: 8 hrs and 10 mins
- Unabridged
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Overall
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Performance
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Story
Irina obsessively takes explicit photographs of the average-looking men she persuades to model for her, scouted from the streets of Newcastle. Placed on sabbatical from her dead-end bar job, she is offered an exhibition at a fashionable London gallery, promising to revive her career in the art world and offering an escape from her rut of drugs, alcohol and extreme cinema. The news triggers a self-destructive tailspin, centred around Irina's relationship with her obsessive best friend and a shy young man from her local supermarket who has attracted her attention....
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A modern American psycho but British
- By sofia on 09-23-21
By: Eliza Clark
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Nightbitch
- A Novel
- By: Rachel Yoder
- Narrated by: Cassandra Campbell
- Length: 8 hrs and 52 mins
- Unabridged
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Overall
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Performance
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Story
An ambitious mother puts her art career on hold to stay at home with her newborn son, but the experience does not match her imagination. Two years later, she steps into the bathroom for a break from her toddler's demands, only to discover a dense patch of hair on the back of her neck. In the mirror, her canines suddenly look sharper than she remembers. Her husband, who travels for work five days a week, casually dismisses her fears from faraway hotel rooms.
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If you don’t get it just say so
- By Stephanie Rzonca on 02-19-22
By: Rachel Yoder
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My Year of Rest and Relaxation
- By: Ottessa Moshfegh
- Narrated by: Julia Whelan
- Length: 7 hrs and 14 mins
- Unabridged
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Overall
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Performance
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Story
Our narrator should be happy, shouldn't she? She's young, thin, pretty, a recent Columbia graduate; she works an easy job at a hip art gallery and lives in an apartment on the Upper East Side of Manhattan paid for, like the rest of her needs, by her inheritance. But there is a dark and vacuous hole in her heart, and it isn't just the loss of her parents, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her best friend, Reva. It's the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong?
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I love it...
- By Claudia Gallegos on 07-12-18
By: Ottessa Moshfegh
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McGlue
- A Novella
- By: Ottessa Moshfegh
- Narrated by: Chris Andrew Ciulla
- Length: 3 hrs and 42 mins
- Unabridged
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Overall
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Performance
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Story
Salem, Massachusetts, 1851: McGlue is in the hold, still too drunk to be sure of name or situation or orientation - he may have killed a man. That man may have been his best friend. Intolerable memory accompanies sobriety.
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Ultra-sensory tale of a sailor
- By Rogerio Lira on 12-01-20
By: Ottessa Moshfegh
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Eileen
- By: Ottessa Moshfegh
- Narrated by: Alyssa Bresnahan
- Length: 8 hrs and 46 mins
- Unabridged
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Overall
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Performance
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Story
The Christmas season offers little cheer for Eileen Dunlop, an unassuming yet disturbed young woman trapped between her role as her alcoholic father's caretaker in a home whose squalor is the talk of the neighborhood and a day job as a secretary at the boys' prison, filled with its own quotidian horrors. Consumed by resentment and self-loathing, Eileen tempers her dreary days with perverse fantasies and dreams of escaping to the big city.
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Strange, unsettling, but engrossing
- By S. Yates on 01-09-18
By: Ottessa Moshfegh
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Death in Her Hands
- A Novel
- By: Ottessa Moshfegh
- Narrated by: Ann Marie Lee
- Length: 7 hrs and 51 mins
- Unabridged
-
Overall
-
Performance
-
Story
While on her daily walk with her dog in a secluded woods, a woman comes across a note, handwritten and carefully pinned to the ground by stones. "Her name was Magda. Nobody will ever know who killed her. It wasn't me. Here is her dead body." But there is no dead body. Our narrator is deeply shaken; she has no idea what to make of this. She is new to this area, alone after the death of her husband, and she knows no one. Becoming obsessed with solving this mystery, our narrator imagines who Magda was and how she met her fate.
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Omg get ON with it
- By Nicole Dreyfus on 06-24-20
By: Ottessa Moshfegh
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Boy Parts
- By: Eliza Clark
- Narrated by: Eliza Clark
- Length: 8 hrs and 10 mins
- Unabridged
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Overall
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Performance
-
Story
Irina obsessively takes explicit photographs of the average-looking men she persuades to model for her, scouted from the streets of Newcastle. Placed on sabbatical from her dead-end bar job, she is offered an exhibition at a fashionable London gallery, promising to revive her career in the art world and offering an escape from her rut of drugs, alcohol and extreme cinema. The news triggers a self-destructive tailspin, centred around Irina's relationship with her obsessive best friend and a shy young man from her local supermarket who has attracted her attention....
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-
A modern American psycho but British
- By sofia on 09-23-21
By: Eliza Clark
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Nightbitch
- A Novel
- By: Rachel Yoder
- Narrated by: Cassandra Campbell
- Length: 8 hrs and 52 mins
- Unabridged
-
Overall
-
Performance
-
Story
An ambitious mother puts her art career on hold to stay at home with her newborn son, but the experience does not match her imagination. Two years later, she steps into the bathroom for a break from her toddler's demands, only to discover a dense patch of hair on the back of her neck. In the mirror, her canines suddenly look sharper than she remembers. Her husband, who travels for work five days a week, casually dismisses her fears from faraway hotel rooms.
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If you don’t get it just say so
- By Stephanie Rzonca on 02-19-22
By: Rachel Yoder
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Tender Is the Flesh
- By: Agustina Bazterrica
- Narrated by: Joseph Balderrama
- Length: 6 hrs and 44 mins
- Unabridged
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Overall
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Performance
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Story
Working at the local processing plant, Marcos is in the business of slaughtering humans - though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the "Transition". Now, eating human meat - "special meat" - is legal. Marcos tries to stick to numbers, consignments, processing.
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Uhhhhhhh....
- By Josh E. on 12-05-20
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You Should Have Left
- A Novel
- By: Daniel Kehlmann, Ross Benjamin - translator
- Narrated by: Robertson Dean
- Length: 1 hr and 56 mins
- Unabridged
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Overall
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Performance
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Story
"It is fitting that I'm beginning a new notebook up here. New surroundings and new ideas, a new beginning. Fresh air." This passage is from the first entry of a journal kept by the narrator of Daniel Kehlmann's spellbinding new novel. It is the record of the seven days that he, his wife, and his four-year-old daughter spend in a house they have rented in the mountains of Germany - a house that thwarts the expectations of the narrator's recollection and seems to defy the very laws of physics.
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Great idea, but poorly executed or incomplete.
- By dreyesopen on 08-01-17
By: Daniel Kehlmann, and others
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A Certain Hunger
- By: Chelsea G. Summers
- Narrated by: Hillary Huber
- Length: 10 hrs and 44 mins
- Original Recording
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Overall
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Performance
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Story
Eat Pray Love meets American Psycho in a seductive and sinister debut literary thriller. Food critic Dorothy Daniels indulges in her homicidal urges by murdering her lovers and devouring their organs in this intense, visceral, and lushly told tale of food, sex, power, and the pursuit of a very particular taste set between New York and Italy. Please Note: A Certain Hunger contains adult language and depictions of violence. Discretion is advised.
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Ugh.
- By Kimberly on 02-03-20
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Earthlings
- A Novel
- By: Sayaka Murata
- Narrated by: Nancy Wu
- Length: 7 hrs and 6 mins
- Unabridged
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Overall
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Performance
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Story
As a child, Natsuki doesn’t fit into her family. Her parents favor her sister, and her best friend is a plush toy hedgehog named Piyyut who has explained to her that he has come from the planet Popinpobopia on a special quest to help her save the Earth.
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Intriguing but disturbing
- By C. Parham on 01-01-21
By: Sayaka Murata
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Bunny
- A Novel
- By: Mona Awad
- Narrated by: Sophie Amoss
- Length: 11 hrs and 44 mins
- Unabridged
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Overall
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Performance
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Story
Samantha Heather Mackey couldn't be more of an outsider in her small, highly selective MFA program at New England's Warren University. A scholarship student who prefers the company of her dark imagination to that of most people, she is utterly repelled by the rest of her fiction writing cohort—a clique of unbearably twee rich girls who call each other "Bunny", and seem to move and speak as one. But everything changes when Samantha receives an invitation to the Bunnies' fabled "Smut Salon"....
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Chuck Palahniuk in Pearls and Ballet Flats
- By Arlis on 06-29-19
By: Mona Awad
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We Spread
- By: Iain Reid
- Narrated by: Robin Miles
- Length: 5 hrs and 58 mins
- Unabridged
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Overall
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Performance
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Story
Penny, an artist, has lived in the same apartment for decades, surrounded by the artifacts and keepsakes of her long life. She is resigned to the mundane rituals of old age, until things start to slip. Before her longtime partner passed away years earlier, provisions were made, unbeknownst to her, for a room in a unique long-term care residence, where Penny finds herself after one too many “incidents”.