To the End of the Land
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Narrado por:
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Arthur Morey
Ora, a middle-aged Israeli mother, is on the verge of celebrating her son Ofer’s release from army service when he returns to the front for a major offensive. In a fit of preemptive grief and magical thinking, she sets out for a hike in the Galilee, leaving no forwarding information for the “notifiers” who might darken her door with the worst possible news. Recently estranged from her husband, Ilan, she drags along an unlikely companion: their former best friend and her former lover Avram, once a brilliant artistic spirit. Avram served in the army alongside Ilan when they were young, but their lives were forever changed one weekend when the two jokingly had Ora draw lots to see which of them would get the few days’ leave being offered by their commander—a chance act that sent Avram into Egpyt and the Yom Kippur War, where he was brutally tortured as POW. In the aftermath, a virtual hermit, he refused to keep in touch with the family and has never met the boy. Now, as Ora and Avram sleep out in the hills, ford rivers, and cross valleys, avoiding all news from the front, she gives him the gift of Ofer, word by word; she supplies the whole story of her motherhood, a retelling that keeps Ofer very much alive for Ora and for the reader, and opens Avram to human bonds undreamed of in his broken world. Their walk has a “war and peace” rhythm, as their conversation places the most hideous trials of war next to the joys and anguish of raising children. Never have we seen so clearly the reality and surreality of daily life in Israel, the currents of ambivalence about war within one household, and the burdens that fall on each generation anew.
Grossman’s rich imagining of a family in love and crisis makes for one of the great antiwar novels of our time.
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“This is a book of overwhelming power and intensity, David Grossman's masterpiece. Flaubert created his Emma, Tolstoy made his Anna, and now we have Grossman's Ora—as fully alive, as fully embodied, as any character in recent fiction. I devoured this long novel in a feverish trance. Wrenching, beautiful, unforgettable.” —Paul Auster
“Very rarely, a few times in a lifetime, you open a book and when you close it again nothing can ever be the same. Walls have been pulled down, barriers broken, a dimension of feeling, of existence itself, has opened in you that was not there before. To the End of the Land is a book of this magnitude. David Grossman may be the most gifted writer I've ever read; gifted not just because of his imagination, his energy, his originality, but because he has access to the unutterable, because he can look inside a person and discover the unique essence of her humanity. For twenty-six years he has been writing novels about what it means to defend this essence, this unique light, against a world designed to extinguish it. To the End of the Land is his most powerful, shattering, and unflinching story of this defense. To read it is to have yourself taken apart, undone, touched at the place of your own essence; it is to be turned back, as if after a long absence, into a human being.” —Nicole Krauss
“Very rarely, a few times in a lifetime, you open a book and when you close it again nothing can ever be the same. Walls have been pulled down, barriers broken, a dimension of feeling, of existence itself, has opened in you that was not there before. To the End of the Land is a book of this magnitude. David Grossman may be the most gifted writer I've ever read; gifted not just because of his imagination, his energy, his originality, but because he has access to the unutterable, because he can look inside a person and discover the unique essence of her humanity. For twenty-six years he has been writing novels about what it means to defend this essence, this unique light, against a world designed to extinguish it. To the End of the Land is his most powerful, shattering, and unflinching story of this defense. To read it is to have yourself taken apart, undone, touched at the place of your own essence; it is to be turned back, as if after a long absence, into a human being.” —Nicole Krauss
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I have read about half. THIS is a love story. What kind of love? Love for your child, your first and your second. Love for your partner in life. Husband or someone else, doesn't matter. There is a really weird triangle love relationship, but the further and further I go into the book the more it all makes sense. And by having a triangle relationship you can see, feel and experience again for yourself all the different emotions tied with love.
Do you remember breastfeeding? Do you remember how you looked at the newborn right after delivery? Do you remember the first step and words and funny things your kids have done? They will not be exactly the same as those mentioned in this book but there has to be something wrong with you if you don't recall your own memories and feelings. How did a man write this? Sorry if I am prejudiced....
Superb writing! One minute you see a glint of light on a stone, marvel at a simile, are trying to understand your own philosophical approach or remembering your own experiences, and in the next sentence you are abruptly brought back to earth with a snide remark. Avram has one of his rare smiles, and Ora says, "Be careful it might stick." Avram is short, and Ora refers to his "peanut stature". I love the quick changes. You are continually snapped back to real life. Marvelous dialogs.
I love the philosophical content. I love the writing. Damn, how many authors can capture what "love" is really about? All different kinds of love. Few authors can capture the inherent differences between how men and women think.
WHY do other reviewers dislike Ora? Maybe I would not do what she does, because I simply do not have the courage, but I completely understand her. I admire her ability to do what she does. It is not at all as stupid as others say.
Having now finished the book I still feel that it was fantastic, from start to finish. There was only one brief section, when Avram is stuck in a bunker all by himself and is soon to be taken POW, when the philosophizing is laid on too thick. The latter half brings home with a punch how it has been to be an Israeli. The events carry the reader from the Six-Day War of 1967, through the Yom Kippur War of 1973 through to the suicide bombings that continue still today. How do these people look at life today? You understand that too by reading this book.
I grew to very much appreciate Arthur Morey's narration of this excellent book, although it took me a while.
This is the best book of fiction I have read this year! Its themes are love, family relationships and life in Israel. Fiction? The author knows what he is talking about. "Grossman began writing the novel in May 2003 when his oldest son Yonatan was serving in the Israeli Defense Forces and the book was largely complete by August 2006 when his younger son Uri was killed in the Second Lebanon War." (Wikipedia).
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Nuanced tale of Israeli predicaments
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wonderful book!
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The translation is excellent, however the narrator consistently mispronounces nearly every Hebrew word and name. Some of the place names are familiar to everyone, so it is strange that he wasn't coached.
Engrossing novel but narration problems
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