The Reveal. 

Find out how this Mediclub experience ends.

The Assholes push the outer limits of the ASS scale. (What geminis!)

They stumble on unexpected terrain, questioning the very nature of reality.

This is Part 3 of 3.

--

Credits:

Written and produced by Gabriel Berezin.

Original music by Santiago Arias-Rozo.

Opening and closing music by Monuments (featuring Grant Zubritsky (bass), Robby Sinclair (drums) and Bryan Murray (saxophone), Gabriel Berezin (guitar)) 

Script editing and voiceover by Melissa "Monty" Montan 

Logo design by Justin Montan

Follow Fugues on Twitter and Instagram.

References:

• Does the Multiverse Exist?
• 4-7-8 Breathing Technique
• Study about why certain people are gullible
• English to Ned Flanders translator
• Jesse Isreal
• Mediclub
• The Big Quiet

In part 2 of Assholes, the immersive story of the Mediclub experience continues with three more fugues.

The Asshole co-hosts review the similarities between meditation, marijuana and the right hemisphere of your brain.

Then you'll see if 12-step programs fit or (don't fit) into the event.

Most importantly you'll find out what Elton John’s “Tiny Dancer” has to do with the most under-appreciated part of your brain.

All culminating in a new and surprising ASS score.

See how deep these assholes go!

This is part 2 of 3.

--

Credits:

Written and produced by Gabriel Berezin

Original music by Santiago Arias-Rozo

Opening and closing music by Monuments (featuring Grant Zubritsky (bass), Robby Sinclair (drums) and Bryan Murray (saxophone), Gabriel Berezin (guitar)) 

Script editing by Melissa "Monty" Montan 

Logo design by Justin Montan

Follow Fugues on Twitter and Instagram

References:

• Jill Bolte Taylor TED talk - “My Stroke of Insight”
• Weed and mindfulness, being present
• Carl Sagan on THC and brain hemispheres
• The history of 12 step programs
• Synchrony creates social bonds (Scientific American)
• Your (Tiny Dancer) Cerebellum
• More on cerebellum anatomy and function
• Private Dancer (Tina Turner)
• Tiny Dancer (Elton John)
• Audience choir from Jacob Collier

Ever been to a group meditation? How did you feel? Third eye open and a blissful permagrin? Or awkward and self conscious?

Fugues is back with a new talk show that measures gullibility and skepticism using a powerful scale. This new spectrum is defined by Larry David, Woody Harrelson, Betty White, Bill Murray and cats (not the musical).

Gabe and his Inner voice co-host discuss the neurological and psychological mental phenomena activated during a Brooklyn meditation retreat.

Find out what a Burger King Whopper has to do with our experience of time, and why getting picked last on the dodgeball court explains our cultural divide.

This is Part 1 of a 3-part series.

--

Written and produced by Gabriel Berezin

Original music by Santiago Arias-Rozo

Opening and closing music by Monuments (featuring Grant Zubritsky (bass), Robby Sinclair (drums) and Bryan Murray (saxophone), Gabriel Berezin (guitar)) 

Script editing by Melissa "Monty" Montan 

Logo design by Justin Montan

Follow Fugues on Twitter and Instagram

References:

• Thinking about the Future (aka prospection)
• We aren’t meant to live in the moment (NYT)
• Guru podcast
• James Arthur Ray back at it
• Oprah doesn’t have a great track record on picking gurus (just saying)
• Physical pain and social rejection study
• Mediclub

How does increased power impact human minds? It’s almost not someone’s fault if empathy wanes while power accumulates. In fact, it’s basically inevitable.  

Joe Smarro, one of the subjects of the HBO documentary, "Crisis Cops: Ernie and Joe," is an exception to the rule. Joe is a police officer and trainer who gives a Master Class in how to sidestep fate when encountering people in crisis. We hear a few fugues from Joe illustrating what it's like to be a cop in these situations. And we give it the post-fugue treatment with inner voice, helping us to understand the cognitive effects of power and how to avoid unnecessary conflict.

Join us for the third and final part of this series on fate and biology. 

--

Credits:

Written and produced by Gabriel Berezin.

Original music and sound design by Grant Zubritsky. Additional music courtesy of Sami Jano.

Opening and closing music by Monuments (featuring Grant Zubritsky (bass), Robby Sinclair (drums) and Bryan Murray (saxophone), Gabriel Berezin (guitar)) 

Editorial insight by Melissa "Monty" Montan 

Logo design by Justin Montan

Follow Fugues on Twitter and Instagram.

--

Relevant Fugues episodes:

• The Brain's Molotov Cocktail | Fate & Biology | 1
• Bonding, for Better or Worse | Fate & Biology | 2
• Why So Irrational

References:

• HBO’s Crisis Cops, Ernie & Joe
• Joe Smarro’s TEDx talk
• Solution Point + (Joe & Jesse’s first responder training organization)
• Follow Joe on Twitter
• Waco Drama Series Preview
• Waco Siege History
• Gary Noesner
• Digby, The De-escalating Dog (that prevented a suicide)
• Jamil Zaki on police empathy and power
• Cognitive effects of power (Adam Galinksy, Deborah H Gruenfeld, and Joe C. Magee)
• Power drains empathy (Adam Galinksy)

Why do we help strangers? And why do we love revenge stories so much?  The same thing that connects those questions connects us all - bonding.

There’s an invisible line between groups of people - it can be a thin dotted line between acquaintances, a steel girder between mother and child, or a series of chain links between millions of people in the same country.

In Part 2 of this series on fate and biology, we identify the brain chemical that plays a central role in how we bond, and explore why certain group behaviors are inevitable. 

--

Credits:

Written and produced by Gabriel Berezin.

Original music and sound design by Kirk Schoenherr and additional music by Grant Zubritsky.

Opening and closing music by Monuments - featuring Grant Zubritsky (bass), Robby Sinclair (drums) and Bryan Murray (saxophone), Gabriel Berezin (guitar).

Editorial assistance by Melissa "Monty" Montan.

Logo design by Justin Montan.

Follow Fugues on Twitter and Instagram.

Help us out - rate and comment on iTunes!

Further reading:

• Part 1 of Fate and Biology: The Brain’s Molotov Cocktail
• Counting to Twelve (the ultimate funk on Sesame Street)
• Won’t You Be My Neighbor (Mr. Rogers Documentary)
• Philadelphia greases light posts before 2018 Superbowl
• “Are we the baddies?” Aka, an existential crisis for nazis (mentioned by Inner Voice)
• The Science of Kindness (and oxytocin)
• The Neurobiology of friendship
• Nasal spray and oxytocin increased male cooperation
• The above study debunked (in Vox)
• Book: Sapiens (by Yuval Noah Harari)
• Book: The Power of Us (by Jan Van Bavel and Dominic Packer)
• Paying Mentorship Forward (podcast episode for the NeuroLeadership Institute featuring Josh and Kendrick)
• Panel in the Vatican celebrating the St. Bartholomew’s Day Massacre

You ever get in a fight?  I did. Once. Wearing my Red Sox hat at Yankee Stadium. Me (and two Yankees fans) were basically high on an aggressive cocktail of brain chemicals that forced our collective hand. Stupid, pointless violence with strangers that almost cost me an eye.  

This episode’s fugue will describe the experience, followed by Inner Voice and I doing a post-fugue analysis. Together we’ll review the ingredients of a lethal cocktail that drove me into a dangerous, seemingly unavoidable situation.  

This is Part 1 of a three-part series about fate and biology, sharing the experience of situations that find us “stuck in time,” unable to avoid fate.

--

Credits:

Written and produced by Gabriel Berezin.

Original music and sound design by Grant Zubritsky

Opening and closing music by Monuments (featuring Grant Zubritsky (bass), Robby Sinclair (drums) and Bryan Murray (saxophone), Gabriel Berezin (guitar)) 

Editorial insight by Melissa "Monty" Montan 

Logo design by Justin Montan

Follow Fugues on Twitter and Instagram.

References:

• Study on GABA, serotonin and dopamine and its relation to aggressive behavior
• (And another study)
• Pic of my eye post-fight
• Slaughterhouse Five (the novel by Kurt Vonnegut Jr.)
• Sneaky Spirits Social Club (website) (instagram)

Why are we so prone to bad logic? We’re going to hear two everyday fugues in this episode: the search for a lost spatula and a spilled beer. The real story here is how easy it is to be irrational. Who is “we” in this episode? It’s me and my inner voice obviously. Inner Voice and I will do some post-fugue analysis to find out what mental phenomena are at play while I make really bad assumptions about events in my surroundings. 

By the end of the episode maybe you’ll appreciate why we’re actually doing a lot better than we think we are as a society given how mistake-prone our brains are.

--

Credits: 

Written and produced by Gabriel Berezin
Original music and sound design - Grant Zubritsky
Opening and closing music: Monuments (featuring Grant Zubritsky (bass), Robby Sinclair (drums) and Bryan Murray (saxophone), Gabriel Berezin (guitar)) 
Editorial insight - Melissa "Monty" Montan 
Logo design - Justin Montan

Find Fugues on Twitter and Instagram.

References:

• Apophenia in the Queen’s Gambit
• Apophenia in Stranger Things
• Wacky Conspiracy Theory showing Back to the Future predicted 9/11 
• How Netflix uses big data to inform its content
• The Brain’s Autopilot (Scientific American)
• Daniel Kahneman’s System 1 vs 2 Thinking (article)
• Thinking Fast and Slow (book)
• Anil Seth’s TED talk
• How Much of What You See is Hallucination (TED Ex)
• Abracadabra! A Classic Magic Trick Fools Expectations, Not Eyes
• My Special Egg Spatula

Episode Song Playlist:

• Delirious - Prince
• Memories Can’t Wait - Talking Heads
• Not My Own - Monuments
• Where is My Mind  - The Pixies
• Crazy - Gnarls Barkley
• There There - Radiohead

What's a fugue? In this podcast it's a story - a story that sheds light on how our conscious experience of any given moment operates. Find out what each fugue tell us about the basic ingredients of mind. 

--

Credits:

Written, produced and hosted by Gabriel Berezin.

Music and sound design by Grant Zubritsky and Monuments.

Logo and art design by Justin Montan.

Follow Fugues on Twitter and Instagram.