Imogen

Narrated by: Rebecca Courtney
Length: 8 hrs and 2 mins
2.5 out of 5 stars (2 ratings)

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Publisher's Summary

As a librarian, Imogen read a lot of books, but none of them covered real life on the Riviera. 

Her holiday with tennis ace Nicky and the whole glamorous coterie of journalist, playboy, photographer was a revelation. But the path of a jet-set virgin in that lovely wicked world was a hard one. Imogen began to wonder if virtue really was its own reward....

©1978 Jilly Cooper (P)2018 W.F. Howes Ltd

What listeners say about Imogen

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  • Whistling Woman
  • 08-02-19

Narrated by Mrs Malaprop

So I always feel that we have to approach Jilly Cooper's romances in the same way that we would, say, Jane Austen or Charles Dickens, as dispatches from a different time when sexual politics and the treatment of women in society were very different. I listen to Jilly Cooper's books from time to time from nostalgia as I read them voraciously when they came out, but the rampant chauvinism is totally cringeworthy in today's more enlightened "woke" age, not to mention reminding us what life was like post pill but pre-AIDS. WASP-male world indeed. There's quite a lot of clunky terminology, even more clunky behaviour but the most clunks came from the narrator. Did she not read the book through at all before she recorded it? There was so much mispronounciation that what started as making me giggle ended in making me fume with irritation at the sheer unprofessionalism of it all. Did nobody else at the publishers listen to the recordings either? Apart from that, the narration was just okay aside, again, from her Irish accent which lived for most of the time on Merseyside (shame the "hero" was supposed to be Irish) and when one of the French characters was supposed to speak in a Yorkshire accent I thought she was going to do her epiglottis a mischief. So, lots of problems, but Jilly Cooper, along with Jackie Collins, invented the genre of the chick-lit bonkbuster and certainly writes a great story. I was immediately transported back to the early 1970s, the sights, the smells and the sexism. If you can see past that, and some words which may cause offence, then 10/10 for the story, 3/10 for the narration

2 people found this helpful

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  • amanda c.
  • 07-14-18

Spoilt by terrible narration again!

I got half way through, but had to give up due to the ridiculous accents.

1 person found this helpful

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  • Amazon Customer
  • 08-25-20

Great nostalgia but grating narration

Lovely to be reminded of this old ‘classic’ - though be prepared for some VERY dated and dodgy attitudes - sexism etc However experience let down by some very poor and repeated mispronunciations throughout the narration - feels like there’s no production process. Shame.

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  • R. O'Connor
  • 03-06-20

Pronunciation matters

The story is dated - but that’s ok when it’s a product of its time. Performers really should be familiar with common words when they read, however (it’s ‘infinITEly not ‘infately’, for example and pSalm, not ‘palm’). Also with the accents they attempt. It was disconcerting for an Irish character to be sounding Brummie and Scouse in turns. If I’m doubt, it would be far better not to attempt it!

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  • Maggie
  • 07-26-18

Another time, another world... but still fun

After so few of Jilly Cooper's books recorded, we've had an explosion of them in the past few months, involving both the Rutshire Chronicles (for which Jilly is best known) and these, the shorter single name novels of the 70s, of which Imogen was always my favourite. I know I keep repeating this but it's always worth mentioning for anyone just searching to see if Jilly Cooper has any new books published. These books were written a long time ago, long before Rupert Campbell-Black made any appearance. Imogen was first published in 1978, 40 years ago so I can understand why anyone younger, hooked on the Rutshire saga, has been disconcerted if they listened to Emily, Harriet, Octavia etc.. under the impression they are new novels. They aren't and they reflect the attitudes and morals of the time. For me, and those of my generation they are great; revisiting our youth. Matthew O'Connor, in this book, and Gareth Llewellyn in Octavia are my two favourite male characters but neither are really well served by the narration and accents, though Matt comes out of it better than Gareth did. For those born in the 21stC they must be very confusing - why on earth does Imogen need her parent's consent to go on holiday with friends? Why all the panic and secrecy of going on the pill? Would anyone seriously set out for the South of France and pack Lady Jacintha's moth eaten red swimsuit, donated to the church jumble sale? Read it and you'll find out. It was a different time, a different world, in some ways more innocent but in other ways a lot more fun. Not the greatest of narrations, but acceptable.

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  • Paul White
  • 07-16-18

Fantastic

Good story, well written and well read, really enjoyed this book. Would recommend to anyone.

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  • FIona
  • 08-03-19

Appallingly badly read/narrated

This is a very funny book and, being Jilly Cooper, very well written. But the reader was SO APPALLING, I couldn’t get past chapter five. Constant mis-emphases, mispronunciations and terrible slow, dragging style. Awful.