
In the Blink of an Eye
A Perspective on Film Editing, 2nd Edition
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Narrated by:
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Chris Brinkley
About this listen
In the Blink of an Eye is celebrated film editor Walter Murch's vivid, multifaceted, thought -- provoking essay on film editing. Starting with what might be the most basic editing question -- Why do cuts work? -- Murch treats the listener to a wonderful ride through the aesthetics and practical concerns of cutting film. Along the way, he offers his unique insights on such subjects as continuity and discontinuity in editing, dreaming, and reality; criteria for a good cut; the blink of the eye as an emotional cue; digital editing; and much more. In this second edition, Murch reconsiders and completely revises his popular first edition's lengthy meditation on digital editing (which accounts for a third of the book's runtime) in light of the technological changes that have taken place in the six years since its publication.
This audiobook is expertly read by Chris Brinkley, and was produced and published by Echo Point Books & Media, an independent bookseller in Brattleboro, Vermont. Audio engineering by Annabel Dryden.
Copyright (c) 1995, 2001 by Walter Murch. Cover design by Heidi Freider, cover photograph by Michael D. Brown. (P) (2024) Echo Point Books & Media, LLC.
©1995, 2001 Walter Murch (P)2024 Echo Point Books & Media, LLCListeners also enjoyed...
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A letdown I didn't see coming.
- By polycow on 11-03-22
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- Substance, Structure, Style, and the Principles of Screenwriting
- By: Robert McKee
- Narrated by: Robert McKee
- Length: 6 hrs and 12 mins
- Abridged
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Robert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress, and putting major screenwriting careers back on track. Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese, and David Bowie are just a few of his celebrity alumni. Writers, producers, development executives, and agents all flock to his lecture series, praising it as a mesmerizing and intense learning experience.
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Only 5 Chapters
- By Stephen Buck on 02-15-11
By: Robert McKee
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Writing, Directing, and Producing Documentary Films and Digital Videos
- Fifth Edition
- By: Alan Rosenthal, Ned Eckhardt
- Narrated by: 5395 MEDIA LLC
- Length: 16 hrs and 39 mins
- Unabridged
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In a new edition of this popular guidebook, filmmakers Alan Rosenthal and Ned Eckhardt show listeners how to utilize the latest innovations in equipment, technologies, and production techniques for success in the digital, web-based world of documentary film.
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Must-listen to all the documentary filmmakers
- By Alexander Svishchenkov on 11-13-17
By: Alan Rosenthal, and others
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Kill the Dog
- The First Book on Screenwriting to Tell You the Truth
- By: Paul Guyot
- Narrated by: Paul Guyot
- Length: 7 hrs
- Unabridged
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Every aspect of screenwriting is covered with an authority and credibility never seen in any book to come before. Told with honesty, humor, and vulnerability from the real-world perspective of a working, professional screenwriter, Kill the Dog reveals the secrets of what it takes to have a successful career as a Hollywood screenwriter.
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Not a lot learned. Here's a summary.
- By Samuel D R on 01-28-24
By: Paul Guyot
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Save the Cat!
- The Last Book on Screenwriting You'll Ever Need
- By: Blake Snyder
- Narrated by: George Newbern
- Length: 5 hrs and 22 mins
- Unabridged
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Here's what started the phenomenon: This book has been a best seller for over 15 years and has been used by screenwriters around the world! Blake Snyder tells all in this fast, funny, and candid look inside the movie business. Save the Cat is just one of many ironclad rules for making your ideas more marketable and your script more satisfying.
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Don't waste your time
- By Amazon Customer on 02-05-20
By: Blake Snyder
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On Photography
- By: Susan Sontag
- Narrated by: Jennifer Van Dyck
- Length: 6 hrs and 12 mins
- Unabridged
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First published in 1973, this is a study of the force of photographic images, which are continually inserted between experience and reality. When anything can be photographed, and photography has destroyed the boundaries and definitions of art, a viewer can approach a photograph freely, with no expectations of discovering what it means. This collection of six lucid and invigorating essays, with the most famous being "In Plato's Cave", make up a deep exploration of how the image has affected society.
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I'm Glad I Bought, Despite Some Negative Reviews
- By DEF on 10-18-13
By: Susan Sontag
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Hits, Flops, and Other Illusions
- My Fortysomething Years in Hollywood
- By: Ed Zwick
- Narrated by: Ed Zwick
- Length: 10 hrs and 23 mins
- Unabridged
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Though there are many factors behind such success, including luck and the contributions of his creative partner Marshall Herskovitz, he’s known to have a special talent for bringing out the best in the people he’s worked with, notably the actors. In those intense collaborations, he seeks to discover the small pieces of connective tissue, vulnerability, and fellowship that can help an actor realize their character in full.
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Authentic, Sobering & Full of Grace
- By David_Leah Wiley on 02-17-24
By: Ed Zwick
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Down and Dirty Pictures
- Miramax, Sundance and the Rise of Independent Film
- By: Peter Biskind
- Narrated by: Phil Gigante
- Length: 23 hrs and 30 mins
- Unabridged
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Down and Dirty Pictures chronicles the rise of independent filmmakers and of the twin engines - the Sundance Film Festival and Miramax Films - that have powered them. Peter Biskind profiles the people who took the independent movement from obscurity to the Oscars, most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax an indie powerhouse.
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For the independent film lover!
- By natalie on 08-26-14
By: Peter Biskind
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Transcendental Style in Film
- Ozu, Bresson, Dreyer
- By: Paul Schrader
- Narrated by: Phil Thron
- Length: 7 hrs and 45 mins
- Unabridged
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With a new introduction, acclaimed director and screenwriter Paul Schrader revisits and updates his contemplation of slow cinema over the past fifty years. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state by means of austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment.
By: Paul Schrader
Doesn’t really get to the point of the book
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Extremely outdated essay on editing
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